John Mare, 1739 – 1803

John Mareの名画:最も有名な作品3選、ランキング形式で紹介

John Mareの最も有名な作品は、ニューヨーク市のNew York Historical Societyに所蔵されているDr. Benjamin Youngs Prime (1733-1791) (1774)です。 John Keteltas (1739-1766) (1767)とJeremiah Platt (1767)を合わせ、誰もが知る3つの名作が揃いました。 当カタログにはJohn Mareによる3点の作品が掲載されています。以下の3点は、世界で最も注目されている作品であり、制作年、所蔵美術館、そしてその重要性についてまとめています。

各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026 このページに掲載されているすべての名作は、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。

John Mareの肖像画
John Mare · 1739 – 1803
生没年
1739 – 1803, New York City
カタログ掲載作品
3
最も有名な
Dr. Benjamin Youngs Prime (1733-1791) (1774)
最多収蔵館
New York Historical Society

John Mareによる最も有名な10作品

Dr. Benjamin Youngs Prime (1733-1791) (1774) による John Mare
1

Dr. Benjamin Youngs Prime (1733-1791)

1774 · Oil · New York Historical Society, ニューヨーク市

The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

手描き油彩複製画: $181 27 × 37 cm
John Keteltas (1739-1766) (1767) による John Mare
2

John Keteltas (1739-1766)

1767 · Oil On Canvas · New York Historical Society, ニューヨーク市

A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

手描き油彩複製画: $181 29 × 35 cm
Jeremiah Platt (1767) による John Mare
3

Jeremiah Platt

1767 · メトロポリタン美術館, ニューヨーク

Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

手描き油彩複製画: $181 28 × 36 cm 原画と同サイズ $516 98 × 123 cm 原寸サイズで注文する →

John Mare が最も多く描いた主題

これらの傑作の中で最も頻繁に描かれる4つの主題と、それぞれの最高傑作をご紹介します。

John Mareの作品を見るには

このページに掲載されている絵画を最も多く所蔵している 2 の美術館

美術館 都市 John Mareの作品 このリストの絵画
New York Historical Society, ニューヨーク市New York Historical Society ニューヨーク市 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
メトロポリタン美術館, ニューヨークメトロポリタン美術館 ニューヨーク 1 Jeremiah Platt

John Mareの代表作(年代順)

John Mareの制作期間は1767年から1774年までのわずか8年間でした。その名を不動のものとした名作とともに、時代を追ってその足跡を辿ります。

  1. 1767
    John Keteltas (1739-1766) (1767) による John Mare
    3件中2位

    John Keteltas (1739-1766)

    年齢 28歳 · New York Historical Society

    A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement…

  2. 1767
    Jeremiah Platt (1767) による John Mare
    3件中 3番目

    Jeremiah Platt

    年齢 28歳 · メトロポリタン美術館

    Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known…

  3. 1774
    Dr. Benjamin Youngs Prime (1733-1791) (1774) による John Mare
    3件中 1番目

    Dr. Benjamin Youngs Prime (1733-1791)

    年齢 35歳 · New York Historical Society

    The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light,…

John Mareの絵画に関する質問

John Mareの最も有名な絵画は何ですか?回答を表示

Dr. Benjamin Youngs Prime (1733-1791) (1774)(New York Historical Society, ニューヨーク市)。続いてJohn Keteltas (1739-1766) (1767)、そしてJeremiah Platt (1767)が続きます。

Dr. Benjamin Youngs Prime (1733-1791)が描かれたとき、John Mareは何歳でしたか?回答を表示

35歳:Dr. Benjamin Youngs Prime (1733-1791)は1774年の作品で、John Mareは1739生まれです。

John Mareの作品数は?回答を表示

当カタログには、1767年から1774年にかけて制作されたJohn Mareによる3点の作品が掲載されています。

John Mareの最も有名な絵画はどこにありますか?回答を表示

その多くはNew York Historical Society (ニューヨーク市) と メトロポリタン美術館 (ニューヨーク)に所蔵されています。上記の表に各美術館を一覧で記載しています。

John Mareが最も有名な作品を描いたのはいつですか?回答を表示

1767における作品は、このページにある全3点のうち2点にのぼり、その中にはJohn Keteltas (1739-1766)が含まれます。

John Mareの初期および後期の代表作は何ですか?回答を表示

このページで最も古い作品はJohn Keteltas (1739-1766) (1767)、最新の作品はDr. Benjamin Youngs Prime (1733-1791) (1774)です。

John Mareが最も多く描いたモチーフは何ですか?回答を表示

このページに掲載されている3作品のうち、Man (2), Wig (2) と Cravat (2)

New York Historical Societyでは、どのJohn Mareの絵画を見ることができますか?回答を表示

Dr. Benjamin Youngs Prime (1733-1791) と John Keteltas (1739-1766)は、New York Historical Society, ニューヨーク市が所蔵するこのページ内の2点の作品のうちの一つです。

John Mareの絵画の複製画を購入することはできますか?回答を表示

はい。このページに掲載されているすべての絵画は、各作品の個別ページから、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。

John Mareについて

The Enigmatic Visions of John Mare

John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

A Journey Through Form and Color

Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

Themes of Memory and Transformation

At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

Influences and Artistic Dialogue

While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

Historical Significance and Legacy

Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.