Basawan, 1560 – 1600

Basawanの名画:最も有名な作品13選、ランキング形式で紹介

Basawanの最も有名な作品は、ニューヨークのメトロポリタン美術館に所蔵されているMihrdukht aims her arrow at the ring (1570)です。 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)とThe hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)を合わせ、誰もが知る3つの名作が揃いました。 当カタログにはBasawanによる13点の作品が掲載されています。以下の13点は、世界で最も注目されている作品であり、制作年、所蔵美術館、そしてその重要性についてまとめています。

各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026 このページに掲載されているすべての名作は、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。

Basawanの肖像画
Basawan · 1560 – 1600
生没年
1560 – 1600, Uttar Pradesh
カタログ掲載作品
13
最も有名な
Mihrdukht aims her arrow at the ring (1570)
最多収蔵館
クリーブランド美術館

Basawanによる最も有名な10作品

Mihrdukht aims her arrow at the ring (1570) による Basawan
1

Mihrdukht aims her arrow at the ring

1570 · Tempera · メトロポリタン美術館, ニューヨーク

The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…

手描き油彩複製画: $406 28 × 36 cm 原画と同サイズ $484 52 × 68 cm 原寸サイズで注文する →

Basawanの絵画 11〜13

Basawanの作品を見るには

このページに掲載されている絵画を最も多く所蔵している 6 の美術館

美術館 都市 Basawanの作品 このリストの絵画
クリーブランド美術館, クリーブランドクリーブランド美術館 クリーブランド 8 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
メトロポリタン美術館, ニューヨークメトロポリタン美術館 ニューヨーク 1 Mihrdukht aims her arrow at the ring
ヴィクトリア&アルバート博物館, ロンドンヴィクトリア&アルバート博物館 ロンドン 1 Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer
シカゴ美術館, シカゴシカゴ美術館 シカゴ 1 The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama
サンディエゴ美術館, サンディエゴサンディエゴ美術館 サンディエゴ 1 The Virgin and Child
ハーバード美術館, ケンブリッジハーバード美術館 ケンブリッジ 1 A Mughal and a Rajput Converse at Dusk

Basawanの各年代における代表作

  1. 1570s
    Mihrdukht aims her arrow at the ring (1570) による Basawan
    13件中 1番目

    Mihrdukht aims her arrow at the ring

    年齢 10歳 – 19歳 · メトロポリタン美術館

    The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture…

  2. 1580s
  3. 1590s

Basawanの絵画に関する質問

Basawanの最も有名な絵画は何ですか?回答を表示

Mihrdukht aims her arrow at the ring (1570)(メトロポリタン美術館, ニューヨーク)。続いてThe hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)、そしてThe hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)が続きます。

Mihrdukht aims her arrow at the ringが描かれたとき、Basawanは何歳でしたか?回答を表示

10歳:Mihrdukht aims her arrow at the ringは1570年の作品で、Basawanは1560生まれです。

Basawanによるトップ10の名画とは?回答を表示

Mihrdukht aims her arrow at the ring, The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur), Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer, The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, The Virgin and Child, The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) と Page from Tales of a Parrot (Tuti-nama): text page。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Basawanの作品数は?回答を表示

当カタログには、1570年から1596年にかけて制作されたBasawanによる13点の作品が掲載されています。

Basawanの最も有名な絵画はどこにありますか?回答を表示

その多くはクリーブランド美術館 (クリーブランド), メトロポリタン美術館 (ニューヨーク) と ヴィクトリア&アルバート博物館 (ロンドン)に所蔵されています。上記の表に各美術館を一覧で記載しています。

Basawanが最も有名な作品を描いたのはいつですか?回答を表示

1590sにおける作品は、このページにある全13点のうち4点にのぼり、その中にはAkbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmerが含まれます。

Basawanの初期および後期の代表作は何ですか?回答を表示

このページで最も古い作品はMihrdukht aims her arrow at the ring (1570)、最新の作品はThe siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) (1596)です。

クリーブランド美術館では、どのBasawanの絵画を見ることができますか?回答を表示

The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night と The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Nightは、クリーブランド美術館, クリーブランドが所蔵するこのページ内の8点の作品のうちの一つです。

Basawanの絵画の複製画を購入することはできますか?回答を表示

はい。このページに掲載されているすべての絵画は、各作品の個別ページから、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。

Basawanについて

Basawan: The Pioneer of Mughal Portraiture

Basawan (flourished 1580–1600), a name whispered with reverence in Indian art history, stands as one of the foremost figures of the Mughal miniature tradition. Though shrouded in obscurity—details about his life remain scant—his legacy endures through his breathtaking depictions of human subjects within the monumental Akbarnama, cementing his place as an innovator who elevated portraiture to unprecedented heights. Born in New Delhi during a period of significant cultural exchange between Persia and India, Basawan’s artistic journey began amidst the opulent courts of Akbar the Great. His formative years were spent under the tutelage of Abd al-Samad, a renowned artist whose influence profoundly shaped Basawan's stylistic sensibilities. This mentorship instilled within him a meticulous observation of human anatomy and expression—a hallmark that distinguishes his work from contemporaries.
  • Akbarnama Influence: Basawan’s contribution to the Akbarnama is arguably his most celebrated achievement. Unlike previous chronicles, Akbar commissioned a series of portraits capturing not merely royal figures but also individuals representing diverse social strata – scholars, musicians, and artisans. This bold decision signaled a departure from conventional artistic practices and established Basawan as a trailblazer in portraying human character with remarkable realism.
  • Color Palette & Technique: Basawan’s mastery lay primarily in his exceptional color palette and technique. Utilizing opaque watercolor pigments combined with gold leaf—a practice considered revolutionary at the time—he achieved luminous hues and textural depth that captivated viewers. His meticulous layering of colors created an illusionistic effect, mirroring the subtleties of light and shadow and conveying a profound sense of atmosphere.
  • Family Legacy: Basawan’s artistic lineage continued through his son Manohar Das, who carried on the family tradition as a court painter. Today, the Das family maintains a thriving manufacturing business specializing in handcrafted carpets—a tangible connection to their ancestral heritage and a testament to the enduring influence of Basawan's artistic vision.

Exploring His Artistic Output: Beyond Akbarnama Illustrations

While the Akbarnama undoubtedly represents Basawan’s magnum opus, evidence suggests he engaged in diverse artistic endeavors extending beyond royal commissions. Fragments of manuscripts depicting scenes from Hindu mythology—particularly those featuring Tara Kalan—offer glimpses into his versatility and willingness to explore different thematic concerns. These works demonstrate a keen understanding of symbolism and narrative complexity, reflecting the broader intellectual currents of the Mughal era.
  • Notable Works: Among Basawan’s surviving paintings are depictions of angels (Peri) riding composite camels—a striking visual representation of Islamic cosmology—and portraits capturing the dignity and solemnity of royal figures.

Connections to Western Artistic Traditions

Basawan's artistic development coincided with the arrival of Jesuit missionaries in India, bringing with them European paintings that profoundly impacted Mughal artists. This exposure fostered a dialogue between Eastern and Western aesthetics—a pivotal moment in Indian art history—and Basawan’s oeuvre bears subtle traces of this influence. His meticulous attention to detail and his masterful use of perspective foreshadowed developments occurring across the ocean, marking him as an artist attuned to global artistic trends.

Historical Significance: A Reflection of Mughal Patronage

Basawan's success is inextricably linked to Akbar’s enlightened patronage—a royal commitment to fostering artistic excellence and promoting cultural enrichment. Akbar recognized Basawan’s talent and entrusted him with monumental commissions, securing his place as one of the most influential artists of his time. His work serves as a poignant reminder of the transformative power of royal support in shaping artistic innovation and preserving cultural heritage for posterity.