ムードを選ぶだけで、空間がそれに応えます。光は冷たさや温もりを帯び、空気の流れが変わり、その感情を宿した作品だけが暗闇の中から浮かび上がります。それ以外のすべては、影の中へと退いていくのです。
The Cinematic Roots of Form In the vibrant, experimental atmosphere of Vancouver during the late 1970s, Barbara Steinman began her artistic odyssey not with the weight of stone or metal, but through the flickering, temporal lens of film. As a young filmmaker, she developed a profound sensitivity to narrative and the way light interacts with time—a precursor to the luminous sculptures that would later define her career. This early immers
ion in the moving image allowed her to explore social realities and challenge conventional storytelling, laying a foundation of precision and materiality. Her involvement with artist-run centers like Vidéo Véhicule and Powerhouse Gallery during the 1980s placed her at the heart of a burgeoning movement, where the boundaries between video art and physical space were being radically redefined. Sculpting Silence and Light The relocation t…
