Howard Everett Smith, 1885 – 1970

Howard Everett Smithによる最も有名な絵画 6選

Howard Everett Smithを有名にした作品はThe Desk, (painting) (1911)です。 コレクターや美術館の来場者の心には、Boston Harbor, (painting) (1911)、そしてThe Chair, (painting) (1911)が続いています。 当カタログに含まれるHoward Everett Smithの全6作品のうち、特に高く評価されている6作品をご紹介します。各作品には制作年、所蔵美術館、そしてその作品ならではの特徴が添えられています。

各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026

Howard Everett Smithの肖像画
Howard Everett Smith · 1885 – 1970
生没年
1885 – 1970, Windham
カタログ掲載作品
6
最も有名な
The Desk, (painting) (1911)
最多収蔵館
USC フィッシャー美術館

Howard Everett Smith:10の傑作

Howard Everett Smithの作品を見るには

このページに掲載されている絵画を最も多く所蔵している 1 の美術館

美術館 都市 Howard Everett Smithの作品 このリストの絵画
USC フィッシャー美術館, ロサンゼルスUSC フィッシャー美術館 ロサンゼルス 1 Aerial Views of Men

Howard Everett Smithの年表:決定的な名画たち

このページに掲載されているHoward Everett Smithによる年代別の傑作はすべて1911年の作品です。一覧はこちら。

  1. 1911
  2. 1911
  3. 1911

Howard Everett Smithの名作:Q&A

Howard Everett Smithの代表作は何ですか?回答を表示

The Desk, (painting) (1911)。続いてBoston Harbor, (painting) (1911)、そしてThe Chair, (painting) (1911)が続きます。

Howard Everett SmithがThe Desk, (painting)を描いた時の年齢は?回答を表示

26歳:The Desk, (painting)は1911年の作品で、Howard Everett Smithは1885生まれです。

Howard Everett Smithの作品数は?回答を表示

Howard Everett Smithによる6点の作品を掲載しています。

Howard Everett Smithの名作は、どの美術館で見ることができますか?回答を表示

その多くはUSC フィッシャー美術館 (ロサンゼルス)に所蔵されています。上記の表に各美術館を一覧で記載しています。

Howard Everett Smithが傑作を描いたのはいつ頃でしょうか?回答を表示

1911における作品は、このページにある全6点のうち3点にのぼり、その中にはThe Desk, (painting)が含まれます。

Howard Everett Smithの生涯

Howard Everett Smith: A Painter of American Life

Howard Everett Smith, born in Windham, New Hampshire, on April 27, 1885, and passing away in Carmel, California, on October 9, 1970, was a pivotal figure in the landscape of early 20th-century American illustration and painting. His career spanned over six decades, marked by a dedication to capturing the essence of everyday life – from bustling city streets to serene rural scenes, and the captivating world of horses—a subject that would become increasingly central to his artistic vision. Smith’s journey began with formal training at the Boston Museum School under Edmund Tarbell, building upon a foundation established through studies at the Art Students' League in New York alongside Howard Pyle. This early exposure to diverse artistic approaches proved invaluable as he developed his distinctive style, characterized by a warm palette, loose brushwork, and an ability to imbue ordinary subjects with remarkable charm and narrative depth.

Early Years and Influences: From Boston to California

Smith’s childhood in Windham provided him with a deep appreciation for the natural world, a theme that would resonate throughout his artistic output. His family's move to Boston in 1899 exposed him to the vibrant cultural landscape of the city, further broadening his artistic horizons. The Paige Traveling Scholarship afforded him an extraordinary opportunity – a year spent traveling and drawing across Europe from 1911 to 1914. This immersive experience profoundly shaped his perspective, introducing him to European Impressionism and fostering a greater understanding of light, color, and composition. Upon returning to Boston in 1909, he continued his artistic education under Tarbell, solidifying his skills and refining his approach. Later, the influence of Harry A. Whittier, another prominent illustrator, is evident in Smith’s early work, particularly his depictions of children and domestic scenes. However, Smith quickly distinguished himself through a more nuanced portrayal of American life, moving beyond simple sentimentalism to capture the complexities and subtleties of human experience.

Illustrative Beginnings and Artistic Evolution

Smith's career as an illustrator began in earnest during World War I, contributing illustrations to Harper’s and Scribner’s magazines. These early works showcased his ability to tell stories through visual imagery, capturing the spirit of the times with a keen eye for detail and a subtle sense of humor. His illustrations weren’t merely decorative; they were carefully constructed narratives designed to engage the reader's imagination. Following the war, Smith continued to illustrate for several years, but he increasingly sought opportunities to pursue his own artistic vision as a painter. A pivotal moment in his career came with his relocation to Carmel, California, in 1935. The dramatic landscapes and vibrant equestrian culture of the region provided fertile ground for his creativity, leading him to focus on painting horses – from majestic racehorses to sturdy pack animals—a subject that would become a defining element of his oeuvre.

A Master of Light and Narrative: Key Themes and Techniques

Smith’s artistic style evolved significantly throughout his career, reflecting the changing landscapes of America and his own personal experiences. His early illustrations were characterized by clean lines and bright colors, while his later paintings demonstrate a greater emphasis on atmospheric perspective and subtle tonal variations. He was particularly adept at capturing the fleeting effects of light, using loose brushwork to create a sense of immediacy and movement. His depictions of rural life—farmers tending their fields, children playing in the streets, and families gathered around the hearth—were imbued with a deep sense of nostalgia and warmth. The influence of Impressionism is evident in his use of color and his focus on capturing the subjective experience of seeing. However, Smith’s work transcends mere imitation; he developed a unique voice that was distinctly American, reflecting the values and sensibilities of his time. His meticulous attention to detail—particularly in rendering horses—combined with his expressive brushwork created paintings that are both visually stunning and emotionally resonant.

Legacy and Recognition

Howard Everett Smith’s contributions to American art were recognized throughout his lifetime, earning him numerous awards and accolades, including the Hallgarten Prize in 1917 and the Isidor Medal in 1921 from the National Academy. His work was exhibited at prestigious galleries across the country, and he taught at the Rhode Island School of Design. His paintings are now held in prominent collections, testament to his enduring appeal. Smith’s legacy extends beyond his individual works; he represents a significant chapter in the history of American illustration and painting—a period marked by experimentation, innovation, and a growing appreciation for the beauty and complexity of everyday life. His ability to capture the spirit of an era, combined with his technical skill and artistic vision, ensures that Howard Everett Smith’s paintings will continue to inspire and delight audiences for generations to come.