Cliff Rowe, 1904 – 1988

Cliff Roweの名画:最も有名な作品77選、ランキング形式で紹介

Cliff Roweの最も有名な作品はChemistです。 CastingとThe Fried Fish Shop (1936)を合わせ、誰もが知る3つの名作が揃いました。 当カタログにはCliff Roweによる77点の作品が掲載されています。以下の77点は、世界で最も注目されている作品であり、制作年、所蔵美術館、そしてその重要性についてまとめています。

各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:10月 2026

Cliff Roweの肖像画
Cliff Rowe · 1904 – 1988
生没年
1904 – 1988
ムーブメント
Cubism
カタログ掲載作品
77
最も有名な
Chemist
最多収蔵館
New Walk Museum - Art Gallery

Cliff Roweによる最も有名な10作品

Cliff Roweの絵画 11〜77

Woman with Birdcage in Window (1931) による Cliff Rowe
#76

Woman with Birdcage in Window

1931

The People's History Museum (United Kingdom) is home to a stunning oil painting titled by Cliff Rowe, created in 1931. This captivating artwork measures 61 x 91 cm…

Cleaning Gas Retorts, St Pancras (1942) による Cliff Rowe
#77

Cleaning Gas Retorts, St Pancras

1942

The painting Cleaning Gas Retorts, St Pancras is a remarkable artwork created by Cliff Rowe in 1942. This oil on canvas piece measures 46 x 91 cm and…

Cliff Rowe が最も多く描いた主題

これらの傑作の中で最も頻繁に描かれる4つの主題と、それぞれの最高傑作をご紹介します。

Cliff Roweの作品を見るには

このページに掲載されている絵画を最も多く所蔵している 2 の美術館

美術館 都市 Cliff Roweの作品 このリストの絵画
New Walk Museum - Art Gallery, LeicesterNew Walk Museum - Art Gallery Leicester 1 The Fried Fish Shop
Herbert Art Gallery - Museum, CoventryHerbert Art Gallery - Museum Coventry 1 Woman with a Shopping Bag

Cliff Roweの代表作(年代順)

1931年から1945年までのCliff Roweのキャリアは、わずか15年、10年余りの短い期間です。ここでは、各年の代表的な名作とともに、その歩みを年ごとに辿ります。

  1. 1931
  2. 1931
  3. 1931
  4. 1931
    Woman with Birdcage in Window (1931) による Cliff Rowe
    77件中 76番目

    Woman with Birdcage in Window

    年齢 27歳

    The People's History Museum (United Kingdom) is home to a stunning oil painting titled by Cliff Rowe, created in 1931. This captivating artwork measures 61 x 91 cm…

  5. 1936
  6. 1937
  7. 1937
  8. 1942
    Cleaning Gas Retorts, St Pancras (1942) による Cliff Rowe
    77件中77位

    Cleaning Gas Retorts, St Pancras

    年齢 38歳

    The painting Cleaning Gas Retorts, St Pancras is a remarkable artwork created by Cliff Rowe in 1942. This oil on canvas piece measures 46 x 91 cm and…

  9. 1945

Cliff Roweの絵画に関する質問

Cliff Roweの最も有名な絵画は何ですか?回答を表示

Chemist。続いてCasting、そしてThe Fried Fish Shop (1936)が続きます。

Cliff Roweによるトップ10の名画とは?回答を表示

Chemist, Casting, The Fried Fish Shop, Woman with a Shopping Bag, Electrical Engineer, Industrial Plant, Three Men Building Frame, Plating Bicycle Frames, Man Shaping a Bottle と Man Drawing Out Molten Glass。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Cliff Roweの作品数は?回答を表示

当カタログには、1931年から1945年にかけて制作されたCliff Roweによる77点の作品が掲載されています。

Cliff Roweの最も有名な絵画はどこにありますか?回答を表示

その多くはNew Walk Museum - Art Gallery (Leicester) と Herbert Art Gallery - Museum (Coventry)に所蔵されています。上記の表に各美術館を一覧で記載しています。

Cliff Roweが最も有名な作品を描いたのはいつですか?回答を表示

1931における作品は、このページにある全77点のうち4点にのぼり、その中にはStreet Scene Kentish Townが含まれます。

Cliff Roweの初期および後期の代表作は何ですか?回答を表示

このページで最も古い作品はStreet Scene Kentish Town (1931)、最新の作品はSt Pancras, Cleaning Yard (1945)です。

Cliff Roweが最も多く描いたモチーフは何ですか?回答を表示

このページに掲載されている77作品のうち、Social commentary (4), London life (3) と Abstract figures (2)

Cliff Roweはどの芸術運動に属していますか?回答を表示

このページに掲載されている絵画が示す通り、Cubism

Cliff Roweについて

The Visionary of the Working Class: The Life and Legacy of Cliff Rowe

Born in the heart of Wimbledon, South London, to working-class parents, Clifford Rowe’s life was a profound tapestry woven from threads of social conviction and artistic mastery. His early years were defined by a dual education: the formal training at the Wimbledon School of Art and the Royal College of Art, which sharpened his technical draughtsmanship, and the raw, lived experience of London’s streets, which forged his political soul. This unique intersection of modernist experimentation and Marxist ideology would become the hallmark of his career, allowing him to bridge the gap between avant-garde aesthetics and the urgent realities of the common man.

The 1920s served as a crucible for Rowe’s developing worldview. As he navigated the turbulent economic landscapes marked by hunger marches and the global tremors of the Wall Street Crash, his art began to find its political voice. A pivotal moment occurred in 1930 when he traveled to the Soviet Union. Staying for eighteen months, Rowe immersed himself in a society that viewed art as a vital instrument of the state and the people. While he eventually returned to England, driven by the realization that the class struggle was equally potent on home soil, his time abroad left an indelible mark on his technique, introducing him to a sense of scale and purpose that would define his later compositions.

A Canvas of Social Transformation

Rowe’s artistic output was never merely decorative; it was deeply communicative. As a founding member of the Artists International Association (AIA) in 1933, he championed the idea that art should be accessible to the masses rather than sequestered in elite galleries. His work often blended the sharp, angular influences of Cubism with a gritty, grounded realism—a style some have described as a meeting point between Socialist Realism and New Realism. Whether through his evocative oil paintings or his prolific work as an illustrator, Rowe sought to capture the dignity of labor without falling into the trap of sentimentalism.

His versatility allowed him to move seamlessly between different mediums and commissions:

  • Illustrative Mastery: He produced striking dust jacket designs for books and worked extensively on political publications, using imagery to disseminate progressive ideals.
  • Public Commemorations: His talent was recognized on a national stage through his promotional commissions for the Attlee Labour government and his contributions to the iconic 1951 Festival of Britain.
  • Graphic Activism: Through the AIA, he designed posters, banners, and placards that became the visual language of contemporary social demonstrations and trade union movements.

Symbolism and the Human Condition

In his more introspective works, Rowe explored the psychological weight of modernity. Paintings such as Man and Microscope utilize Cubist-influenced forms to examine the detachment between humanity and advancing technology, using muted tones to evoke a sense of clinical isolation. Similarly, Operating Theatre Nurse presents an unsettling, geometric depiction of clinical detachment, showcasing his ability to use abstraction to convey profound emotional states. Even in his more representational scenes of London life—from the bustling atmosphere of fish shops to the industrial grit of factories—there is an underlying tension, a careful balance between the physical reality of the subject and the symbolic weight of their social position.

The historical significance of Cliff Rowe lies in his refusal to separate the artist from the citizen. His legacy is preserved not only in the prestigious collections of the Tate and The People’s History Museum but also in the very fabric of British social history. He remains a vital figure for those studying the intersection of art and politics, reminding us that the brush can be as powerful a tool for change as any political manifesto. Through his eyes, we see a London that is both a place of struggle and a landscape of immense, quiet beauty.

Cliff Roweによる全 77点の作品 →