Peter Howsonの名作として知られるのはSamson (Bairds Carryout) (1987)で、ニューヨークのメトロポリタン美術館に所蔵されています。 コレクターや美術館の来場者の心には、Samson (Bairds Carryout) (1987)、そしてBoxerが続いています。 当カタログに含まれるPeter Howsonの全3作品のうち、特に高く評価されている3作品をご紹介します。各作品には制作年、所蔵美術館、そしてその作品ならではの特徴が添えられています。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新：11月 2026
このページに掲載されている絵画を最も多く所蔵している 1 の美術館
| 美術館 | 都市 | Peter Howsonの作品 | このリストの絵画 |
|---|---|---|---|
 メトロポリタン美術館 |
ニューヨーク | 1 | Samson (Bairds Carryout) |
このページに掲載されているPeter Howsonによる年代別の傑作はすべて1987年の作品です。一覧はこちら。
Samson (Bairds Carryout) (1987)（メトロポリタン美術館, ニューヨーク）。続いてSamson (Bairds Carryout) (1987)、そしてBoxerが続きます。
29歳：Samson (Bairds Carryout)は1987年の作品で、Peter Howsonは1958生まれです。
Peter Howsonによる3点の作品を掲載しています。
その多くはメトロポリタン美術館 (ニューヨーク)に所蔵されています。上記の表に各美術館を一覧で記載しています。
1987における作品は、このページにある全3点のうち2点にのぼり、その中にはSamson (Bairds Carryout)が含まれます。
Peter Howson OBE (born 1958) is a Scottish painter renowned for his powerfully emotive and often unsettling depictions of modern life. Born in London to Scottish parents, he moved with his family to Prestwick, Ayrshire, at the age of four. Raised in a deeply religious household, this early upbringing profoundly influenced his artistic trajectory; his very first painting, created at age six, was a depiction of the crucifixion.
Howson’s work has evolved through distinct phases. Initially, he became known for his raw and unflinching portrayals of masculine working-class men – figures often presented as heroic yet vulnerable. Heroic Dosser (1987) remains a seminal example of this early style. His paintings from this period are characterized by their muscular forms, gritty realism, and exploration of identity and social issues.
A pivotal moment in Howson’s career came in 1993 when he was commissioned by the Imperial War Museum as the official war artist for Bosnia/Herzegovina during the brutal conflict. This experience profoundly affected him, leading to some of his most shocking and controversial works. Paintings like Plum Grove (1994) unflinchingly documented the atrocities witnessed, including depictions of rape and violence based on direct accounts from victims. The painting Croatian and Muslim, detailing a rape, generated significant controversy due to its explicit subject matter.
Howson also served as the official war painter during the Kosovo War for *The London Times*. In more recent years, his work has increasingly explored religious themes. This shift is closely linked to his personal battle with alcoholism and drug addiction, culminating in treatment at Castle Craig Hospital in Peebles in 2000. Following this experience, he converted to Christianity, and paintings like Judas (2002) reflect both his past struggles and newfound faith.
Beyond fine art, Howson's work has reached wider audiences through album cover designs for bands like Live (*Throwing Copper*), The Beautiful South (*Quench*), and Jackie Leven (*Fairytales for Hardmen*) and even a British postage stamp celebrating engineering achievements in 1999.
Peter Howson is considered a significant figure in contemporary Scottish art, associated with the New Glasgow Boys. His unflinching honesty, powerful imagery, and willingness to confront difficult subjects have established him as a unique voice within figurative expressionism. He continues to exhibit internationally, and his work resides in numerous major collections, cementing his place as an iconic artist of our time.