The Artist at Seventeen Years of Age (1889)はRobert Broughの最も有名な作品です。 Monsignor Charles Tochetti (1897)とSir James Murray (1850–1933) (1903)は、世界で最もよく知られている次の2つの作品です。 当カタログに含まれるRobert Broughの44作品の中から、コレクターや美術館の来館者が最も注目する33作品を厳選しました。各作品の制作年、所蔵美術館、そしてその背景にある物語をご紹介します。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新：11月 2026 このページに掲載されているすべての名作は、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。
In this 1889 oil on canvas, we find a young Robert Brough looking back at himself. It is a close-up, bust-length portrait that captures the artist at seventeen, a period of profound transition. The grayscale tones and muted palette lend the work a certain melancholy, as if we are witnessing a private thought caught in mid-air. There is a stillness here, a sense of a soul contemplating its own direction…
In this 1897 portrait, we find ourselves in a quiet, intimate encounter with Monsignor Charles Tochetti. The subject is presented in a close-up, three-quarter view, his presence filling the frame with a sense of settled dignity. There is a profound stillness here, a moment captured where the light catches the deep lines of a life lived with purpose. The background remains dark and indistinct, a deliberate choice that pushes the…
The portrait of Sir James Murray, executed in 1903, presents a formal study of the subject in a monochromatic palette. He is positioned slightly to the left of the center, facing forward with a direct gaze directed toward the viewer. The figure is dressed in a dark suit, which provides a solid, structured silhouette against the background. A doorway is visible behind him on the right, creating a receding plane…
A seated woman occupies the center of this 1897 oil on canvas, her gaze directed toward the viewer from a position of relaxed formality. She sits within an indistinct interior, the background rendered in soft, blended brushstrokes that lack sharp definition. The composition is anchored by the subject's upper body, while elements of her immediate surroundings provide subtle narrative cues:
The painting Mary Dallas Ross by Robert Brough is a masterpiece that exudes elegance and sophistication. Created in 1892, this oil on canvas piece measures 71 x 56…
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The Tate Britain is home to a plethora of captivating artworks, including Robert Brough's Fantaisie en Folie, created in 1897. This oil on canvas painting is a testament…
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The Robert Brough painting, Mrs Nicol of Roscobie, is a stunning example of the artist's skill in capturing the essence of his subjects. Created in 1897, this oil…
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The Dolly Crombie painting by Robert Brough is a stunning example of oil on canvas artwork, created in 1896. This beautiful piece measures 129 x 119 cm and…
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これらの傑作の中で最も頻繁に描かれる4つの主題と、それぞれの最高傑作をご紹介します。
このページに掲載されている絵画を最も多く所蔵している 7 の美術館
| 美術館 | 都市 | Robert Broughの作品 | このリストの絵画 |
|---|---|---|---|
 Edinburgh College of Art |
エディンバラ | 2 | Female Nude with Brass Urn, Nude Study Female |
 University of Aberdeen |
アムステルダム | 1 | John Thomson |
 スコットランド国立美術館 |
エディンバラ | 1 | William Dallas Ross (d.1931) |
 West Lothian Council |
Livingston | 1 | John Adrian Louis (1860–1908), 7th Earl of Hopetoun and 1st Marquis of Linlithgow |
 Mintlaw Discovery Centre |
Peterhead | 1 | Reverend Dr James Stewart (1830–1917), Minister of Peterhead (1864–1917) (unfinished) |
 Dundee Art Gallery And Museum |
Dundee | 1 | Mary Dallas Ross |
 The Fleming Collection |
London | 1 | Fieldworkers |
In this 1889 oil on canvas, we find a young Robert Brough looking back at himself. It is a close-up, bust-length portrait that captures the artist at seventeen,…
In this 1897 portrait, we find ourselves in a quiet, intimate encounter with Monsignor Charles Tochetti. The subject is presented in a close-up, three-quarter view, his presence filling…
The portrait of Sir James Murray, executed in 1903, presents a formal study of the subject in a monochromatic palette. He is positioned slightly to the left of…
The Artist at Seventeen Years of Age (1889)。続いてMonsignor Charles Tochetti (1897)、そしてSir James Murray (1850–1933) (1903)が続きます。
17歳：The Artist at Seventeen Years of Ageは1889年の作品で、Robert Broughは1872生まれです。
The Artist at Seventeen Years of Age, Monsignor Charles Tochetti, Sir James Murray (1850–1933), Mrs Nicol of Roscobie, John Hay, Untitled, Dolce pomum, Mary Dallas Ross (c.1881–1936), Female Nude with Brass Urn と View of Elgin, Moray。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1889年から1905年にかけて制作されたRobert Broughによる44点の作品が掲載されています。
その多くはEdinburgh College of Art (エディンバラ), University of Aberdeen (アムステルダム) と スコットランド国立美術館 (エディンバラ)に所蔵されています。上記の表に各美術館を一覧で記載しています。
1890sにおける作品は、このページにある全33点のうち17点にのぼり、その中にはMonsignor Charles Tochettiが含まれます。
このページで最も古い作品はThe Artist at Seventeen Years of Age (1889)、最新の作品はMrs Nicol of Roscobie (1905)です。
このページに掲載されている33作品のうち、Man (2) と Portrait (2)
Oil On Canvas: このページには全33作品中4件の作品があります。
Female Nude with Brass Urn と Nude Study Femaleは、Edinburgh College of Art, エディンバラが所蔵するこのページ内の2点の作品のうちの一つです。
はい。このページに掲載されているすべての絵画は、各作品の個別ページから、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。
In the annals of Scottish art history, few names evoke such a poignant sense of fleeting brilliance as Robert Brough. A painter whose life was tragically brief, spanning only from 1872 to 1905, Brough managed to capture the very essence of Victorian Aberdeen with a sensitivity that transcended the rigid academicism of his era. Born near Invergordon in the rugged beauty of Ross and Cromarty, he carried within him a vision that sought to bridge the gap between the venerable traditions of his homeland and the burgeoning modernism sweeping through Europe. His work remains a testament to a soul caught between the structured dignity of the past and the vibrant, emotive possibilities of the future.
Brough’s artistic journey was deeply rooted in the soil of Scottish tradition, yet it was never confined by it. His formal training at the Glasgow School of Art provided him with a formidable technical foundation, most notably through his studies under the influence of the legendary portraitist Henry Raeburn. From this encounter, Brough inherited a profound respect for the psychological depth of his subjects and a mastery of capturing authentic human emotion. However, where his predecessors might have sought a static perfection, Brough pursued something far more elusive: the atmospheric mood. He looked toward the Parisian avant-garde, absorbing the light-drenched lessons of Impressionism and the dreamlike enigmas of Symbolism, weaving these international influences into the fabric of his Scottish sensibilities.
As Brough established himself within the artistic circles of Aberdeen, his style underwent a remarkable evolution, moving away from mere representation toward a more expressive, visceral language. He became a master of color, utilizing a palette that could shift from somber, muted tones to sudden, breathtaking bursts of luminosity. His canvases were not merely depictions of people or scenes; they were vessels for feeling. In his portraits, one finds an intimate connection with the sitter, achieved through delicate brushstrokes and a sophisticated use of light that seems to pulse with life.
This mastery is perhaps most evident in his celebrated works, where the boundaries between reality and imagination begin to blur:
Though his career was cut short by his untimely death at the age of thirty-two, Robert Brough left behind an oeuvre that continues to resonate with a singular, haunting beauty. He was an artist who refused to be stagnant, constantly experimenting with the interplay of light and shadow to express the inner complexities of his subjects. His ability to blend the formal requirements of portraiture with the emotive freedom of modern movement allowed him to document Victorian society not just as it appeared, but as it felt.
Today, Brough is remembered not merely as a regional painter, but as a visionary Scot who dared to infuse traditional subjects with a modern, luminous spirit. His works, held in prestigious collections such as Tate Britain, serve as vital links to a transformative period in art history. To look upon a Brough painting is to witness the struggle and the triumph of an artist striving to capture the ephemeral—the fleeting light, the passing emotion, and the enduring soul of a changing world.