ギルバート・ステュアートの最も有名な作品は、ロンドンのナショナル・ポートレート・ギャラリーに所蔵されているジョージ・ワシントン（アテネウム・ポートレート） (1796)です。 George Washington (8) (1820)とGeorge Washington (The Landsdowne Portrait) (1796)を合わせ、誰もが知る3つの名作が揃いました。 当カタログにはギルバート・ステュアートによる386点の作品が掲載されています。以下の100点は、世界で最も注目されている作品であり、制作年、所蔵美術館、そしてその重要性についてまとめています。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新：11月 2026 このページに掲載されているすべての名作は、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。
ギルバート・スチュアートによるジョージ・ワシントンの描写を眺めることは、単にその容貌を観察することではありません。それは、ある時代の精神そのもの、すなわち誕生したばかりのアメリカの理想を体現したものと対峙することなのです。1796年に描かれたこの肖像画は、単なる肖像画の枠を超え、指導力と不朽のヴィジョンを示す記念碑的な証となっています。スチュアートは、アメリカ合衆国初代大統領を、歴史の転換点における姿として捉えました。その静かな威厳は、国家建設という計り知れない重責を背負った一人の男の真実を物語っています。構図そのものが、鑑賞者を親密でありながらも壮大な出会いへと引き込み、歴史的な地位に付随する深い責任感を暗示しているのです。
In the hallowed halls of the Rhode Island School of Design Museum of Art, there resides a window into the very soul of early American identity. George Washington (8), an exquisite oil on panel painted by the master Gilbert Stuart in 1820, serves as more than just a likeness; it is a profound encounter with the weight of history. Through Stuart’s masterful hand, we are not merely looking at the…
The Majesty of a Republic: Encountering the Lansdowne Portrait To stand before Gilbert Stuart’s George Washington (The Lansdowne Portrait) is to encounter the very soul of early American identity. Painted in 1796, this masterpiece transcends mere portraiture, serving as a profound visual manifesto of a nascent nation. Stuart, a master of the Neoclassical style, does not merely capture a likeness; he constructs an icon. The composition presents Washington in a…
A formal Neoclassical portrait captures George Washington in a three-quarter view bust composition. He faces the viewer's left, though his gaze remains directed forward. The palette relies on restrained, somber tones: deep blacks in the clothing and neutral dark browns in the background. This darkness provides a sharp contrast to the bright white of the powdered wig and the cravat. Directional lighting from the upper left creates subtle highlights on…
To stand before this portrait is to encounter the quiet gravity of a man who carried the weight of a new nation upon his shoulders. The composition focuses on a bust-length view of George Washington, positioned slightly off-center as he faces toward the right, though his gaze remains fixed forward. There is a certain stoicism in his expression, a sense of authority that does not need to shout to be…
To stand before this portrait is to step directly into the refined drawing rooms and grand halls of late eighteenth-century England. Gilbert Stuart, the master chronicler of American and British elite life, has captured not merely a likeness, but an entire persona—that of Admiral Sir Charles Morice Pole. The subject commands attention with a natural bearing, his posture radiating the quiet authority expected of a man of naval distinction and…
To stand before this portrait of Thomas Robinson, the 2nd Baron Grantham, is to step directly into the refined drawing rooms of late eighteenth-century England. Painted in 1785 by the masterful hand of Gilbert Stuart, the work transcends a mere likeness; it is a carefully constructed monument to status, intellect, and enduring masculine dignity. The subject gazes out with an unwavering directness that seems to challenge the viewer, inviting an…
This captivating portrait, dating from 1773, offers an intimate window into the social graces and evolving portraiture tastes of late eighteenth-century America. Gilbert Stuart, a master chronicler of his time, has captured not merely two figures—Mrs. Aaron Lopez and her young son Jushua—but a moment suspended in time. The composition immediately draws the viewer into its warmth, presenting a scene steeped in quiet dignity. Notice the careful arrangement: the mother…
A Vision of Command: The Portrait of George Washington George Washington stands before us not merely as a historical figure, but as an enduring symbol of dignity and resolute leadership. In this striking portrait, the first president of the United States is captured with a profound sense of presence that transcends the canvas. Clad in a formal suit featuring a crisp white collar and tie, his countenance is framed by…
To stand before a portrait of George Washington is not merely to observe a likeness; it is to encounter the very embodiment of a nascent nation's spirit. Gilbert Stuart, the master chronicler of America's founding fathers, captured more than just the features of the first President; he immortalized an epoch. This painting, dating from 1796, presents Washington with a dignity that transcends the passing years. The subject is rendered in…
In the quiet, commanding presence of Gilbert Stuart’s 1815 portrait, Henry Rice, one finds much more than a mere historical record; it is an intimate window into the…
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Gilbert Stuart’s portrait of Admiral the Honourable Samuel Barrington, painted in 1786, is more than just a likeness; it's a carefully constructed embodiment of Georgian naval authority and…
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To gaze upon this portrait of Martha Dandridge Custis Washington is to encounter not merely a likeness, but an embodiment of early American grace and enduring social stature.…
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Gilbert Stuart's “George Washington” is more than just a portrait; it’s an embodiment of the nascent American republic, a carefully constructed symbol of leadership and the promise of…
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This oil on canvas portrait by Gilbert Stuart depicts Louis-Marie, Vicomte de Noailles. Created in 1798, the work presents the subject in a formal manner. Louis-Marie was a…
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Gilbert Stuart's "George Washington," painted in 1796, isn’t merely a likeness; it’s an embodiment of nascent American leadership and the very spirit of a nation forging its identity.…
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In the quiet halls of the National Gallery of Art in Washington D.C., there exists a window into the very soul of a nascent nation. Gilbert Stuart’s “George…
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Gilbert Stuart's portrait of Josiah Quincy, completed in 1824, is more than just a likeness; it’s a carefully constructed embodiment of the burgeoning intellectual and political landscape of…
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In the grand tapestry of American iconography, few images command as much reverence and silent authority as Gilbert Stuart’s 1796 masterpiece, the Lansdowne Portrait. This is not merely…
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Gilbert Stuart’s “Sir John Hort (1735–1807), 1st Bt,” painted in 1785, is more than a simple likeness; it's a carefully constructed tableau of Georgian society and the burgeoning…
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Gilbert Stuart’s 1800 portrait of John Adams, currently residing in the National Gallery of Art in Washington D.C., is more than just a likeness; it's a carefully constructed…
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Gilbert Stuart's "George Washington," painted in 1796, isn’t merely a portrait; it’s a carefully constructed embodiment of the nascent American republic. This remarkable work, now housed within the…
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A young man emerges from a dark, undifferentiated void, his presence defined by the soft collision of light and shadow. He sits in a three-quarter view, his gaze…
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The room feels quiet, held in a stillness that only an old man’s gaze can command. Judge Daniel Cony sits before us, his presence filling the space with…
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The man sits in a three-quarter view, his gaze fixed forward with a steady, somber composure. He is a figure of quiet weight, anchored by the dark folds…
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Gilbert Stuart executed Helena Lawrence Holmes Penington in 1803. This oil painting captures the woman's beauty and elegance through a focused study of her features and presence. The…
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The portrait depicts The Hon. Frederick Robinson, a man positioned in a half-length view facing toward the right. He is shown from the waist up, set against a…
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The man gazes out from an oval composition, his presence filling the space with a quiet, steady authority. He sits in a three-quarter view, his body angled slightly…
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A single man occupies the center of this 1783 oil on canvas, his body angled toward the viewer while his gaze drifts to the left. He wears the…
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The face of Joseph Coolidge emerges from a dark, brownish-burgundy void. It is a bust-length portrait where the light clings to the contours of his features, catching the…
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In the "Portrait of William Gray" by Gilbert Stuart, a sense of quiet dignity fills the space. This three-quarter length portrait captures the subject in a moment of…
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This oil on canvas portrait, dated 1809, depicts an elderly man in a three-quarter view. He is seated and positioned slightly off-center, facing toward the viewer's left while…
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Fisher Ames sits in a three-quarter view, his gaze meeting the viewer with a steady, somber composure. The portrait, executed around 1807, captures the subject in a moment…
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In this portrait of Susannah Powell Mason, known as Mrs. Jonathan Mason, we encounter a presence defined by a profound sense of calm. The subject is positioned in…
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A man sits in the quiet gravity of 1817. Col. Israel Thorndike is captured in a three-quarter view, his body angled slightly away while his gaze remains steady.…
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In this 1798 oil portrait, the subject is captured in a bust-length composition, her gaze directed toward the viewer's left while her eyes meet the observer. She is…
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The portrait depicts Alexander Townsend, a lawyer and orator from Boston, positioned in a three-quarter view. He faces toward the left of the frame, while his torso is…
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The light falls from the upper left, a single, steady beam that carves a man out of the darkness. He sits in a three-quarter view, his body angled…
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This bust-length oil portrait, executed in 1824, presents a formal and dignified depiction of a middle-aged man. The subject is positioned slightly off-center, facing towards the right while…
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In this oil on canvas, we encounter Henry Lambert, a gentleman whose very posture suggests a life of quiet authority. Painted around 1780, the portrait captures him in…
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In this oil on canvas, Gilbert Stuart captures the likeness of John Jay, a prominent American statesman. The subject sits with a quiet, heavy presence, his form anchored…
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The Portrait of Frances Cadwalader Montague, Lady Erskine emerges from the shadows of the early nineteenth century, a quiet presence captured by the hand of Gilbert Stuart. This…
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The gaze of Colonel Isaac Barre meets the viewer through this portrait by Gilbert Stuart, captured around 1785. He appears not merely as a figure of history, but…
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In this portrait of Captain John MacBride by Gilbert Stuart, the subject is presented from the chest up within a formal oval vignette format. He is positioned at…
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The portrait of Margaret Spear Smith is an oil on canvas work executed around 1800. The subject is positioned in a three-quarter view, shown from the waist up…
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This Neoclassical portrait, executed in 1812, presents a three-quarter view of a woman positioned slightly off-center. The subject faces toward the viewer's left, while her gaze is directed…
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A young boy, John Parker, sits in a three-quarter length pose, his gaze directed toward the viewer with a calm, solemn expression. He is dressed in the formal…
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Mrs. John Ashley is a portrait painted by the artist Gilbert Stuart. This work, executed on canvas, depicts a woman who was the wife of a wealthy merchant.…
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This formal oil portrait, executed in 1820, presents a bust-length depiction of a young man named William Hale. The subject is positioned slightly off-center, facing toward the viewer's…
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In this intimate portrait, titled Mrs. Blades and her Daughter, the artist Gilbert Stuart presents a quiet study of familial connection. The work captures an adult woman and…
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A young man is positioned in a three-quarter view, his body angled slightly away from the viewer while his gaze remains directed forward. He holds a book against…
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This oil on canvas portrait, titled Samuel Smith, was executed by the artist Gilbert Stuart around 1800. The subject of the painting is Samuel Smith, a man who…
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A young boy sits before a neutral wall, his presence filling the space with a heavy, still dignity. He is John Parker III, captured at eight years old,…
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Reverend William Ellery Channing is a portrait by Gilbert Stuart, executed in the United States. The work dates to circa 1815. Stuart, a prominent figure in American Neoclassicism,…
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The Portrait of Richard Barrington, Later Fourth Viscount Barrington is a work by the artist Gilbert Stuart. Executed in the United States, the painting captures the likeness of…
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The gaze of the second US President meets the viewer through this 1826 oil on canvas by Gilbert Stuart. In this portrait of John Adams, the subject appears…
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To stand before this full-length portrait of John Quincy Adams is to encounter the very essence of early American authority. Painted around 1825–30, the work captures the sixth…
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The oil on canvas titled John Ashley, Esq. was painted by the American artist Gilbert Stuart. Created about 1798, the portrait captures the likeness of the gentleman John…
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The oil on canvas work titled Portrait of George Washington's Cook is attributed to the artist Gilbert Stuart. This portrait, dated 1796, presents a bust-length view of a…
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This portrait depicts Henry Nicols, a single male figure presented in a bust-length composition. Created by the American artist Gilbert Stuart, the work is dated about 1810. The…
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In this 1819 portrait, Gilbert Stuart turns his attention to Washington Allston. The sitter was a celebrated poet and philosopher, a man whose intellectual pursuits were as significant…
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The Portrait of Rufus King is an oil on panel painted by Gilbert Stuart. Created between 1819 and 1820, the work captures the likeness of Rufus King. The…
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In this 1782 oil portrait, Gilbert Stuart captures Captain Sir John Jervis, 1735-1823. The subject is presented in a formal manner, his presence defined by a steady gaze…
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The gaze of Captain William Locker, 1731-1800, meets the viewer from across the centuries. Painted by Gilbert Stuart about 1785, this portrait captures a single male figure poised…
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The Portrait of "Philadelphia Hannah" by Gilbert Stuart presents us with a woman of significant lineage and poise. Painted about 1785, this oil portrait captures Philadelphia Hannah, who…
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In this portrait of Dr. John Fothergill, the subject meets our gaze with a calm, contemplative expression. He sits in a moment of quiet reflection, his presence filling…
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The portrait of John Park by Gilbert Stuart is an oil on canvas work dated 1780. The composition features a gentleman positioned slightly off-center in a half-length view.…
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The portrait depicts an elderly man positioned in a centered, frontal view. He is dressed in a claret-colored velvet jacket and a waistcoat, which appear to have a…
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In this 1785 portrait, Thomas Smith meets the viewer through the steady gaze of Gilbert Stuart. The subject appears as a gentleman of standing, his presence defined by…
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Gilbert Stuart painted this portrait of John Jones of Frankley in 1785. The subject is presented from the chest up, contained within an oval frame. The composition focuses…
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This portrait depicts George Heathcote, an English merchant and philanthropist. The painting was executed by the artist Gilbert Stuart and dates to about 1785. The subject is presented…
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The portrait of Sir William Molesworth, executed in 1785, presents the subject in a three-quarter view within an oval frame. He is positioned slightly off-center to the right,…
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Gilbert Stuart painted Captain Sir William Abdy (c.1735–1803), Bt in 1780. The subject was an English landowner and naval officer. This portrait captures the sitter during a period…
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In this 1785 portrait, Gilbert Stuart captures John Philip Kemble, a prominent British actor of the late eighteenth century. The subject is presented with a quiet, composed dignity…
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Captain William Locker meets the viewer through an oval frame, his presence steady and unyielding against a backdrop of shifting, soft clouds. The light falls from above and…
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This oil on canvas work is titled Portrait of a Gentleman and was executed by the American artist Gilbert Stuart. Created in the United States, the painting is…
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The gentleman sits in a quiet, composed stillness, his gaze meeting the viewer with a calm authority that seems to bridge the gap between centuries. He is framed…
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In this 1790 oil on canvas, we encounter Edmond Sexton, later known as the 1st Viscount Pery. The sitter is presented in a three-quarter view, his torso turned…
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Portrait of Bernard Shaw of Sandpitts, County Kilkenny (born c.1739) is a work by the American artist Gilbert Stuart. Executed in 1790, the portrait captures a man of…
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The Portrait of Gabriel Manigault is an oil painting executed by the American artist Gilbert Stuart. This work depicts Gabriel Manigault, an American architect who was born in…
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In this portrait of James Greenleaf, Gilbert Stuart captures a man of significant standing from the late 18th century. Painted about 1795, the work presents Greenleaf as an…
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The portrait of Colonel James Swan is a formal oil-on-canvas work by the American artist Gilbert Stuart. Painted in 1795, the image captures a single male figure of…
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A formal half-length portrait captures John Henry Livingston, DD, in a moment of quiet, scholarly repose. He is positioned slightly off-center, his gaze meeting the observer with a…
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In this portrait, Mrs. John Stevens II (ca. 1728-1799) by Gilbert Stuart, the subject is presented in a three-quarter view. She is positioned slightly off-center, a choice that…
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The room feels quiet, held in a heavy, dignified stillness. Chancellor Robert R. Livingston sits in a three-quarter view, his body angled toward the left while his eyes…
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An elderly man is captured in a three-quarter view, his presence defined by a quiet, scholarly authority. He is positioned slightly off-center, creating a sense of depth against…
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Gilbert Stuart painted this formal portrait of Robert R. Livingston around 1793. The subject, a prominent American lawyer and diplomat, is presented with the dignity appropriate to his…
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This formal portrait of John Foster was executed by the American artist Gilbert Stuart. Painted around 1790, the work captures a man of significant standing during a transformative…
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Joseph Brant by Gilbert Stuart presents a formal portrait of the Mohawk leader, Thayendanegea. Painted about 1786, the work captures the subject in a bust-length view, facing slightly…
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In this portrait, Henry Cruger sits before us, captured by the hand of the American artist Gilbert Stuart. The subject is a man of significant influence, an American-British…
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The Portrait of Elizabeth Chipman Gray by Gilbert Stuart captures a woman of quiet strength and social standing. Painted about 1800, the work presents Elizabeth in a moment…
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Gilbert Stuart painted Dr. William Aspinwall around 1815. The subject, William Aspinwall, is presented in a formal bust-length composition. He is identified by his professional occupation as a…
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The gaze of Marianne Ashley Walker meets us from across the years, captured in this 1799 oil on canvas by the hand of Gilbert Stuart. She sits with…
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In this oil portrait, the American artist Gilbert Stuart captures Samuel Griffin, a man of significant influence in Virginia. Painted about 1800, the work presents a formal study…
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The portrait titled Mrs. William Jackson is a work by the American painter Gilbert Stuart. Created in 1798, this oil on canvas captures a single female figure. She…
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Created in 1798, Mrs. Samuel Blodget is a refined and elegant Neoclassical portrait of a young woman. This oval-shaped bust-length portrait, set within an ornate gold frame, captures…
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This oil on canvas portrait depicts Elizabeth Beale Bordley, painted by the American artist Gilbert Stuart. Created about 1797, the work presents a single female figure in a…
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A three-quarter view bust portrait captures an older gentleman emerging from a dark, indistinct void. He faces toward the left, his presence defined by the soft textures of…
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The gaze of Abigail Willing Peters meets the viewer from within the frame of this portrait titled Abigail Willing. Painted by the American artist Gilbert Stuart, the work…
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In this 1802 portrait, we encounter Sarah Wentworth Apthorp Morton, a woman whose presence is defined by a quiet, commanding dignity. She is captured in a three-quarter view,…
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このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | ギルバート・ステュアートの作品 | このリストの絵画 |
|---|---|---|---|
 ハーバード美術館 |
ケンブリッジ | 15 | William Porter Jr. (1788-1818), Fisher Ames (1758-1808), Joseph Coolidge (1747-1820) |
 Pennsylvania Academy of Fine Arts |
フィラデルフィア | 11 | Portrait of "Philadelphia Hannah", Dr. John Fothergill, James Greenleaf |
 メトロポリタン美術館 |
ニューヨーク | 26 | George Washington, George Washington, Henry Rice |
 ボストン美術館 |
ボストン | 47 | George Washington, Josiah Quincy, John Park |
 ナショナル・ギャラリー・オブ・アート |
ワシントン | 32 | George Washington (8), George Washington (The Vaughan Portrait), John Adams |
 国立肖像画美術館 |
Washington, D.C. | 7 | Fisher Ames, John Jay, Margaret Spear Smith |
 National Trust |
プリマス | 6 | Admiral Sir Charles Morice Pole (1757–1830), Bt, Thomas Robinson (1738–1786), 2nd Baron Grantham, Admiral the Honourable Samuel Barrington (1729–1800) |
 ナショナル・ポートレート・ギャラリー |
ロンドン | 10 | ジョージ・ワシントン（アテネウム・ポートレート）, Martha Dandridge Custis Washington, George Washington (Lansdowne Portrait) |
This captivating portrait, dating from 1773, offers an intimate window into the social graces and evolving portraiture tastes of late eighteenth-century America. Gilbert Stuart, a master chronicler of…
To stand before this portrait is to step directly into the refined drawing rooms and grand halls of late eighteenth-century England. Gilbert Stuart, the master chronicler of American…
ギルバート・スチュアートによるジョージ・ワシントンの描写を眺めることは、単にその容貌を観察することではありません。それは、ある時代の精神そのもの、すなわち誕生したばかりのアメリカの理想を体現したものと対峙することなのです。1796年に描かれたこの肖像画は、単なる肖像画の枠を超え、指導力と不朽のヴィジョンを示す記念碑的な証となっています。スチュアートは、アメリカ合衆国初代大統領を、歴史の転換点における姿として捉えました。その静かな威厳は、国家建設という計り知れない重責を背負った一人の男の真実を物語っています。構図そのものが、鑑賞者を親密でありながらも壮大な出会いへと引き込み、歴史的な地位に付随する深い責任感を暗示しているのです。
A formal Neoclassical portrait captures George Washington in a three-quarter view bust composition. He faces the viewer's left, though his gaze remains directed forward. The palette relies on…
In the quiet, commanding presence of Gilbert Stuart’s 1815 portrait, Henry Rice, one finds much more than a mere historical record; it is an intimate window into the…
In the hallowed halls of the Rhode Island School of Design Museum of Art, there resides a window into the very soul of early American identity. George Washington…
ジョージ・ワシントン（アテネウム・ポートレート） (1796)（ナショナル・ポートレート・ギャラリー, ロンドン）。続いてGeorge Washington (8) (1820)、そしてGeorge Washington (The Landsdowne Portrait) (1796)が続きます。
41歳：ジョージ・ワシントン（アテネウム・ポートレート）は1796年の作品で、ギルバート・ステュアートは1755生まれです。
ジョージ・ワシントン（アテネウム・ポートレート）, George Washington (8), George Washington (The Landsdowne Portrait), George Washington (1732-1799), LL.D. 1781, George Washington, Admiral Sir Charles Morice Pole (1757–1830), Bt, Thomas Robinson (1738–1786), 2nd Baron Grantham, Mrs. Aaron Lopez and Her Son Jushua, George Washington と George Washington。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1773年から1827年にかけて制作されたギルバート・ステュアートによる386点の作品が掲載されています。
その多くはハーバード美術館 (ケンブリッジ), Pennsylvania Academy of Fine Arts (フィラデルフィア) と メトロポリタン美術館 (ニューヨーク)に所蔵されています。上記の表に各美術館を一覧で記載しています。
1790sにおける作品は、このページにある全100点のうち33点にのぼり、その中にはジョージ・ワシントン（アテネウム・ポートレート）が含まれます。
このページで最も古い作品はMrs. Aaron Lopez and Her Son Jushua (1773)、最新の作品はJohn Quincy Adams (1767-1848) (1827)です。
このページに掲載されている100作品のうち、Man (57), Portrait (34) と White cravat (31)
Oil On Canvas: このページには全100作品中79件の作品があります。
このページに掲載されている絵画が示す通り、新古典主義
William Porter Jr. (1788-1818), Fisher Ames (1758-1808) と Joseph Coolidge (1747-1820)は、ハーバード美術館, ケンブリッジが所蔵するこのページ内の10点の作品のうちの一つです。
はい。このページに掲載されているすべての絵画は、各作品の個別ページから、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。
