포르투갈의 전 총리이자 대통령인 마리오 소아레스의 예술계 인연을 확인해 보세요. 그는 포르투갈 문화를 옹호하고 상페르난두 및 비아나와 같은 박물관을 지원했습니다.
비제우 국립 박물관에서 그랑 바스코의 르네상스 걸작을 만나보세요! 포르투갈 역사적인 신학교 출신의 경이로운 제단화와 예술 작품들을 통해 신앙과 예술적 탁월함을 발견하세요.
A landscape that reproduces the capture of a brief record, as if it was marking a moment of wanders through the parish of Tancos, in Vila Nova da Barquinha, Santarém. It is a momentary lapse, without obvious signs of humanization and integrated in the Portuguese naturalist school. In a recreation made from loose and imprecise spots, the greens of the vegetation and trees are dotted with different shades of brown, imparting body to the trunks and branches of the trees, to the undergrowth, accentuating the path that divides the landscaped green and the ground which dominates the first plane of the composition.Overlapping the horizon line, the trees are trimmed in the cloudy sky of lilac tonality, progressing to the darkened blue, remembering a late afternoon or early morning. A tree with thin trunks and branches intersects with the landscape and extends to the limit of the representation of the sky, with loose and rapid brushstrokes, forming a scattered foliage, overlapping the figurative field as if it were a curtain that, dividing, guarantees and accentuates, the unity of composition plans.