Harold Gresley, 1892 – 1967

Harold Gresley:最も有名な絵画5選

The Convex Mirror (1945)はHarold Gresleyの最も有名な作品です。 Alfred Goodey (d.1945)とFrank Gresley (1855–1936) (the artist's father)は、世界で最もよく知られている次の2つの作品です。 当カタログに含まれるHarold Gresleyの5作品の中から、コレクターや美術館の来館者が最も注目する5作品を厳選しました。各作品の制作年、所蔵美術館、そしてその背景にある物語をご紹介します。

各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026

Harold Gresleyの肖像画
Harold Gresley · 1892 – 1967
生没年
1892 – 1967
カタログ掲載作品
5
最も有名な
The Convex Mirror (1945)
最多収蔵館
County Hall Matlock

トップ10:Harold Gresleyの代表作

Harold Gresleyの作品を見るには

このページに掲載されている絵画を最も多く所蔵している 2 の美術館

美術館 都市 Harold Gresleyの作品 このリストの絵画
County Hall Matlock, MatlockCounty Hall Matlock Matlock 1 Portrait of an Unknown Chairman of Derbyshire County Council
Portland College, MansfieldPortland College Mansfield 1 Dovedale, Derbyshire

Harold Gresleyの歩み:各年の傑作集

このページに掲載されているHarold Gresleyの傑作はすべて1945年に制作されたものです。以下に、知名度の高い順に紹介します。

  1. 1945

Harold Gresleyの絵画に関するよくある質問

Harold Gresleyの最も有名な絵画は何ですか?回答を表示

The Convex Mirror (1945)。続いてAlfred Goodey (d.1945)、そしてFrank Gresley (1855–1936) (the artist's father)が続きます。

Harold GresleyがThe Convex Mirrorを描いたのは何歳の時でしたか?回答を表示

53歳:The Convex Mirrorは1945年の作品で、Harold Gresleyは1892生まれです。

Harold Gresleyによる絵画は何点ありますか?回答を表示

Harold Gresleyによる5点の作品を掲載しています。

Harold Gresleyの最も有名な作品はどこで見ることができますか?回答を表示

その多くはCounty Hall Matlock (Matlock) と Portland College (Mansfield)に所蔵されています。上記の表に各美術館を一覧で記載しています。

Harold Gresley:略歴

A Legacy of Light and Lineage

The story of Harold Gresley is one deeply woven into the very fabric of the English landscape and a profound familial heritage. Born in 1892, Gresley did not merely enter the world as an individual artist, but as the next chapter in a distinguished lineage of painters. He was the son of Frank Gresley and the grandson of James Stephen Gresley, both of whom were notable figures in the British art scene. This ancestral connection provided him with more than just a name; it offered a lifelong immersion in the nuances of light, shadow, and the delicate textures of the natural world. His early training at the Derby School of Art served as the crucible where his inherited passion met formal discipline, allowing him to master the versatile mediums of both watercolour and oil.

However, the trajectory of his life was irrevocably altered by the shadows of the Great War. Enlisting in the 1st Battalion of the Royal Fusiliers, Gresley transitioned from the quiet studios of Derbyshire to the harrowing landscapes of the Western Front and the Balkans. It was during this period of immense upheaval that he demonstrated a bravery that mirrored the strength found in his art. For his exceptional gallantry—specifically his ability to navigate through intense barrages to gather vital intelligence—he was awarded the Distinguished Conduct Medal (DCM). This profound experience of conflict and resilience would undoubtedly have informed the emotional depth and gravity present in his later, more somber portraiture.

The Romanticism of the Derbyshire Wilds

Upon returning to a changed world, Gresley continued his artistic evolution, seeking further refinement under the guidance of Arthur Spooner in Nottingham. This period of post-war study allowed him to refine a style that could be described as a bridge between classical precision and Romantic expressionism. He became particularly renowned for his ability to capture the atmospheric soul of the Derbyshire countryside. In works such as “Dovedale, Derbyshire,” one can witness his mastery of perspective; he utilized expressive brushwork and a sophisticated understanding of atmospheric haze to transform rugged terrain into something ethereal and awe-inspiring.

His landscapes were never merely topographical records; they were emotional evocations. Through the use of oil on canvas, he could layer colors to create a sense of depth that invited the viewer to step into the mist-covered valleys. His ability to manipulate light—capturing the way it breaks through heavy clouds or settles upon a tranquil stream—remains a hallmark of his contribution to British landscape painting. This dedication to the essence of place ensured that his work resonated with a sense of timelessness, celebrating the enduring beauty of the English Midlands.

Dignity in Detail: The Art of Portraiture

While the sweeping vistas of the Peak District defined much of his fame, Gresley possessed a secondary, equally formidable talent for portraiture. If his landscapes were about the vastness of nature, his portraits were about the intimacy of the human spirit. He approached the human face with a meticulous, academic rigor, seeking to convey not just likeness, but character and social standing. His "Portrait of an Unknown Chairman of Derbyshire County Council"* stands as a testament to this skill, utilizing realistic techniques and careful attention to detail—such as the rendering of medals and fabric textures—to project an aura of authority and quiet dignity.

This duality in his oeuvre—the ability to move from the expansive, atmospheric landscape to the concentrated, psychological depth of a portrait—marks him as a truly versatile master. His later years, including his time as a teacher at Repton School, allowed him to pass this technical wisdom to a new generation, ensuring that the traditions he inherited would continue to flourish. Today, much of his significant output is preserved in the Derby Museum and Art Gallery, serving as a permanent record of an artist who found profound beauty in both the wild expanses of the earth and the dignified faces of his fellow man.