Thomas Arrowsmith, 1772 – 1830

Thomas Arrowsmithによる最も有名な絵画 8選

Thomas Arrowsmithを有名にした作品はWilliam Durning (1751–1831) (1820)です。 コレクターや美術館の来場者の心には、Jane Lang (c.1761–1831), Wife of William Durning (1820)、そしてOliver Holt of Rochdale (d.1829) (1820)が続いています。 当カタログに含まれるThomas Arrowsmithの全8作品のうち、特に高く評価されている8作品をご紹介します。各作品には制作年、所蔵美術館、そしてその作品ならではの特徴が添えられています。

各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026 このページに掲載されているすべての名作は、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。

Thomas Arrowsmithの肖像画
Thomas Arrowsmith · 1772 – 1830
生没年
1772 – 1830
カタログ掲載作品
8
最も有名な
William Durning (1751–1831) (1820)
最多収蔵館
Statens Museum For Kunst

Thomas Arrowsmith:10の傑作

William Durning (1751–1831) (1820) による Thomas Arrowsmith
1

William Durning (1751–1831)

1820 · Oil

In this circular portrait, we are invited into the private space of William Durning. The composition is intimate, focusing entirely on the man’s presence against a dark, receding background. He is depicted in middle age, his fair skin and light brown hair neatly arranged, looking directly at us with a gaze that is both steady and thoughtful. There is a certain weight to his expression, a subtle furrowing of the…

手描き油彩複製画: $181 28 × 35 cm 原画と同サイズ $263 55 × 67 cm 原寸サイズで注文する →
Jane Lang (c.1761–1831), Wife of William Durning (1820) による Thomas Arrowsmith
2

Jane Lang (c.1761–1831), Wife of William Durning

1820 · Oil · Statens Museum For Kunst, コペンハーゲン

The portrait presents a woman of composed dignity, her gaze directed toward the viewer with a steady, unblinking presence. She is framed by the soft textures of a white cap and a matching dress, which contrast against the darker tones of her hair. A single strand of pearls encircles her neck, providing a subtle point of light against the skin. The composition is intimate, focusing heavily on the facial features…

手描き油彩複製画: $181 28 × 36 cm 原画と同サイズ $263 55 × 67 cm 原寸サイズで注文する →
Oliver Holt of Rochdale (d.1829) (1820) による Thomas Arrowsmith
3

Oliver Holt of Rochdale (d.1829)

1820 · Oil On Canvas

A man sits before us, his hands clasped in a quiet, steady gesture of composure. He wears the dark, structured attire of a gentleman from a bygone era, the fabric of his suit catching the light in subtle, deliberate strokes. His eyes meet the viewer with a directness that suggests a life of settled purpose. There is a stillness here, a moment frozen in 1820, where the sitter’s dignity is…

手描き油彩複製画: $181 28 × 35 cm 原画と同サイズ $288 61 × 74 cm 原寸サイズで注文する →
Portrait of a Gentleman (1830) による Thomas Arrowsmith
4

Portrait of a Gentleman

1830 · Oil

In this 1830 portrait, we encounter a man who commands the space through stillness rather than gesture. He sits composed in a formal black jacket and white shirt, his expression marked by a certain sternness that suggests a life of disciplined thought. There is a weight to his presence, a sense of a man accustomed to being observed but rarely truly seen. Behind him, a painting rests in the background,…

手描き油彩複製画: $181 28 × 35 cm 原画と同サイズ $297 63 × 76 cm 原寸サイズで注文する →
John Joule (1783–1858) (1825) による Thomas Arrowsmith
6

John Joule (1783–1858)

1825 · Oil · Shugborough Hall, ストーク・オン・トレント

The man stares directly from the canvas, his gaze meeting the viewer with a steady, unblinking presence. He is John Joule, a figure of substance captured in a moment of stillness. He wears a dark, well-tailored suit that absorbs the light, contrasted sharply by the crisp white of his shirt and the meticulous folds of his cravat. A beard frames his face, adding a layer of seasoned character to his…

手描き油彩複製画: $181 29 × 35 cm 原画と同サイズ $299 64 × 76 cm 原寸サイズで注文する →
Mrs Derry (1814) による Thomas Arrowsmith
8

Mrs Derry

1814

The painting Mrs Derry by Thomas Arrowsmith is a captivating oil on canvas artwork that showcases the artist's exceptional skill in portraiture. Created in 1814, this piece measures 36 x 31 cm and is a remarkable example of the artist's attention to detail and ability to capture the essence of his subject. The Artist and His Work Thomas Arrowsmith was a talented artist who, like Louis-Vincent-Léon Pallière, demonstrated great promise…

手描き油彩複製画: $181 29 × 34 cm 原画と同サイズ $185 31 × 36 cm 原寸サイズで注文する →

Thomas Arrowsmith が最も多く描いた主題

これらの傑作の中で最も頻繁に描かれる4つの主題と、それぞれの最高傑作をご紹介します。

Thomas Arrowsmithの作品を見るには

このページに掲載されている絵画を最も多く所蔵している 3 の美術館

美術館 都市 Thomas Arrowsmithの作品 このリストの絵画
Statens Museum For Kunst, コペンハーゲンStatens Museum For Kunst コペンハーゲン 1 Jane Lang (c.1761–1831), Wife of William Durning
Huntingdonshire Archives, HuntingdonHuntingdonshire Archives Huntingdon 1 Alexander Peterkin (d.1835), Stationer and Bookseller
Shugborough Hall, ストーク・オン・トレントShugborough Hall ストーク・オン・トレント 1 John Joule (1783–1858)

Thomas Arrowsmith、年代別:各時代の代表作

  1. 1810s
    Mrs Derry (1814) による Thomas Arrowsmith
    8件中8位

    Mrs Derry

    年齢 38歳 – 47歳

    The painting Mrs Derry by Thomas Arrowsmith is a captivating oil on canvas artwork that showcases the artist's exceptional skill in portraiture. Created in 1814, this piece measures…

  2. 1820s
    William Durning (1751–1831) (1820) による Thomas Arrowsmith
    8件中1位

    William Durning (1751–1831)

    年齢 48歳 – 57歳

    In this circular portrait, we are invited into the private space of William Durning. The composition is intimate, focusing entirely on the man’s presence against a dark, receding…

  3. 1830s
    Portrait of a Gentleman (1830) による Thomas Arrowsmith
    8件中 4番目

    Portrait of a Gentleman

    年齢 58歳

    In this 1830 portrait, we encounter a man who commands the space through stillness rather than gesture. He sits composed in a formal black jacket and white shirt,…

Thomas Arrowsmithの名作:Q&A

Thomas Arrowsmithの代表作は何ですか?回答を表示

William Durning (1751–1831) (1820)。続いてJane Lang (c.1761–1831), Wife of William Durning (1820)、そしてOliver Holt of Rochdale (d.1829) (1820)が続きます。

Thomas ArrowsmithがWilliam Durning (1751–1831)を描いた時の年齢は?回答を表示

48歳:William Durning (1751–1831)は1820年の作品で、Thomas Arrowsmithは1772生まれです。

Thomas Arrowsmithの作品数は?回答を表示

当カタログには、1814年から1830年にかけて制作されたThomas Arrowsmithによる8点の作品が掲載されています。

Thomas Arrowsmithの名作は、どの美術館で見ることができますか?回答を表示

その多くはStatens Museum For Kunst (コペンハーゲン), Huntingdonshire Archives (Huntingdon) と Shugborough Hall (ストーク・オン・トレント)に所蔵されています。上記の表に各美術館を一覧で記載しています。

Thomas Arrowsmithが傑作を描いたのはいつ頃でしょうか?回答を表示

1820sにおける作品は、このページにある全8点のうち4点にのぼり、その中にはWilliam Durning (1751–1831)が含まれます。

Thomas Arrowsmithの代表的な絵画の最初と最後は何ですか?回答を表示

このページで最も古い作品はMrs Derry (1814)、最新の作品はPortrait of a Gentleman (1830)です。

Thomas Arrowsmithが好んで描いた主題は何でしたか?回答を表示

このページに掲載されている8作品のうち、Man (5), Suit (4) と Portrait (3)

Thomas Arrowsmithが好んで用いた技法は何ですか?回答を表示

Oil: このページには全8作品中4件の作品があります。

Thomas Arrowsmithの名作の複製画を所有することはできますか?回答を表示

はい。このページに掲載されているすべての絵画は、各作品の個別ページから、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。

Thomas Arrowsmithの生涯

Thomas Arrowsmith (1772 – 1830): A Quiet Master of British Portraiture

Thomas Arrowsmith was a British portrait artist who flourished in the early 19th century, establishing himself as a respected figure within the artistic circles of London and Évreux. Though his output wasn’t prolific compared to contemporaries like Joshua Reynolds or Sir Thomas Lawrence, Arrowsmith's meticulous technique and understated elegance secured him a place among the most admired painters of his time, particularly for capturing the dignity and character of his subjects.
  • Early Life & Training: Born in London around 1772, Arrowsmith’s precise biographical details remain somewhat elusive. He apprenticed under John Opie, a celebrated Romantic painter known for his emotive landscapes and portraits of literary figures—a formative influence that instilled in Arrowsmith a commitment to capturing psychological nuance alongside formal beauty.
  • London Years & Patronage: Arrowsmith established his studio in London during the Napoleonic Wars era, attracting commissions from wealthy families and prominent individuals eager to commemorate their lineage. His portraits often depicted gentlemen engaged in scholarly pursuits or sporting activities, reflecting the intellectual climate of the period. Notably, he painted John Joule (1783–1858), a celebrated physicist who championed scientific inquiry and humanist values—a testament to Arrowsmith’s artistic sensibilities.
  • Move to Évreux & Artistic Legacy: Around 1806, Arrowsmith relocated to Évreux, Normandy, where he continued his practice and established the Musée Thomas-Henry, showcasing his own paintings alongside works by Millet and Italian Masters. This museum serves as a tangible reminder of Arrowsmith’s artistic vision and dedication to preserving cultural heritage.

Style & Technique: Precision and Psychological Depth

Arrowsmith's distinctive style was characterized by remarkable precision—a hallmark of Neoclassical painting—combined with an astute understanding of human psychology. He eschewed flamboyant gestures or dramatic poses, favoring instead carefully observed compositions that conveyed inner character rather than outward display. His brushwork was subtle yet deliberate, achieving a velvety smoothness that enhanced the tonal richness of his canvases. Arrowsmith’s mastery of chiaroscuro – the interplay of light and shadow – created an atmospheric depth that imbued his portraits with a sense of realism and emotional resonance. He meticulously studied anatomy and drapery to ensure accuracy, reflecting the influence of artists like Anton Raphael Mengels.
  • Notable Works: Among Arrowsmith’s most celebrated paintings are ‘Portrait of a Boy,’ likely depicting George Woolhouse—a tender depiction capturing youthful innocence and vulnerability—and ‘Mrs Derry,’ showcasing a woman's serene composure and refined grace. These works exemplify his ability to distill complex emotions into understated visual representations.
  • Influence & Recognition: Arrowsmith’s reputation grew steadily throughout his career, earning him recognition from fellow artists and critics alike. His paintings were exhibited at the Royal Academy in London, cementing his position as a respected member of the British artistic community.

Historical Significance: A Voice Amidst Romantic Excess

Thomas Arrowsmith’s oeuvre stands apart from the exuberant Romantic fervor that dominated much of the early 19th century. While Reynolds and Lawrence embraced theatrical grandeur and emotional intensity, Arrowsmith pursued a path of quiet contemplation—a deliberate choice that underscored his belief in artistic restraint and intellectual integrity. His portraits offer valuable insights into the social conventions and psychological complexities of Victorian England, providing a counterpoint to the prevailing trends of his time. He remains an artist whose understated brilliance continues to captivate viewers today, reminding us that beauty can reside in subtlety and precision—qualities equally valued by Arrowsmith and by the Musée Thomas-Henry itself.