Untitled (1956)はZakhar Hatsyatryanの最も有名な作品であり、エレバンのアルメニア国立美術館に所蔵されています。 Untitled (1954)とUntitled (1960)は、世界で最もよく知られている次の2つの作品です。 当カタログに含まれるZakhar Hatsyatryanの80作品の中から、コレクターや美術館の来館者が最も注目する55作品を厳選しました。各作品の制作年、所蔵美術館、そしてその背景にある物語をご紹介します。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026
このページに掲載されている絵画を最も多く所蔵している 1 の美術館
| 美術館 | 都市 | Zakhar Hatsyatryanの作品 | このリストの絵画 |
|---|---|---|---|
| エレバン | 55 | Untitled, Untitled, Untitled |
Untitled (1956)(アルメニア国立美術館, エレバン)。続いてUntitled (1954)、そしてUntitled (1960)が続きます。
32歳:Untitledは1956年の作品で、Zakhar Hatsyatryanは1924生まれです。
Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled と Untitled。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1954年から2004年にかけて制作されたZakhar Hatsyatryanによる80点の作品が掲載されています。
その多くはアルメニア国立美術館 (エレバン)に所蔵されています。上記の表に各美術館を一覧で記載しています。
1970sにおける作品は、このページにある全55点のうち24点にのぼり、その中にはUntitledが含まれます。
このページで最も古い作品はUntitled (1954)、最新の作品はUntitled (2004)です。
Untitled, Untitled と Untitledは、アルメニア国立美術館, エレバンが所蔵するこのページ内の55点の作品のうちの一つです。
Zakhar Hatsyatryan was born in the village of Sarnakunq, within the Sisian region. His early years were interrupted by the onset of the Great Patriotic War, a time that pulled him away from his schooling and toward the front lines. When the conflict ended, he returned to his homeland to begin a formal study of art. In 1946, he entered the Yerevan Fine Arts College after Panos Terlemezyan, eventually graduating in 1948. His hands, once shaped by the necessities of war, turned instead to the deliberate movements of the brush.
His life was marked by a steady presence in the Armenian and Russian art communities. He did not merely paint; he taught, serving as a professor at the Armenian State Pedagogical University after Khachatur Abovyan. His commitment to his peers and his history led him to serve as the Chairman of the Veterans’ Association of St. Petersburg and as the President of the Council of war artists veterans in Saint Petersburg. He carried the weight of his experiences into his work, a man who understood both the stillness of a landscape and the heavy reality of history.
The recognition he received reflected a lifetime of disciplined practice and service. His contributions were noted through several specific honors:
The work of Zakhar Hatsyatryan remains held within the National Gallery of Armenia, Yerevan, where many of his pieces reside. His output spanned several decades, with recorded works dating from 1954 to 2004. One notable piece from his early period is an untitled work from 1956. His paintings are not merely objects of observation but are pieces of a life lived through significant shifts in the landscape of the twentieth century. He passed away in his 92nd year, leaving behind a body of work that remains a part of the visual history of his people.