フレデリック・カルバート, 1731 – 1771

フレデリック・カルバートによる最も有名な絵画 23選

フレデリック・カルバートを有名にした作品はShanklin Chine, from 'The Isle of Wight Illustrated, in a Series of Coloured Views', engraved by Pです。 コレクターや美術館の来場者の心には、View Of Greenwich、そしてLiverpool, Lancashire From The River Mersey And New Brighton, (oil On Canvas) - (257) (1838)が続いています。 当カタログに含まれるフレデリック・カルバートの全23作品のうち、特に高く評価されている23作品をご紹介します。各作品には制作年、所蔵美術館、そしてその作品ならではの特徴が添えられています。

各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026 このページに掲載されているすべての名作は、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。

フレデリック・カルバートの肖像画
フレデリック・カルバート · 1731 – 1771
生没年
1731 – 1771, エプソム
カタログ掲載作品
23
最も有名な
Shanklin Chine, from 'The Isle of Wight Illustrated, in a Series of Coloured Views', engraved by P
最多収蔵館
Calke Abbey

フレデリック・カルバート:10の傑作

View Of Greenwich による フレデリック・カルバート
2

View Of Greenwich

Oil · National Maritime Museum, ロンドン

The painting View Of Greenwich captures a serene maritime scene set against a coastal landscape. In the foreground, the waters are occupied by two distinct vessels: a larger sailing ship featuring multiple masts and adorned with flags, and a smaller boat being navigated by oarsmen. The background reveals a coastal town characterized by buildings of varying heights, including a prominent structure with a dome that resembles a church or cathedral.…

手描き油彩複製画: $181 35 × 29 cm
Liverpool, Lancashire From The River Mersey And New Brighton, (oil On Canvas) - (257) (1838) による フレデリック・カルバート
3

Liverpool, Lancashire From The River Mersey And New Brighton, (oil On Canvas) - (257)

1838 · Oil On Canvas

This oil on canvas, titled Liverpool, Lancashire From The River Mersey And New Brighton, (oil On Canvas) - (257), offers a detailed perspective of the maritime activity defining the region. The work is attributed to Frederick Calvert, an artist whose hand is evident in the specific rendering of the coastal environment. It provides a window into the industrial and nautical character of the Mersey during the early nineteenth century.

手描き油彩複製画: $181 37 × 27 cm

フレデリック・カルバートの名作をもっと見る、11から23まで

フレデリック・カルバート が最も多く描いた主題

これらの傑作の中で最も頻繁に描かれる4つの主題と、それぞれの最高傑作をご紹介します。

フレデリック・カルバートの作品を見るには

このページに掲載されている絵画を最も多く所蔵している 2 の美術館

美術館 都市 フレデリック・カルバートの作品 このリストの絵画
Calke AbbeyCalke Abbey 2 Dublin Bay, View Of Windsor
National Maritime Museum, ロンドンNational Maritime Museum ロンドン 1 View Of Greenwich

フレデリック・カルバートの名作:Q&A

フレデリック・カルバートの代表作は何ですか?回答を表示

Shanklin Chine, from 'The Isle of Wight Illustrated, in a Series of Coloured Views', engraved by P。続いてView Of Greenwich、そしてLiverpool, Lancashire From The River Mersey And New Brighton, (oil On Canvas) - (257) (1838)が続きます。

フレデリック・カルバートの最高傑作といえる10枚の絵画とは?回答を表示

Shanklin Chine, from 'The Isle of Wight Illustrated, in a Series of Coloured Views', engraved by P, View Of Greenwich, Liverpool, Lancashire From The River Mersey And New Brighton, (oil On Canvas) - (257), Cheshire at the Mouth of the River Mersey, (oil on canvas) - (257064)), Shipping In The Mersey, Woodside, Wirral, Shipping Off Dover, Shipping On Heavy Seas, View Of Liverpool - と Cowes, Isle Of Wight, View From The Sea。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

フレデリック・カルバートの作品数は?回答を表示

フレデリック・カルバートによる23点の作品を掲載しています。

フレデリック・カルバートの名作は、どの美術館で見ることができますか?回答を表示

その多くはCalke Abbey と National Maritime Museum (ロンドン)に所蔵されています。上記の表に各美術館を一覧で記載しています。

フレデリック・カルバートが好んで描いた主題は何でしたか?回答を表示

このページに掲載されている23作品のうち、Scenes (7), Beach (5) と Boat (3)

フレデリック・カルバートが好んで用いた技法は何ですか?回答を表示

Oil On Canvas: このページには全23作品中2件の作品があります。

Calke Abbeyには、フレデリック・カルバートのどの傑作が展示されていますか?回答を表示

Dublin Bay と View Of Windsorは、Calke Abbeyが所蔵するこのページ内の2点の作品のうちの一つです。

フレデリック・カルバートの名作の複製画を所有することはできますか?回答を表示

はい。このページに掲載されているすべての絵画は、各作品の個別ページから、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。

フレデリック・カルバートの生涯

Early Life and Aristocratic Roots

Frederick Calvert, born in Epsom, United Kingdom, in 1731, entered a world steeped in privilege and responsibility. He was the sixth Baron Baltimore, inheriting a title rich with colonial history—his family having been granted the charter for the Province of Maryland in the 17th century. However, unlike many aristocrats of his time content to manage estates from afar, Calvert possessed a keen artistic sensibility that drew him towards painting. While his lineage provided financial security and social standing, it was his own passion that fueled his dedication to capturing the beauty of the English countryside and maritime scenes. Details regarding his formal art education remain scarce; however, the quality and style of his work suggest either private tutelage or a period of self-directed study under the guidance of established artists. His early life undoubtedly shaped his perspective, offering access to landscapes that would later become central themes in his oeuvre.

A Passion for Landscape and Maritime Painting

Calvert’s artistic focus quickly centered on landscape and maritime painting—genres gaining prominence during the 18th century as a reflection of Britain's growing naval power and increasing appreciation for natural beauty. He wasn’t merely documenting scenes; he was imbuing them with an atmospheric quality that resonated with the Romantic sensibilities beginning to emerge. His paintings, such as “Cowes, Isle Of Wight, View Of The River Medina,” showcase a meticulous attention to detail alongside a masterful use of light and shadow. These weren't simply topographical records but evocative portrayals of coastal life, capturing the bustling activity of harbors and the serene stillness of rivers. Shipping Scene With Lighthouse, for example, demonstrates his ability to convey drama through realistic depictions of maritime challenges—a sinking ship rendered with striking intensity against a backdrop of a looming lighthouse.

Style and Influences

Calvert’s style is characterized by a blend of realism and atmospheric perspective. He wasn't striving for the idealized landscapes favored by some of his contemporaries; instead, he presented scenes as they were—often incorporating elements of everyday life and weather conditions. His work shares affinities with artists like Canaletto, known for their detailed cityscapes, and those associated with the English School of landscape painting. However, Calvert developed a unique voice through his focus on maritime subjects and his ability to capture the subtle nuances of light and atmosphere. View Of Greenwich, though less documented than other works, likely exemplifies this approach—a careful rendering of a significant location imbued with a sense of place and time.

Legacy and Historical Significance

Frederick Calvert’s life was tragically cut short in 1771 at the age of forty. While his career spanned only a few decades, he left behind a body of work that offers valuable insight into 18th-century British art and society. His paintings provide not just aesthetic pleasure but also glimpses into the maritime world, coastal communities, and the landscapes that shaped the era. He wasn’t merely an aristocrat dabbling in art; he was a dedicated painter who contributed to the evolving landscape tradition of his time. Though not as widely recognized as some of his contemporaries, Frederick Calvert’s legacy continues to be appreciated by those who seek a deeper understanding of 18th-century British art—a testament to his skill, passion, and unique artistic vision.