用紙

学生作品ガイド

Translated Vase

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

氏名 クラス 日付
yee, sookyung, Translated Vase (2007), Korean Art Museum Association. 参考用として複製。著作権は権利者に帰属します。

基本情報

作家
yee, sookyung wahooart.com/ja/artists/yee-sookyung/
制作年
1963 – ?
彩色済み
2007
原寸大
120 x 210 cm
開催場所
Korean Art Museum Association wahooart.com/ja/museums/korean-art-museum-association-seoul_ja/

In context

Translated Vase — yee, sookyung

How big is it?

The original measures 120 × 210 cm (height × width), drawn here beside an adult of average height.

制作年

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000

Shaded: yee, sookyungの生涯 (1963–?) ▲ 本作品、2007

比較する作品

上記の作品を一つ選んでください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。

こちらの作品と並べて鑑賞したい他の作品:wahooart.com/ja/art/similar/yee-sookyung-translated-vase-D928M2-en/

カラーパレット

画像より計測

    主な色

    Gray #867e73

    登録済みパレット

    • #867E73
    • #4A3926
    • #F1F2F4
    • #C8CBCB
    パレット
    Neutrals 作品の中で主要な色調。
    主な色名
    Gray
    彩度
    Monochromatic 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Statement 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Balanced Harmony 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    明るさ
    Brilliant 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Muted 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    アーティストと美術館

    Translated Vase — yee, sookyung

    作家

    yee, sookyung

    Born in Seoul, South Korea

    The Alchemy of Fragments: The Art of Yeesookyung

    In the delicate intersection where destruction meets rebirth, the work of Yeesookyung resides. Born in Seoul, South Korea, in 1963, the artist has cultivated a visual language that speaks to the profound resilience of the human spirit. Her practice is not merely one of sculpture, but of a deep, meditative alchemy—a process of taking what has been shattered, discarded, or rendered obsolete and breathing into it a new, luminous life. To encounter her work is to witness a silent dialogue between the brokenness of history and the enduring promise of beauty.

    Yeesookyung’s artistic journey began within the rigorous academic traditions of Seoul National University, where she studied Western painting in the late 1980s. This foundational period provided her with a mastery of form and color, yet her creative soul remained tethered to the cultural textures of Korea. During her formative years, the influence of the Minjung movement—a socially conscious art movement in Korea that critiqued systemic inequality—left an indelible mark on her consciousness. This early exposure to art as a vehicle for social reflection and collective healing would later evolve into her unique sculptural philosophy, where the personal act of repairing ceramics becomes a metaphor for repairing the societal and psychological ruptures of the past.

    美術館・博物館

    Korean Art Museum Association

    On show in Seoul, South Korea

    A Living Tapestry of Korean Heritage

    In the vibrant heart of Seoul, the

    Korean Art Museum Association (KAMA)

    serves as much more than a mere repository for artifacts; it is a profound testament to the enduring spirit of South Korea’s artistic legacy. Acting as a dynamic bridge between the ancient and the contemporary, KAMA orchestrates a vast network of over one hundred diverse museums, ranging from grand public institutions to the most intimate private collections. To step into the world of KAMA is to embark on a journey through time, where the whispers of the past meet the bold, experimental voices of the present. The association does not simply collect art; it nurties a living discourse, ensuring that the cultural heartbeat of the nation resonates with both domestic enthusiasts and global connoisseurs alike.

    The collection curated under the KAMA umbrella is a breathtaking mosaic of Korean identity, showcasing a mastery of form that has evolved over millennia. Visitors may find themselves mesmerized by the spiritual gravity of monumental Buddhist sculptures, which evoke a sense of deep, meditative contemplation. In contrast, the delicate elegance of Joseon porcelain offers a study in refined simplicity and unparalleled craftsmanship, embodying the aesthetic values of purity and natural grace.

    詳細はこちら

    オンラインで見る

    Translated VaseのダウンロードページへつながるQRコード

    wahooart.com/ja/art/download/yee-sookyung-translated-vase-D928M2-en/

    この作品の引用方法

    MLA
    sookyung, yee,. Translated Vase. 2007, Korean Art Museum Association. https://wahooart.com/ja/art/yee-sookyung-translated-vase-D928M2-en/
    APA
    sookyung, yee, (2007). Translated Vase [Painting]. Korean Art Museum Association. https://wahooart.com/ja/art/yee-sookyung-translated-vase-D928M2-en/
    Chicago
    yee, sookyung. Translated Vase. 2007. Korean Art Museum Association. https://wahooart.com/ja/art/yee-sookyung-translated-vase-D928M2-en/
    Harvard
    sookyung, yee, (2007) Translated Vase. Korean Art Museum Association. Available at: https://wahooart.com/ja/art/yee-sookyung-translated-vase-D928M2-en/

    Look closely

    Translated Vase — yee, sookyung

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Translated Vase (2009), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. yee, sookyung was about 44 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.