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A farmer from Valby heading for the Copenhagen market with hens in a basket.
手描き油彩複製画： $181 27 × 37 cm
Peter Cramerの名作として知られるのはA farmer from Valby heading for the Copenhagen market with hens in a basket. (1750)で、コペンハーゲンのNational Museumに所蔵されています。 コレクターや美術館の来場者の心には、A Man Smoking His Pipe (1761)、そしてDrengene om vællingen (1761)が続いています。 当カタログに含まれるPeter Cramerの全10作品のうち、特に高く評価されている10作品をご紹介します。各作品には制作年、所蔵美術館、そしてその作品ならではの特徴が添えられています。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新：11月 2026 このページに掲載されているすべての名作は、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。
このページに掲載されている絵画を最も多く所蔵している 2 の美術館
| 美術館 | 都市 | Peter Cramerの作品 | このリストの絵画 |
|---|---|---|---|
 Statens Museum For Kunst |
コペンハーゲン | 8 | A Man Smoking His Pipe, Drengene om vællingen, Slutningsscenen af Johannes Ewalds "Balders Død" |
 National Museum |
コペンハーゲン | 1 | A farmer from Valby heading for the Copenhagen market with hens in a basket. |
A farmer from Valby heading for the Copenhagen market with hens in a basket. (1750)（National Museum, コペンハーゲン）。続いてA Man Smoking His Pipe (1761)、そしてDrengene om vællingen (1761)が続きます。
24歳：A farmer from Valby heading for the Copenhagen market with hens in a basket.は1750年の作品で、Peter Cramerは1726生まれです。
A farmer from Valby heading for the Copenhagen market with hens in a basket., A Man Smoking His Pipe, Drengene om vællingen, Slutningsscenen af Johannes Ewalds "Balders Død", En bondekone, som giver sin datter noget at spise, Interiør fra et barneværelse med en dreng i karnevalsdragt, A Peasant Giving his Son Something to Drink, A young girl in a kitchen., Landscape With Skaters と Landscape With Skaters。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1750年から1782年にかけて制作されたPeter Cramerによる10点の作品が掲載されています。
その多くはStatens Museum For Kunst (コペンハーゲン) と National Museum (コペンハーゲン)に所蔵されています。上記の表に各美術館を一覧で記載しています。
1780sにおける作品は、このページにある全10点のうち4点にのぼり、その中にはEn bondekone, som giver sin datter noget at spiseが含まれます。
このページで最も古い作品はA farmer from Valby heading for the Copenhagen market with hens in a basket. (1750)、最新の作品はInteriør fra et barneværelse med en dreng i karnevalsdragt (1782)です。
A Man Smoking His Pipe, Drengene om vællingen と Slutningsscenen af Johannes Ewalds "Balders Død"は、Statens Museum For Kunst, コペンハーゲンが所蔵するこのページ内の8点の作品のうちの一つです。
はい。このページに掲載されているすべての絵画は、各作品の個別ページから、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。
In the vibrant cultural landscape of eighteenth-century Denmark, few figures possessed the eclectic range and spirited creativity of Peter Cramer. Born in Copenhagen on August 24, 1726, Cramer emerged from humble beginnings as the son of a gardener, yet his artistic destiny would lead him far beyond the garden walls. A largely self-taught talent, he possessed an innate ability to capture the essence of his surroundings, whether through the grand scale of theatrical scenery or the intimate details of portraiture. His early forays into the world of fine art were marked by a remarkable precision; in the 1740s, he contributed delicate drawings to Frederic Louis Norden’s Voyage d'Egypte et de Nubie, work that showcased his burgeoning skill and earned him recognition from the Royal Danish Academy of Sciences and Letters.
Cramer’s journey was one of both ambition and unexpected redirection. While he sought a prestigious travel scholarship from the Royal Danish Academy of Fine Arts to transform himself into an accomplished history painter, the rigors of academic competition presented obstacles. Though he did not secure the gold medal required for his grand European travels in 1756, this setback birthed a prolific career in the realm of the performing arts. He found a natural home in the theater, where his talent for decorative work and large-scale set design flourished. Working alongside figures such as the composer Niels Krog Bredal, Cramer breathed life into the operatic stage, creating immersive environments that captivated the audiences of Copenhagen.
The true magic of Cramer’s oeuvre lies in its profound stylistic diversity. He was an artist who refused to be confined by a single medium or subject matter. While his professional stability was anchored in the ephemeral beauty of stage decorations, his private passions led him toward genre scenes that resonated with the soul of the Danish people. Drawing inspiration from the masters such as David Teniers and Adriaen Brouwer, Cramer captured the rustic charm of the peasantry with a sincerity that was both groundbreaking and deeply moving for his era. His work often mirrored the rhythms of everyday life, finding dignity in the simple existence of the common folk.
Beyond his structured compositions, there existed a playful, almost experimental side to his artistry. Legend tells of a painting of two fisherwomen executed entirely with his fingers—a testament to a man who viewed art not merely as a disciplined craft, but as an intimate, tactile expression of emotion. This whimsicality, paired with his technical proficiency in portraiture and decorative arts, allowed him to navigate the high society of the Academy and the gritty reality of folk life with equal grace. By the time he achieved full membership in the Royal Danish Academy of Fine Arts, he had established himself as a cornerstone of the Danish art scene.
Peter Cramer’s life, which came to an end in Copenhagen on July 17, 1782, serves as a bridge between the decorative traditions of the past and the burgeoning national identity of Denmark. His ability to blend the theatrical with the terrestrial helped shape the visual language of his nation. His contributions can be summarized through several key pillars of his career:
Today, the memory of Cramer persists through the works that continue to evoke the spirit of an era defined by transition. He remains a symbol of the artist as a multi-faceted creator—one who can find beauty in a finger-painted landscape just as easily as in the grand architecture of a theatrical masterpiece.