Adèle Romanyの名作として知られるのはPortrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)で、ワシントンD.C.のNational Museum of Women in the Artsに所蔵されています。 コレクターや美術館の来場者の心には、Madame Coury, Duhamel Widow (1811)、そしてPortrait of a Young Woman (1804)が続いています。 当カタログに含まれるAdèle Romanyの全39作品のうち、特に高く評価されている37作品をご紹介します。各作品には制作年、所蔵美術館、そしてその作品ならではの特徴が添えられています。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新：11月 2026 このページに掲載されているすべての名作は、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。
The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.
In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…
The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.
In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…
The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…
The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.
In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…
The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…
The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…
The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…
is an oil on canvas work by Adèle Romany, executed in 1799. The artist, born in Paris, France, in 1769, was a significant figure in the French portraiture…
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In this 1802 oil painting, we find ourselves drawn into a quiet, private interval between two figures. The composition centers on a young man and woman, their bodies…
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This Neoclassical portrait, rendered in 1799, presents Jeanne-Marie Mercier in a three-quarter view, seated with a quiet, steady presence. The composition is contained within an oval format, focusing…
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In Portrait of Justine-Louise Mercier, aunt of the artist, Adèle Romany employs a Neoclassical and Late Baroque sensibility to capture the sitter in an intimate, oval-format composition. The…
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In this portrait of Louis Jean-Baptiste Étienne Vigée, Adèle Romany captures a man of letters through the quiet stillness of an interior setting. Painted about 1800, the work…
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In Portrait de Mme Thénard, Adèle Romany presents a three-quarter length portrait of the subject. The figure is positioned against a dark, indeterminate background that lacks specific environmental…
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In Adèle Romany's Full-length Portrait of a Young Lady Seated in a Landscape, about 1805, the subject occupies a central position, though she is placed slightly to the…
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The oil on canvas titled Portrait of a Lady at a Pianoforte was executed by the French painter Adèle Romany in 1808. This portrait captures a young woman…
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A young man sits in the quiet gravity of 1807. He is turned slightly toward the upper right, his gaze drifting away from the viewer toward an unseen…
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A young man sits in a quiet moment of musical devotion. He holds a lyre guitar, the polished wood catching a soft, directional light from the upper left.…
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Portrait of Emilie Leverd by Adèle Romany is a three-quarter length portrait composed with a deliberate sense of balance. The subject is positioned slightly off-center, directing her gaze…
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In this portrait, titled Mlle Raucourt as Agrippine, the artist Adèle Romany presents a striking study of the celebrated French actress Françoise Marie Antoinette Saucerotte. Known professionally as…
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In the Portrait of Joseph Souberbielle by Adèle Romany, an elderly gentleman is depicted in a three-quarter length pose. He is seated within a study-like setting, positioned slightly…
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A young woman is positioned in a three-quarter length pose, situated slightly off-center within a landscape setting. She wears a satin gown of luminous white and silver tones…
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The Portrait of Antoine Valedau is a formal work by the French painter Adèle Romany. Created in 1809, this oil on canvas portrait captures a single male figure…
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The Portrait of Alphonse de Chavanges is an oil painting by the French artist Adèle Romany. The subject of the work is Alphonse de Chavanges, who was also…
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In this 1810 oil on canvas, we find ourselves in the presence of Michael Kelly, a man whose very posture suggests a life lived through song. He is…
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A middle-aged man sits in a three-quarter length pose, his presence defined by a sense of intellectual weight and social standing. He is positioned slightly off-center, a composition…
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An elderly gentleman sits within the stillness of a domestic interior, caught in a pause between duties. He is positioned slightly off-center, his figure anchored by the weight…
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Aglaé-Constance Boudard is presented in a three-quarter view, her presence anchored by the heavy, saturated crimson of a velvet dress. The fabric catches the light from the upper…
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The canvas holds a young woman, Amélie-Justine Laidin de la Bouterie, suspended in a moment of quietude. She is positioned in a three-quarter length pose, her presence anchored…
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The artwork is titled Portrait de Zoé Prévost, de l'Opéra-Comique and was executed by the artist Adèle Romany. This portrait depicts Geneviève-Aimé-Zoë Prévost, a figure known in professional…
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This portrait, titled Mlle Prévost de l’Opéra Comique, is a work by the French painter Adèle Romany. It captures the likeness of Geneviève-Aimé-Zoë Prévost, a soprano who graced…
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In the urgent, desperate moments of 1833, Adèle Romany captures a scene of frantic movement in her oil on canvas, The Flight from the Village Fire. The air…
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In the Portrait of Voltaire by Adèle Romany, the subject is captured in a bust-length study. The man is positioned slightly off-center, his body turned toward the viewer's…
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The artwork titled Baptiste cadet is a portrait executed by the artist Adèle Romany. This specific piece was created in 1832. The subject of the painting is a…
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これらの傑作の中で最も頻繁に描かれる4つの主題と、それぞれの最高傑作をご紹介します。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | Adèle Romanyの作品 | このリストの絵画 |
|---|---|---|---|
| Library-museum of the Comédie-Française | Paris | 5 | Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury |
 ヴェルサイユ宮殿 |
ヴェルサイユ | 2 | Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack |
 ボストン美術館 |
ボストン | 2 | Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar |
 National Museum of Women in the Arts |
ワシントンD.C. | 1 | Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou |
 国立美術館 |
ストックホルム | 1 | Madame Coury, Duhamel Widow |
 マルモッタン・モネ美術館 |
パリ | 1 | Portrait of a Young Woman |
 リール美術館 |
リール | 1 | Portrait of a Young Harpist |
 ジャックマール・アンドレ美術館 |
パリ | 1 | Portrait of a woman |
The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle…
The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…
In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…
The artwork is titled Portrait de Zoé Prévost, de l'Opéra-Comique and was executed by the artist Adèle Romany. This portrait depicts Geneviève-Aimé-Zoë Prévost, a figure known in professional…
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)（National Museum of Women in the Arts, ワシントンD.C.）。続いてMadame Coury, Duhamel Widow (1811)、そしてPortrait of a Young Woman (1804)が続きます。
26歳：Portrait of an Artist, Traditionally Identified as Mademoiselle Halbouは1795年の作品で、Adèle Romanyは1769生まれです。
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois と A young person hesitating to play the piano in front of her family。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1791年から1836年にかけて制作されたAdèle Romanyによる39点の作品が掲載されています。
その多くはLibrary-museum of the Comédie-Française (Paris), ヴェルサイユ宮殿 (ヴェルサイユ) と ボストン美術館 (ボストン)に所蔵されています。上記の表に各美術館を一覧で記載しています。
1800sにおける作品は、このページにある全37点のうち13点にのぼり、その中にはPortrait of a Young Womanが含まれます。
このページで最も古い作品はPortrait of Julie Candeille (1791)、最新の作品はPortrait of Voltaire (1836)です。
このページに掲載されている37作品のうち、Woman (24), Man (14) と White dress (6)
Oil On Canvas: このページには全37作品中29件の作品があります。
このページに掲載されている絵画が示す通り、Neoclassicism
Portrait of Emilie Leverd, Mlle Raucourt as Agrippine と Portrait of Fleuryは、Library-museum of the Comédie-Française, Parisが所蔵するこのページ内の5点の作品のうちの一つです。
はい。このページに掲載されているすべての絵画は、各作品の個別ページから、ご希望のサイズで、美術館品質の手描き油彩複製画、またはファインアートプリントとしてご注文いただけます。
Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.
Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.
