タラス・シェフチェンコ, 1814 – 1861

タラス・シェフチェンコによる最も有名な絵画 58選

タラス・シェフチェンコを有名にした作品はThe death of Bohdan Khmelnytsky (1837)です。 コレクターや美術館の来場者の心には、Vydubychi Monastery in Kyiv (1844)、そしてSelf-Portrait (1852)が続いています。 当カタログに含まれるタラス・シェフチェンコの全58作品のうち、特に高く評価されている58作品をご紹介します。各作品には制作年、所蔵美術館、そしてその作品ならではの特徴が添えられています。

各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:10月 2026 このページに掲載されているすべての名作は、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。

タラス・シェフチェンコの肖像画
タラス・シェフチェンコ · 1814 – 1861
生没年
1814 – 1861, モリンツィ
ムーブメント
Romanticism
カタログ掲載作品
58
最も有名な
The death of Bohdan Khmelnytsky (1837)
最多収蔵館
Taras Shevchenko National Museum

タラス・シェフチェンコ:10の傑作

タラス・シェフチェンコの名作をもっと見る、11から58まで

タラス・シェフチェンコの作品を見るには

このページに掲載されている絵画を最も多く所蔵している 3 の美術館

美術館 都市 タラス・シェフチェンコの作品 このリストの絵画
Taras Shevchenko National Museum, KievTaras Shevchenko National Museum Kiev 26 Self-Portrait, Cathedral of the Annunciation in Nizhny Novgorod, Archangel Cathedral in Nizhny Novgorod
National Art Museum of Ukraine, KievNational Art Museum of Ukraine Kiev 1 Self-portrait
ウクライナ国立美術館, キエフウクライナ国立美術館 キエフ 1 Portrait of Gorlenko

タラス・シェフチェンコ、年代別:各時代の代表作

  1. 1830s
  2. 1840s
  3. 1850s
    Self-Portrait (1852) による タラス・シェフチェンコ
    58件中3位

    Self-Portrait

    年齢 36歳 – 45歳 · Taras Shevchenko National Museum
  4. 1860s

タラス・シェフチェンコの名作:Q&A

タラス・シェフチェンコの代表作は何ですか?回答を表示

The death of Bohdan Khmelnytsky (1837)。続いてVydubychi Monastery in Kyiv (1844)、そしてSelf-Portrait (1852)が続きます。

タラス・シェフチェンコがThe death of Bohdan Khmelnytskyを描いた時の年齢は?回答を表示

23歳:The death of Bohdan Khmelnytskyは1837年の作品で、タラス・シェフチェンコは1814生まれです。

タラス・シェフチェンコの最高傑作といえる10枚の絵画とは?回答を表示

The death of Bohdan Khmelnytsky, Vydubychi Monastery in Kyiv, Self-Portrait, Aulia-Tau, Valley on the Khiva road, Cathedral of the Annunciation in Nizhny Novgorod, Mezhyhirya Monastery, Catholic Church of St. Alexander, Archangel Cathedral in Nizhny Novgorod と Architectural project of private house. Plan.。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

タラス・シェフチェンコの作品数は?回答を表示

当カタログには、1833年から1861年にかけて制作されたタラス・シェフチェンコによる58点の作品が掲載されています。

タラス・シェフチェンコの名作は、どの美術館で見ることができますか?回答を表示

その多くはTaras Shevchenko National Museum (Kiev), National Art Museum of Ukraine (Kiev) と ウクライナ国立美術館 (キエフ)に所蔵されています。上記の表に各美術館を一覧で記載しています。

タラス・シェフチェンコが傑作を描いたのはいつ頃でしょうか?回答を表示

1830sにおける作品は、このページにある全58点のうち27点にのぼり、その中にはThe death of Bohdan Khmelnytskyが含まれます。

タラス・シェフチェンコの代表的な絵画の最初と最後は何ですか?回答を表示

このページで最も古い作品はPortrait of P.V. Engelhardt (1833)、最新の作品はSelf-Portrait (1861)です。

タラス・シェフチェンコはどの芸術運動に属していますか?回答を表示

このページに掲載されている絵画が示す通り、Romanticism

Taras Shevchenko National Museumには、タラス・シェフチェンコのどの傑作が展示されていますか?回答を表示

Self-Portrait, Cathedral of the Annunciation in Nizhny Novgorod と Archangel Cathedral in Nizhny Novgorodは、Taras Shevchenko National Museum, Kievが所蔵するこのページ内の26点の作品のうちの一つです。

タラス・シェフチェンコの名作の複製画を所有することはできますか?回答を表示

はい。このページに掲載されているすべての絵画は、各作品の個別ページから、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。

タラス・シェフチェンコの生涯

A Life Etched in Poetry and Paint: The World of Taras Shevchenko

Taras Hryhorovych Shevchenko, a name synonymous with Ukrainian identity and resilience, was more than just an artist or a poet—he was the embodiment of a nation’s yearning for freedom. Born into serfdom in 1814 in the humble village of Moryntsi, Ukraine, his early life was steeped in hardship, yet illuminated by an innate artistic talent that would ultimately transcend his circumstances and ignite a cultural awakening. The weight of oppression bore down on young Taras; he lost his mother at seven and his father eight years later, experiences that indelibly marked his sensibility and fueled the poignant social commentary woven throughout his life’s work. His initial exposure to art came through apprenticeships with local icon painters, laying the foundation for a technical skill that would blossom under formal training. This early period wasn't merely about mastering technique; it was an immersion into Ukrainian folklore, religious imagery, and the visual language of his people—elements that would become cornerstones of his artistic expression.

From Serfdom to St. Petersburg: The Flowering of a Genius

Shevchenko’s path took a pivotal turn when he was sent to Kyiv for education, first at the Grammar School and then the Theological Seminary. However, these institutions proved ill-suited to his artistic spirit. Fate intervened through the patronage of several individuals who recognized his exceptional talent. This led to his liberation from serfdom in 1838—a watershed moment achieved through a lottery where the prize was a portrait by Karl Bryullov. This freedom unlocked access to the prestigious Imperial Academy of Arts in St. Petersburg, where he studied under Karl Brück. Here, Shevchenko wasn’t simply absorbing artistic techniques; he was engaging with the broader European art scene, encountering Romanticism and Realism, styles that would subtly influence his own developing aesthetic. His work began to blend traditional Ukrainian themes with a modern sensibility, foreshadowing the unique voice he would soon project through both brushstrokes and verse. During this period, he honed his skills in painting, etching, and drawing, demonstrating a remarkable versatility that set him apart.

The Poet of Ukraine: *Kobzar* and the Voice of a Nation

While Shevchenko excelled as an artist, it was through poetry that he truly captured the soul of Ukraine. The publication of *Kobzar* in 1840 marked a turning point not only in his career but also in Ukrainian literature itself. This collection wasn’t merely a compilation of poems; it was a declaration of national identity, a lament for past injustices, and a call for future liberation. The verses resonated deeply with the Ukrainian peasantry, articulating their struggles under serfdom and igniting a sense of collective consciousness. *Kobzar* became a symbol of resistance and hope, circulating widely despite censorship attempts by the Tsarist regime. Beyond *Kobzar*, Shevchenko’s artistic output continued to reflect his deep connection to Ukraine—paintings depicting rural life, historical events, and portraits that captured the spirit of his people. Works like “Architectural project of private house. Main facade” and "Cathedral of the Annunciation in Nizhny Novgorod" demonstrate a range beyond purely nationalistic themes, showcasing his architectural interests and technical skill. His monochrome illustration, “The Death of Bohdan Khmelnytsky,” stands as a powerful example of his mastery of realism and etching, depicting a pivotal moment in Ukrainian history with profound emotional depth.

Exile, Resilience, and Enduring Legacy

Shevchenko’s outspoken criticism of the Tsarist regime and involvement with the Petrashevsky Circle—a group advocating for political reform—led to his arrest in 1847 and a decade-long exile to Central Asia. This period was marked by immense hardship; he was forbidden from writing or painting, subjected to harsh conditions, and constantly monitored. Yet, even in the face of such oppression, Shevchenko’s spirit remained unbroken. He continued to sketch secretly, documenting his surroundings and preserving his artistic vision. His exile became a symbol of Ukrainian suffering under Russian rule, further solidifying his status as a national hero. Upon his premature release due to failing health, he returned to St. Petersburg only to succumb to illness in 1861 at the age of 47. His death was mourned throughout Ukraine and beyond. Today, Taras Shevchenko is revered as a foundational figure in Ukrainian literature and art. Numerous museums and memorials—including the Taras Shevchenko National Museum in Kyiv and the Tereshchenko Museum—are dedicated to preserving his legacy. His works continue to inspire generations of artists, writers, and activists, ensuring that his voice—a voice forged in hardship and fueled by a deep love for Ukraine—will resonate for centuries to come. The recent creation of a Taras Shevchenko AI chatbot is a testament to the enduring power of his ideas and the ongoing commitment to sharing his work with new audiences.

タラス・シェフチェンコによる全 58点の作品 →