John Simpson, 1782 – 1847

John Simpsonの名画:最も有名な作品20選、ランキング形式で紹介

John Simpsonの最も有名な作品は、ロンドンのロイヤル・ホスピタル・チェルシーに所蔵されているThe Duke of Wellington (1769–1852)です。 Clarkson Frederick Stanfield (1829)とD. Maria II, Queen of Portugal (1819-1853) (1837)を合わせ、誰もが知る3つの名作が揃いました。 当カタログにはJohn Simpsonによる22点の作品が掲載されています。以下の20点は、世界で最も注目されている作品であり、制作年、所蔵美術館、そしてその重要性についてまとめています。

各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026 このページに掲載されているすべての名作は、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。

John Simpsonの肖像画
John Simpson · 1782 – 1847
生没年
1782 – 1847, London
カタログ掲載作品
22
最も有名な
The Duke of Wellington (1769–1852)
最多収蔵館
ナショナル・ポートレート・ギャラリー

John Simpsonによる最も有名な10作品

The Duke of Wellington (1769–1852) による John Simpson
1

The Duke of Wellington (1769–1852)

To gaze upon this depiction of the Duke of Wellington is to encounter not merely a likeness, but an embodiment of British martial spirit and enduring historical gravity. John Simpson has captured a moment steeped in ceremony and authority. The subject stands with an undeniable bearing, clad in formal attire that speaks volumes of his station—a man whose life was inextricably linked to the grand sweep of military history. His…

手描き油彩複製画: $181 26 × 38 cm
Clarkson Frederick Stanfield (1829) による John Simpson
2

Clarkson Frederick Stanfield

A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his gaze drifts toward the same unseen horizon. The lighting is dramatic, a heavy chiaroscuro that spills from the upper left to catch the ridge of his brow and the bridge of his nose. This directional light carves his features out of a…

手描き油彩複製画: $181 29 × 35 cm 原画と同サイズ $299 64 × 77 cm 原寸サイズで注文する →
D. Maria II, Queen of Portugal (1819-1853) (1837) による John Simpson
3

D. Maria II, Queen of Portugal (1819-1853)

1837 · Oil On Canvas · Imperial Museum of Brazil, Petrópolis

The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within an ornate, gilded throne that seems to grow from the very shadows of the room. The light catches the shimmering white of her satin gown, turning the fabric into a luminous landscape of folds and soft highlights. A vibrant sash, striped with…

手描き油彩複製画: $181 28 × 36 cm
Retrato de D. Pedro, Duque de Bragança (1834) による John Simpson
4

Retrato de D. Pedro, Duque de Bragança

1834 · Oil On Canvas

This formal and dignified 19th-century portrait depicts D. Pedro, Duque de Bragança in a three-quarter length composition. The subject is positioned slightly off-center, creating a sense of dynamic presence within the frame. He is dressed in an ornate military uniform, which is heavily adorned with medals, stars, and gold embroidery. A vibrant red and green ceremonial sash cuts across the dark tones of the attire, complemented by the bright white…

手描き油彩複製画: $181 28 × 36 cm 原画と同サイズ $551 102 × 130 cm 原寸サイズで注文する →
Portrait of the Duke of Terceira (1832) による John Simpson
5

Portrait of the Duke of Terceira

1832 · Oil · Soares dos Reis National Museum, ポルト

John Simpson executed the Portrait of the Duke of Terceira about 1832. The sitter is António José Severim de Noronha, 1st Duke of Terceira, a prominent Portuguese military officer and statesman. His life was defined by significant political and military engagement during the nineteenth century.

手描き油彩複製画: $181 29 × 35 cm 原画と同サイズ $301 64 × 77 cm 原寸サイズで注文する →
Prince Auguste de Beauharnais, Duke of Leuchtenberg (1834) による John Simpson
6

Prince Auguste de Beauharnais, Duke of Leuchtenberg

1834 · Oil On Canvas

The portrait titled Prince Auguste de Beauharnais, Duke of Leuchtenberg is a work by the artist John Simpson. The canvas captures Auguste Charles Eugène Napoléon de Beauharnais in a moment of formal stillness. He was a man of significant lineage, serving as the first prince consort of Maria II of Portugal. His presence in this work carries the weight of his many titles, including the 2nd Duke of Leuchtenberg and…

手描き油彩複製画: $181 28 × 36 cm
Captain Peter Heywood (1773–1831) (1822) による John Simpson
7

Captain Peter Heywood (1773–1831)

1822 · Oil On Canvas · National Maritime Museum, ロンドン

The man stares directly through the darkness, his gaze steady and unyielding. He sits enveloped in the heavy, dark atmosphere of the early 19th century, his presence defined by the sharp contrast of his military attire against an indistinct, shadowy background. A dark blue coat clings to his shoulders, weighted by the glint of gold epaulettes that signal his rank and the gravity of his station. His white shirt rises…

手描き油彩複製画: $181 29 × 35 cm 原画と同サイズ $299 64 × 76 cm 原寸サイズで注文する →
William IV (1765–1837) (1830) による John Simpson
8

William IV (1765–1837)

1830 · Oil On Canvas

In this 1830 portrait, we find ourselves in the presence of William IV, a man whose likeness was captured during a period of significant transition in British history. The subject is positioned centrally, commanding the space with a quiet, regal authority. He is draped in formal attire that speaks to his high station, holding a scepter that serves as a direct symbol of his sovereign power. Behind him, a heavy…

手描き油彩複製画: $181 25 × 39 cm
Head of a Man ( Ira Frederick Aldridge) (1827) による John Simpson
9

Head of a Man ( Ira Frederick Aldridge)

1827 · Oil

The gaze of the subject meets the viewer through the layers of history in Head of a Man ( Ira Frederick Aldridge). This portrait, painted by John Simpson, captures a moment of profound stillness. The man stares into the distance, his thoughts seemingly drifting far beyond the edges of the frame. He wears a red robe that catches the light, a striking contrast against his dark skin. Around him, the…

手描き油彩複製画: $181 28 × 36 cm
Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes (1826) による John Simpson
10

Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes

1826 · Oil On Canvas

In this large-scale portrait, we encounter Sir John Fleming Leicester, 1st Lord de Tabley, captured in a moment of profound dignity. He is depicted in his peer's robes, a garment that carries the weight of his status and the recent elevation to the peerage in 1826. The subject is positioned with his back partially turned toward us, a choice that creates a sense of looking into a private, ceremonial space.…

手描き油彩複製画: $181 24 × 42 cm

John Simpsonの絵画 11〜20

John Simpson が最も多く描いた主題

これらの傑作の中で最も頻繁に描かれる4つの主題と、それぞれの最高傑作をご紹介します。

John Simpsonの作品を見るには

このページに掲載されている絵画を最も多く所蔵している 8 の美術館

美術館 都市 John Simpsonの作品 このリストの絵画
ナショナル・ポートレート・ギャラリー, ロンドンナショナル・ポートレート・ギャラリー ロンドン 3 Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826), Sir Herbert Taylor
National Maritime Museum, ロンドンNational Maritime Museum ロンドン 2 Captain Peter Heywood (1773–1831), Clarkson Stanfield (1793–1867)
ロイヤル・ホスピタル・チェルシー, ロンドンロイヤル・ホスピタル・チェルシー ロンドン 1 The Duke of Wellington (1769–1852)
Imperial Museum of Brazil, PetrópolisImperial Museum of Brazil Petrópolis 1 D. Maria II, Queen of Portugal (1819-1853)
Soares dos Reis National Museum, ポルトSoares dos Reis National Museum ポルト 1 Portrait of the Duke of Terceira
Leeds Civic Hall, LeedsLeeds Civic Hall Leeds 1 George Goodman, Mayor (1836)
スコットランド国立肖像画館, Edinburghスコットランド国立肖像画館 Edinburgh 1 Sir Charles Napier (1786–1860), Admiral
English Heritage, ロンドンEnglish Heritage ロンドン 1 Arthur Wellesley (1769–1852), 1st Duke of Wellington, KG

John Simpsonの各年代における代表作

  1. 1820s
    Clarkson Frederick Stanfield (1829) による John Simpson
    第2/20位

    Clarkson Frederick Stanfield

    年齢 38歳 – 47歳 · ナショナル・ポートレート・ギャラリー

    A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his…

  2. 1830s
    D. Maria II, Queen of Portugal (1819-1853) (1837) による John Simpson
    20件中3位

    D. Maria II, Queen of Portugal (1819-1853)

    年齢 48歳 – 57歳 · Imperial Museum of Brazil

    The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within…

  3. 1840s
    Sir Charles Napier (1786–1860), Admiral (1841) による John Simpson
    20件中 15番目

    Sir Charles Napier (1786–1860), Admiral

    年齢 58歳 – 65歳 · スコットランド国立肖像画館

    The portrait depicts Sir Charles Napier, an admiral who lived from 1786 to 1860. He is positioned in a three-quarter view, wearing a black coat accented with gold…

John Simpsonの絵画に関する質問

John Simpsonの最も有名な絵画は何ですか?回答を表示

The Duke of Wellington (1769–1852)(ロイヤル・ホスピタル・チェルシー, ロンドン)。続いてClarkson Frederick Stanfield (1829)、そしてD. Maria II, Queen of Portugal (1819-1853) (1837)が続きます。

John Simpsonによるトップ10の名画とは?回答を表示

The Duke of Wellington (1769–1852), Clarkson Frederick Stanfield, D. Maria II, Queen of Portugal (1819-1853), Retrato de D. Pedro, Duque de Bragança, Portrait of the Duke of Terceira, Prince Auguste de Beauharnais, Duke of Leuchtenberg, Captain Peter Heywood (1773–1831), William IV (1765–1837), Head of a Man ( Ira Frederick Aldridge) と Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

John Simpsonの作品数は?回答を表示

当カタログには、1822年から1841年にかけて制作されたJohn Simpsonによる22点の作品が掲載されています。

John Simpsonの最も有名な絵画はどこにありますか?回答を表示

その多くはナショナル・ポートレート・ギャラリー (ロンドン), National Maritime Museum (ロンドン) と ロイヤル・ホスピタル・チェルシー (ロンドン)に所蔵されています。上記の表に各美術館を一覧で記載しています。

John Simpsonが最も有名な作品を描いたのはいつですか?回答を表示

1830sにおける作品は、このページにある全20点のうち9点にのぼり、その中にはD. Maria II, Queen of Portugal (1819-1853)が含まれます。

John Simpsonの初期および後期の代表作は何ですか?回答を表示

このページで最も古い作品はCaptain Peter Heywood (1773–1831) (1822)、最新の作品はSir Charles Napier (1786–1860), Admiral (1841)です。

John Simpsonが最も多く描いたモチーフは何ですか?回答を表示

このページに掲載されている20作品のうち、Man (13), Dark background (5) と Portrait (4)

John Simpsonが最も多く使用した画材は何ですか?回答を表示

Oil On Canvas: このページには全20作品中10件の作品があります。

ナショナル・ポートレート・ギャラリーでは、どのJohn Simpsonの絵画を見ることができますか?回答を表示

Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826) と Sir Herbert Taylorは、ナショナル・ポートレート・ギャラリー, ロンドンが所蔵するこのページ内の3点の作品のうちの一つです。

John Simpsonの絵画の複製画を購入することはできますか?回答を表示

はい。このページに掲載されているすべての絵画は、各作品の個別ページから、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。

John Simpsonについて

John Simpson: A Life in Portraiture

Early Life and Training

  • Born in London in 1782, John Simpson embarked on a career as a portrait painter during a vibrant period of British art.
  • He received his foundational training at the prestigious Royal Academy, honing his skills and establishing himself within the artistic community.
  • Crucially, Simpson spent several years as an assistant to Sir Thomas Lawrence, PRA – a leading portraitist of the era. This mentorship profoundly shaped his style and approach to capturing likenesses.

Artistic Development and Style

  • Simpson’s early work reflects the influence of Sir Thomas Lawrence, characterized by a refined technique and attention to detail. He quickly gained recognition for his ability to create flattering and accurate portraits.
  • He exhibited regularly at the Royal Academy from 1807 until his death, demonstrating consistent productivity and engagement with the art world.
  • While primarily a portraitist, Simpson’s work occasionally ventured beyond conventional society portraiture, hinting at a broader artistic sensibility.

Major Achievements and Commissions

  • Royal Patronage: In 1834, Simpson received a significant commission to travel to Portugal and paint portraits in Lisbon.
  • His success led to an appointment as Painter to the Queen of Portugal, solidifying his reputation on the international stage.
  • Notable Sitters: Simpson painted numerous prominent figures, including William IV and many other notable individuals of his time. His portraits provide valuable visual records of British society during the 19th century.

‘The Captive Slave’ and Rediscovery

  • A Turning Point: Simpson's painting, ‘The Captive Slave,’ created a significant shift in his artistic legacy. It remained largely unseen for nearly 180 years.
  • Acquisition and Recognition: The Art Institute of Chicago acquired the work in 2008, bringing it to public attention.
  • Abolitionist Significance: ‘The Captive Slave’ is now recognized as a powerful statement against slavery. It demonstrates Simpson's capacity for venturing beyond conventional portraiture and engaging with important social issues.

Legacy and Historical Significance

  • Despite some contemporary criticism suggesting his work lacked “instinct and penetration,” John Simpson established a successful career as a respected portrait painter.
  • Family of Artists: He had two sons who also pursued artistic careers – Charles, who died young, and Philip, who found success with small domestic subjects.
  • Enduring Impact: The rediscovery of ‘The Captive Slave’ has elevated Simpson's status, highlighting his talent and the painting’s importance as a symbol of the abolitionist movement. He is now recognized not only for his technical skill but also for his contribution to social commentary through art.