John Boultbee, 1753 – 1812

John Boultbee:最も有名な絵画21選

A Bay Horse in a Field (1778)はJohn Boultbeeの最も有名な作品であり、ニューヘイブンのイェール英国美術館に所蔵されています。 Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780)と'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792)は、世界で最もよく知られている次の2つの作品です。 当カタログに含まれるJohn Boultbeeの24作品の中から、コレクターや美術館の来館者が最も注目する21作品を厳選しました。各作品の制作年、所蔵美術館、そしてその背景にある物語をご紹介します。

各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026 このページに掲載されているすべての名作は、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。

John Boultbeeの肖像画
John Boultbee · 1753 – 1812
生没年
1753 – 1812, Derby
カタログ掲載作品
24
最も有名な
A Bay Horse in a Field (1778)
最多収蔵館
National Trust

トップ10:John Boultbeeの代表作

A Bay Horse in a Field (1778) による John Boultbee
1

A Bay Horse in a Field

1778 · Oil On Canvas · イェール英国美術館, ニューヘイブン

A Bay Horse in a Field is an oil on canvas painting by the artist John Boultbee. This work dates to about 1778. The piece is currently held within the Paul Mellon Collection. The subject is a single bay horse situated within a pastoral landscape.

手描き油彩複製画: $181 40 × 25 cm 原画と同サイズ $362 104 × 67 cm 原寸サイズで注文する →
Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) による John Boultbee
2

Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons

1780 · Oil On Canvas

In this 1780 oil portrait, we find Thomas Boothby Parkyns, depicted during his tenure as a cornet in the 15th Regiment of (Light) Dragoons. He sits poised atop a sturdy brown horse, his figure draped in the distinctive red uniform of his regiment. There is a quiet authority in his posture, a sense of a man accustomed to the saddle and the responsibilities of his rank. He holds a sword,…

手描き油彩複製画: $181 35 × 28 cm 原画と同サイズ $566 132 × 104 cm 原寸サイズで注文する →
'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792) による John Boultbee
3

'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction

1792 · Oil · Shugborough Hall, ストーク・オン・トレント

In "'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction" by John Boultbee, a single cow commands the center of a quiet pastoral landscape. The animal rests horizontally across the middle ground, its body turned toward the left as if pausing mid-stride. The composition focuses entirely on this central figure, using the animal's presence to anchor the surrounding scenery. Organic shapes define the scene, from…

手描き油彩複製画: $181 36 × 28 cm 原画と同サイズ $355 93 × 72 cm 原寸サイズで注文する →
A Grey Arab Stallion in a Desert Landscape (1790) による John Boultbee
4

A Grey Arab Stallion in a Desert Landscape

1790 · Oil On Canvas · イェール英国美術館, ニューヘイブン

A Grey Arab Stallion in a Desert Landscape by John Boultbee presents a single white Arabian stallion moving through a desert terrain. The horse occupies the lower left to center foreground, its form set against a rugged, dark brown rocky outcrop that rises on the left side of the composition. Two slender palm trees provide verticality to the scene, breaking the horizontal expanse of the landscape. The background consists of…

手描き油彩複製画: $181 36 × 28 cm 原画と同サイズ $339 90 × 69 cm 原寸サイズで注文する →
Robert Bakewell (1791) による John Boultbee
5

Robert Bakewell

1791 · Oil On Canvas · ナショナル・ポートレート・ギャラリー, ロンドン

In this oil painting on canvas, John Boultbee presents us with Robert Bakewell. Created about 1791, the work captures a quiet moment of authority within a pastoral setting. The subject is depicted seated atop a majestic brown horse, his presence commanding yet calm. He is dressed in a brown coat and a black hat, looking directly toward the viewer. This steady gaze establishes an immediate connection, inviting a sense of…

手描き油彩複製画: $181 36 × 28 cm 原画と同サイズ $347 91 × 71 cm 原寸サイズで注文する →
Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794 (1803) による John Boultbee
6

Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794

1803 · Oil · Sherwood Rangers Yeomanry Museum, Nottingham

A man in a red uniform sits atop a white horse in this 1803 oil painting. He holds the reins with one hand, maintaining a steady posture while mounted. The horse is positioned centrally, its white coat contrasting against the darker elements of the composition. To the left, a tree rises from the ground, its branches extending into the frame. Two birds are visible within the scene: one occupies the…

手描き油彩複製画: $181 35 × 29 cm 原画と同サイズ $241 59 × 50 cm 原寸サイズで注文する →
An Oak Tree struck by Lightning in Dunham Park (1808) による John Boultbee
7

An Oak Tree struck by Lightning in Dunham Park

1808 · Oil On Canvas · Dunham Massey Hall

In this work, An Oak Tree struck by Lightning in Dunham Park, John Boultbee captures a moment of profound natural disruption. Painted about 1808, the scene focuses on the aftermath of a violent atmospheric event within the confines of Dunham Park. The central subject is a singular oak tree, its trunk split and shattered by the force of a lightning strike. This sudden fracture creates a stark, pale focal point…

手描き油彩複製画: $181 33 × 30 cm 原画と同サイズ $292 76 × 61 cm 原寸サイズで注文する →
A Bay Hunter Named 'Sir Oliver' (1808) による John Boultbee
8

A Bay Hunter Named 'Sir Oliver'

1808 · Oil On Canvas · National Trust, アルトリンチャム

A Bay Hunter Named 'Sir Oliver' is an equestrian study by the English painter John Boultbee. Created about 1808, the work belongs to a period when Boultbee was establishing his reputation for capturing the specific anatomy and movement of horses. The piece focuses on a single subject, prioritizing the physical presence of the animal within its natural environment.

手描き油彩複製画: $181 34 × 30 cm 原画と同サイズ $536 126 × 101 cm 原寸サイズで注文する →
An Oak Tree struck by Lightning in Dunham Park (1808) による John Boultbee
9

An Oak Tree struck by Lightning in Dunham Park

1808 · Oil · National Trust, アルトリンチャム

A singular oak tree dominates the composition, its skeletal branches stripped of foliage by a sudden celestial strike. The wood appears charred and lifeless, a stark silhouette against the surrounding forest. Nearby, the sheer force of the lightning has toppled other trees, leaving them sprawled across a floor of dirt and grass. This scene captures a moment of profound disruption within the quietude of Dunham Park.

手描き油彩複製画: $181 35 × 29 cm 原画と同サイズ $292 76 × 61 cm 原寸サイズで注文する →

John Boultbeeランキングの残り、11位から21位

John Boultbeeの年代別絵画

John Boultbee が最も多く描いた主題

これらの傑作の中で最も頻繁に描かれる4つの主題と、それぞれの最高傑作をご紹介します。

John Boultbeeの作品を見るには

このページに掲載されている絵画を最も多く所蔵している 8 の美術館

美術館 都市 John Boultbeeの作品 このリストの絵画
National Trust, ミルフォードNational Trust ミルフォード 4 'Garrick' A Bullock, 'Garrick's Sister' A Cow, 'Broken Horned Beauty' A Cow
イェール英国美術館, ニューヘイブンイェール英国美術館 ニューヘイブン 2 A Bay Horse in a Field, A Grey Arab Stallion in a Desert Landscape
Shugborough Hall, ストーク・オン・トレントShugborough Hall ストーク・オン・トレント 2 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction, 'Garrick' A Bullock
National Trust, アルトリンチャムNational Trust アルトリンチャム 2 A Bay Hunter Named 'Sir Oliver', An Oak Tree struck by Lightning in Dunham Park
National Trust, ストックポートNational Trust ストックポート 2 A Chestnut Horse in a Stable, A Horse and Groom outside a Porch
ナショナル・ポートレート・ギャラリー, ロンドンナショナル・ポートレート・ギャラリー ロンドン 1 Robert Bakewell
Sherwood Rangers Yeomanry Museum, NottinghamSherwood Rangers Yeomanry Museum Nottingham 1 Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794
Dunham Massey HallDunham Massey Hall 1 An Oak Tree struck by Lightning in Dunham Park

John Boultbeeの歩み:時代を彩る名作を、一作品ずつ

  1. 1770s
    A Bay Horse in a Field (1778) による John Boultbee
    21件中 1番目

    A Bay Horse in a Field

    年齢 17歳 – 26歳 · イェール英国美術館

    A Bay Horse in a Field is an oil on canvas painting by the artist John Boultbee. This work dates to about 1778. The piece is currently held…

  2. 1780s
  3. 1790s
  4. 1800s

John Boultbeeの絵画に関するよくある質問

John Boultbeeの最も有名な絵画は何ですか?回答を表示

A Bay Horse in a Field (1778)(イェール英国美術館, ニューヘイブン)。続いてCornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780)、そして'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792)が続きます。

John BoultbeeがA Bay Horse in a Fieldを描いたのは何歳の時でしたか?回答を表示

25歳:A Bay Horse in a Fieldは1778年の作品で、John Boultbeeは1753生まれです。

John Boultbeeの最も有名な絵画トップ10は?回答を表示

A Bay Horse in a Field, Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons, 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction, A Grey Arab Stallion in a Desert Landscape, Robert Bakewell, Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794, An Oak Tree struck by Lightning in Dunham Park, A Bay Hunter Named 'Sir Oliver', An Oak Tree struck by Lightning in Dunham Park と 'Garrick' A Bullock。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

John Boultbeeによる絵画は何点ありますか?回答を表示

当カタログには、1778年から1808年にかけて制作されたJohn Boultbeeによる24点の作品が掲載されています。

John Boultbeeの最も有名な作品はどこで見ることができますか?回答を表示

その多くはNational Trust (ミルフォード), イェール英国美術館 (ニューヘイブン) と Shugborough Hall (ストーク・オン・トレント)に所蔵されています。上記の表に各美術館を一覧で記載しています。

John Boultbeeが最も有名な作品を描いたのは、どの時期ですか?回答を表示

1800sにおける作品は、このページにある全21点のうち4点にのぼり、その中にはCaptain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794が含まれます。

John Boultbeeによる最も初期の有名な作品と、最も新しい作品は何ですか?回答を表示

このページで最も古い作品はA Bay Horse in a Field (1778)、最新の作品はAn Oak Tree struck by Lightning in Dunham Park (1808)です。

John Boultbeeはどのような主題を描きましたか?回答を表示

このページに掲載されている21作品のうち、Horse (4), Grass (4) と Sky (3)

John Boultbeeは何に、何を使って描いたのでしょうか?回答を表示

Oil On Canvas: このページには全21作品中6件の作品があります。

National TrustにはJohn Boultbeeのどのような絵画が収蔵されていますか?回答を表示

'Garrick' A Bullock, 'Garrick's Sister' A Cow と 'Broken Horned Beauty' A Cowは、National Trust, ミルフォードが所蔵するこのページ内の4点の作品のうちの一つです。

John Boultbeeの複製画はどこで購入できますか?回答を表示

はい。このページに掲載されているすべての絵画は、各作品の個別ページから、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。

John Boultbee:略歴

John Boultbee: A Painter of Horses and British Life

John Boultbee (1753-1812) emerges from the annals of 18th and early 19th-century England as a remarkably versatile artist, primarily celebrated for his captivating equestrian paintings and evocative depictions of rural life. Born in Osgathorpe, Leicestershire, into a family with artistic leanings – his twin brother Thomas also pursued painting – Boultbee’s career unfolded against the backdrop of a rapidly changing Britain, marked by burgeoning commerce, evolving social structures, and a growing appreciation for landscape and sporting subjects. While often overshadowed by more prominent figures of the era, Boultbee's work offers a valuable window into the tastes, customs, and artistic sensibilities of his time.

Early influences undoubtedly stemmed from Sir Joshua Reynolds, whose presidency at the Royal Academy Schools in 1775 provided Boultbee with crucial training. The Academy’s emphasis on classical principles and naturalism shaped his initial style, evident in his early landscape paintings exhibited in 1776. However, Boultbee quickly developed a distinctive approach, particularly when it came to portraying horses – an obsession that would define much of his oeuvre. His fascination with these magnificent animals wasn't merely aesthetic; it reflected the growing importance of equestrian pursuits within British society, from hunting and racing to military displays. The influence of George Stubbs, a pioneering animal painter known for his anatomical accuracy and dynamic compositions, is readily apparent in Boultbee’s later works.

A Royal Patronage and Sporting Subjects

Boultbee's fortunes shifted dramatically with the patronage of King George III. Recognizing the artist’s skill in capturing the grace and power of horses, the monarch commissioned a series of portraits, solidifying Boultbee’s position within the highest echelons of British society. This royal favor afforded him a residence in Windsor Great Park, providing invaluable access to royal stables and allowing him to observe and paint these magnificent animals firsthand. The resulting paintings – often lavishly detailed and imbued with a sense of grandeur – became symbols of royal power and prestige.

Beyond the royal commissions, Boultbee’s artistic interests extended to depicting rural landscapes and sporting scenes. He frequently portrayed hunts, races, and other equestrian events, capturing the energy and excitement of these pursuits. His paintings offer a glimpse into the lives of the landed gentry, showcasing their leisure activities and reflecting the prevailing social values of the time. His depictions of cattle, particularly those commissioned for the Duke of Bedford, demonstrate an understanding of livestock breeds and agricultural practices – a testament to his keen observational skills.

Technique and Style

Boultbee’s artistic style is characterized by a remarkable blend of technical skill and expressive flair. He possessed a deep knowledge of equine anatomy, meticulously rendering the musculature and movement of horses with impressive accuracy. His compositions are often dynamic and engaging, utilizing light and shadow to create a sense of depth and drama. While influenced by classical principles, Boultbee’s work is not overly formal or rigid; rather, it possesses a certain spontaneity and vitality.

His use of color is particularly noteworthy. He favored warm, earthy tones – browns, ochres, and greens – to evoke the natural beauty of the landscapes he depicted. He also employed subtle gradations of light and shadow to create a sense of atmosphere and mood. His later works often exhibit a delicate pinkish hue, possibly influenced by the prevailing fashion for pastel shades.

Legacy and Significance

Despite not achieving widespread fame during his lifetime, John Boultbee’s work has since been recognized as an important contribution to British art history. His equestrian paintings are particularly valued for their technical skill, expressive quality, and historical significance. They offer a unique perspective on the social and cultural landscape of 18th-century Britain, reflecting the importance of horses in both military and sporting contexts.

Today, Boultbee’s paintings can be found in major museums and private collections throughout the United Kingdom. His legacy endures as a testament to his artistic talent and his ability to capture the spirit of his time. The Durham Ox, commissioned by John Day, remains an iconic image of British rural life, embodying the artist's skill and the enduring fascination with horses within British culture.