デビッド・ジャガーの最も有名な作品は、オタワのCanadian War Museumに所蔵されているThe Bolshevik (1918)です。 Thomas Newbould (1845–1933) (1921)とHenry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936)を合わせ、誰もが知る3つの名作が揃いました。 当カタログにはデビッド・ジャガーによる23点の作品が掲載されています。以下の23点は、世界で最も注目されている作品であり、制作年、所蔵美術館、そしてその重要性についてまとめています。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新：11月 2026
これらの傑作の中で最も頻繁に描かれる4つの主題と、それぞれの最高傑作をご紹介します。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | デビッド・ジャガーの作品 | このリストの絵画 |
|---|---|---|---|
 Towner |
イーストボーン | 2 | Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945), Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) |
 Canadian War Museum |
オタワ | 1 | The Bolshevik |
 ウォーカー・アート・ギャラリー |
リバプール | 1 | Sewing |
 Royal Hallamshire Hospital |
Sheffield | 1 | Henry Hall Bedford, JP, Chairman of the Board (1913–1924) |
 The Scout Association |
London | 1 | Lord Baden Powell (1857–1941), as World Chief Scout |
 Nottingham Castle Museum And Art Gallery |
ノッティンガム | 1 | Jewish Refugee, Vienna |
 Royal Holloway |
Egham | 1 | Miss Janet Ruth Bacon |
 バーミンガム大学 |
バーミンガム | 1 | Sir Horace Clarke |
The Bolshevik (1918)（Canadian War Museum, オタワ）。続いてThomas Newbould (1845–1933) (1921)、そしてHenry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936)が続きます。
27歳：The Bolshevikは1918年の作品で、デビッド・ジャガーは1891生まれです。
The Bolshevik, Thomas Newbould (1845–1933), Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935), Dr John George Graves (1866–1945), Portrait of a Man, The Late Cyrus Jones, Kathleen, Portrait of a Lady, Charles Jagger (1885–1934) と Charles Sargeant Jagger。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1917年から1950年にかけて制作されたデビッド・ジャガーによる23点の作品が掲載されています。
その多くはTowner (イーストボーン), Canadian War Museum (オタワ) と ウォーカー・アート・ギャラリー (リバプール)に所蔵されています。上記の表に各美術館を一覧で記載しています。
1920sにおける作品は、このページにある全23点のうち6点にのぼり、その中にはThomas Newbould (1845–1933)が含まれます。
このページで最も古い作品はCharles Jagger (1885–1934) (1917)、最新の作品はMichael Theodore Waterhouse (1888–1968), CBE, PRIBA (1950)です。
このページに掲載されている23作品のうち、Portraits (2) と Men (2)
Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945) と Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931)は、Towner, イーストボーンが所蔵するこのページ内の2点の作品のうちの一つです。
Born in Kilnhurst, near Rotherham, David Jagger emerged as one of the most accomplished English portrait painters of his era. His journey into the world of fine art was deeply rooted in a family of immense creative talent; he was the son of colliery manager Enoch Jagger and Mary Sargeant, and grew up alongside siblings who would also leave their mark on the British art scene. His sister, Edith, became a noted landscape artist and textile designer, while his brother, Charles Sargeant Jagger, rose to prominence as a celebrated sculptor. This environment of artistic rigor shaped David’s early development, leading him to the Sheffield School of Art, where he honed the technical precision that would later define his professional career.
As an accomplished draughtsman and skilled illustrator, Jagger’s talent was recognized early through accolades in mural design and painting. Following his formal education, he moved to London, a transition that marked the beginning of his ascent within the prestigious circles of British society. Initially balancing commercial art studio work with evening portrait commissions, he eventually established his own professional portrait studio in Chelsea, south of London. This period of his life was not only marked by professional growth but also by profound personal inspiration; his marriage to Catherine Gardiner brought a muse into his life whose features would grace many of his most accomplished works, often appearing under a pseudonym.
Jagger’s work is characterized by a remarkable realism that, while highly detailed, maintained a soft, painterly quality that avoided the harshness of hard-edge styles. He possessed a rare ability to capture the essence of his subjects, whether they were members of the British aristocracy or figures of significant historical importance. His technical mastery allowed him to navigate the delicate balance between formal, official-looking commissions and more intimate, thoughtfully posed compositions. This skill earned him a place among the leading exhibitors of his time, with regular appearances at the Royal Academy, the Royal Society of British Artists, and the Royal Institute of Oil Painters.
The breadth of his subject matter reflects the high society and civic authority of early 20th-century Britain. His portfolio includes a breathtaking array of notable figures, such as:
Beyond the individual brilliance of his brushwork, David Jagger holds a significant place in the history of British portraiture due to his role in documenting the faces of an era. His ability to secure commissions from the highest echelons of power—ranging from royalty to political leaders—cemented his reputation as a premier chronicler of his time. His work serves as a visual record of the dignity, tradition, and shifting social landscape of mid-century England.
His contribution to the art community was further solidified through his active membership in prestigious societies like the Royal Society of Portrait Painters. Through these institutions, Jagger helped maintain the high standards of oil painting and portraiture during a period of significant artistic transition. Today, his portraits remain cherished not only for their technical excellence but as windows into the character and prestige of the individuals who shaped the twentieth century.
