Michael William Sharp, 1776 – 1840

Michael William Sharpによる最も有名な絵画 10選

Michael William Sharpの名作として知られるのはLanding at Dover from the steam packet (1826)で、ロンドンのNational Maritime Museumに所蔵されています。 コレクターや美術館の来場者の心には、Man Eating (1813)、そしてJohn Crome (1768–1821) (1813)が続いています。 当カタログに含まれるMichael William Sharpの全10作品のうち、特に高く評価されている10作品をご紹介します。各作品には制作年、所蔵美術館、そしてその作品ならではの特徴が添えられています。

各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026 このページに掲載されているすべての名作は、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。

Michael William Sharpの肖像画
Michael William Sharp · 1776 – 1840
生没年
1776 – 1840, London
カタログ掲載作品
10
最も有名な
Landing at Dover from the steam packet (1826)
最多収蔵館
National Maritime Museum

Michael William Sharp:10の傑作

Benjamin Jesty (1805) による Michael William Sharp
9

Benjamin Jesty

1805 · Wellcome Collection, City of Westminster

The Benjamin Jesty painting, created by Michael William Sharp in 1805, is a remarkable work of art that showcases the artist's skill and attention to detail. This oil on canvas painting measures 143 x 113 cm and is currently housed at the Wellcome Library in the United Kingdom. The Artist and His Work Michael William Sharp was a British painter known for his portraits, which often featured prominent figures of…

手描き油彩複製画: $181 28 × 35 cm 原画と同サイズ $639 113 × 143 cm 原寸サイズで注文する →

Michael William Sharpの作品を見るには

このページに掲載されている絵画を最も多く所蔵している 5 の美術館

美術館 都市 Michael William Sharpの作品 このリストの絵画
National Maritime Museum, ロンドンNational Maritime Museum ロンドン 1 Landing at Dover from the steam packet
Norwich Castle Museum And Art Gallery, NorwichNorwich Castle Museum And Art Gallery Norwich 1 Portrait of a Young Lady
ロイヤル・ホスピタル・チェルシー, ロンドンロイヤル・ホスピタル・チェルシー ロンドン 1 A Chelsea Pensioner Sipping Tea out of a Saucer
Wellcome Collection, City of WestminsterWellcome Collection City of Westminster 1 Benjamin Jesty
Museum of Gloucester, GloucesterMuseum of Gloucester Gloucester 1 Jemmy Wood (1756–1836)

Michael William Sharp、年代別:各時代の代表作

  1. 1800s
    Benjamin Jesty (1805) による Michael William Sharp
    第9/10位

    Benjamin Jesty

    年齢 24歳 – 33歳 · Wellcome Collection

    The Benjamin Jesty painting, created by Michael William Sharp in 1805, is a remarkable work of art that showcases the artist's skill and attention to detail. This oil…

  2. 1810s
  3. 1820s
  4. 1830s

Michael William Sharpの名作:Q&A

Michael William Sharpの代表作は何ですか?回答を表示

Landing at Dover from the steam packet (1826)(National Maritime Museum, ロンドン)。続いてMan Eating (1813)、そしてJohn Crome (1768–1821) (1813)が続きます。

Michael William SharpがLanding at Dover from the steam packetを描いた時の年齢は?回答を表示

50歳:Landing at Dover from the steam packetは1826年の作品で、Michael William Sharpは1776生まれです。

Michael William Sharpの最高傑作といえる10枚の絵画とは?回答を表示

Landing at Dover from the steam packet, Man Eating, John Crome (1768–1821), Mrs John Crome Seated at a Table by an Open Work Box, Samuel Marsh, Maria Rebecca Davison (1783–1858), as Juliana in 'The Honeymoon' by John Tobin, Portrait of a Young Lady, A Chelsea Pensioner Sipping Tea out of a Saucer, Benjamin Jesty と Jemmy Wood (1756–1836)。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Michael William Sharpの作品数は?回答を表示

当カタログには、1805年から1837年にかけて制作されたMichael William Sharpによる10点の作品が掲載されています。

Michael William Sharpの名作は、どの美術館で見ることができますか?回答を表示

その多くはNational Maritime Museum (ロンドン), Norwich Castle Museum And Art Gallery (Norwich) と ロイヤル・ホスピタル・チェルシー (ロンドン)に所蔵されています。上記の表に各美術館を一覧で記載しています。

Michael William Sharpが傑作を描いたのはいつ頃でしょうか?回答を表示

1810sにおける作品は、このページにある全10点のうち3点にのぼり、その中にはMan Eatingが含まれます。

Michael William Sharpの代表的な絵画の最初と最後は何ですか?回答を表示

このページで最も古い作品はBenjamin Jesty (1805)、最新の作品はPortrait of a Young Lady (1837)です。

Michael William Sharpの名作の複製画を所有することはできますか?回答を表示

はい。このページに掲載されているすべての絵画は、各作品の個別ページから、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。

Michael William Sharpの生涯

Michael William Sharp: A Norwich School Pioneer of Domestic Charm

Michael William Sharp (1776? – 1840) emerges from the burgeoning artistic landscape of early 19th-century England as a significant, though often overlooked, figure within the Norwich School. Born in London and nurtured by a lineage steeped in artistic pursuits—his father was an oboe player—Sharp’s journey led him to establish himself as a painter renowned for his intimate depictions of domestic life, imbued with a subtle humor and remarkable realism. His work offers a poignant glimpse into the social customs and everyday routines of his era, reflecting both the burgeoning spirit of observation within British art and the enduring appeal of accessible, relatable subjects.

Early Life and Artistic Training

Sharp’s formative years were spent in London, where he received instruction from Sir William Beechey, a prominent portraitist of the Royal Academy, and benefited from the artistic atmosphere fostered by the Academy itself. This early training provided him with a solid foundation in technique and composition, but it was his relocation to Norwich around 1813 that truly shaped his distinctive style. He found lodging with John Crome, a celebrated landscape painter and a former teacher, forging a connection that profoundly influenced his artistic sensibilities. The proximity to Crome’s studio and the vibrant artistic community of Norwich provided Sharp with invaluable experience and fostered a collaborative spirit—a key characteristic of the Norwich School. Notably, Crome was also godfather to one of Sharp's sons, cementing a familial bond intertwined with artistic practice.

A Style Defined by Domesticity and Humor

Sharp’s artistic signature lies in his captivating portrayals of everyday scenes—a Sunday morning breakfast, a family gathering, a moment of quiet contemplation. Unlike the grand historical or mythological subjects favored by many of his contemporaries, Sharp focused on the familiar: the pleasures and complexities of domestic life. His paintings are characterized by a remarkable attention to detail, capturing the nuances of human expression and the subtle textures of everyday objects. A key element of his style is the infusion of gentle humor—a wry observation of human foibles and social interactions. Works like “The Connoisseur,” depicting a group of wealthy patrons admiring antiquities, exemplify this playful approach, offering a satirical commentary on the tastes and pretensions of the upper classes. Sharp’s use of light and shadow, reminiscent of Baroque painting, adds depth and drama to his scenes, elevating the mundane into something visually arresting.

Notable Works and Commissions

Sharp's career produced a substantial body of work, encompassing portraits, genre scenes, and theatrical commissions. He gained recognition for “The Music Master,” exhibited at the British Institution in 1809, which secured him a premium and was subsequently purchased by Thomas Hope—a testament to its quality and appeal. He frequently undertook portrait commissions, capturing the likenesses of prominent figures from London society, including members of the Drury Lane theater company. His theatrical portraits, such as “The Shakespeare Jubilee,” are particularly noteworthy for their lively depictions of performers in costume, offering a glimpse into the vibrant world of Victorian entertainment. The "Chelsea Pensioner" is another iconic piece, showcasing his ability to capture character and emotion with remarkable precision.

Legacy and Historical Significance

While Sharp’s name may not be as widely celebrated as some of his Norwich School peers—such as John Crome or Richard Debrett—his contribution to the development of British painting is undeniable. He represents a crucial link between the formal training of the Royal Academy and the more informal, populist approach of the Norwich School. His focus on accessible subjects, combined with his skillful technique and subtle humor, resonated deeply with audiences of his time and continues to appeal to viewers today. Sharp’s work provides valuable insights into the social customs and cultural values of early 19th-century England, offering a charming and insightful window onto a bygone era. His legacy endures through his paintings, which are now housed in museums and private collections around the world, ensuring that this talented artist is remembered as a significant figure in British art history.