William Taskerの名作として知られるのはLord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839)で、ニューヘイブンのイェール英国美術館に所蔵されています。 コレクターや美術館の来場者の心には、The Liverpool and National Steeplechase at Aintree, 1843 (1843)、そしてNational Defense (1921)が続いています。 当カタログに含まれるWilliam Taskerの全3作品のうち、特に高く評価されている3作品をご紹介します。各作品には制作年、所蔵美術館、そしてその作品ならではの特徴が添えられています。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新：11月 2026
このページに掲載されている絵画を最も多く所蔵している 2 の美術館
| 美術館 | 都市 | William Taskerの作品 | このリストの絵画 |
|---|---|---|---|
 イェール英国美術館 |
ニューヘイブン | 2 | Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester, The Liverpool and National Steeplechase at Aintree, 1843 |
 メトロポリタン美術館 |
ニューヨーク | 1 | National Defense |
Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839)（イェール英国美術館, ニューヘイブン）。続いてThe Liverpool and National Steeplechase at Aintree, 1843 (1843)、そしてNational Defense (1921)が続きます。
当カタログには、1839年から1921年にかけて制作されたWilliam Taskerによる3点の作品が掲載されています。
その多くはイェール英国美術館 (ニューヘイブン) と メトロポリタン美術館 (ニューヨーク)に所蔵されています。上記の表に各美術館を一覧で記載しています。
このページで最も古い作品はLord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839)、最新の作品はNational Defense (1921)です。
Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester と The Liverpool and National Steeplechase at Aintree, 1843は、イェール英国美術館, ニューヘイブンが所蔵するこのページ内の2点の作品のうちの一つです。
Born in New York City, William Tasker spent his life observing the way light settles upon the land. His brushwork followed the shifts of the Impressionist movement, focusing on the fleeting qualities of color and the atmosphere of the American landscape. He did not merely paint scenes; he captured the way light moves through a space, often working with oil on canvas to build texture and depth. His hands were accustomed to the quiet work of capturing the ephemeral, turning a specific moment in time into a permanent record of light and shadow.
His career was marked by a steady presence in the American art scene. He was part of a generation that helped bring new ways of seeing to the United States, participating in significant exhibitions that changed how people viewed local scenery. His work moved through the galleries of his time, finding its way into permanent collections where his specific handling of color remains visible.
Tasker’s work captures the energy of specific moments, often focusing on the relationship between a subject and its surroundings. His paintings move between the quietude of the landscape and the structured motion of life. His oil on canvas works include:
In National Defense, there is a sense of weight and purpose. The paint carries a certain gravity, moving away from purely decorative scenes toward something more substantial. He had a way of grounding his subjects within a tangible reality, using color and light to define the space they occupy. His presence in the 1913 Armory Show helped bring these Impressionist sensibilities to a wider American audience.
By the time of his death in 1933, Tasker had left behind a body of work that speaks to the evolution of American painting. His involvement in the Armory Show of 1913 placed him at the center of a major shift in artistic thought. He was there when the old ways of seeing were being challenged by new, more experimental approaches. His paintings remain in places like the Metropolitan Museum of Art, where the brushstrokes still hold the light he once sought to capture. He remains a figure of the Impressionist movement, remembered for how he translated the atmosphere of his surroundings onto the canvas.
