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The Good Samaritan

氏名 クラス 日付

rodolphe bresdin, The Good Samaritan (1861). パブリックドメイン

基本情報

作家
rodolphe bresdin wahooart.com/ja/artists/rodolphe-bresdin/
制作年
1822 – 1885
彩色済み
1861
原寸大
71 x 56 cm

文脈内

The Good Samaritan — rodolphe bresdin

サイズについて

原寸は 71 × 56 cm (高さ × 幅) で、ここでは平均的な身長の成人と比較して表示しています。

制作年

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880

Shaded: rodolphe bresdinの生涯 (1822–1885) ▲ 本作品、1861

比較する作品

上記の作品を一つ選んでください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。

こちらの作品と並べて鑑賞したい他の作品:wahooart.com/ja/art/similar/rodolphe-bresdin-the-good-samaritan-AQT3F5-en/

カラーパレット

画像より計測

    主な色

    Gray #6d6a66

    登録済みパレット

    • #6D6A66
    • #E9DFD6
    • #B0A9A4
    • #43423E
    パレット
    Neutrals 作品の中で主要な色調。
    主な色名
    Gray
    彩度
    Monochromatic 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Statement 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Strong Color Unity 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    明るさ
    Brilliant 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Muted 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    アーティストと美術館

    作家

    rodolphe bresdin

    Rodolphe Bresdin: The Dream Weaver of Printmaking

    Rodolphe Bresdin (1822 – 1885) stands as a singular figure in the annals of nineteenth-century art, an engraver whose unsettling visions and meticulous technique captivated contemporaries like Baudelaire, Gautier, Huysmans, Montesquiou, and Breton—artists who championed the burgeoning aesthetic currents of Symbolism. Born in Le Fresne-sur-Loire, Bresdin’s life was marked by eccentricity and artistic devotion, shaping him into one of France's most original printmakers and establishing a legacy that continues to intrigue scholars today.

    Early Life & Training: Bresdin’s formative years were spent honing his skills under the tutelage of Jean-Baptiste Dupuis, a renowned lithographer who instilled in him a passion for precision and an understanding of the transformative potential of printmaking. This grounding would prove crucial to his future artistic endeavors.

    A Visionary Engagement with Surrealism: Bresdin’s art wasn't merely skillful; it possessed a disconcerting quality that foreshadowed the anxieties and fascination with the subconscious prevalent in Symbolist circles. He deliberately rejected academic conventions, prioritizing atmosphere and emotion over realistic representation—a stylistic choice profoundly influenced by Breton folklore and the Romantic spirit.

    The Art of Bresdin: Technique & Vision

    Bresdin’s mastery lay not only in his technical prowess but also in his ability to translate fantastical ideas into breathtakingly detailed engravings. He pioneered lithography, experimenting with innovative techniques that allowed him to achieve unparalleled tonal range and textural complexity. His prints—particularly ‘Comedy of Death’ and ‘The Good Samaritan’—are characterized by an obsessive attention to detail, capturing the grotesque beauty of decaying landscapes and evoking a palpable sense of dread. Consider “Comedy of Death,” where Bresdin depicts a macabre tableau: a landscape teeming with demonic figures amidst skeletal trees and crumbling ruins, populated by birds bearing unsettling rodent features. This artwork exemplifies his commitment to conveying psychological states through visual imagery.

    Notable Prints & Illustrations: Bresdin’s oeuvre includes numerous celebrated engravings and illustrations for literary works, notably Huysmans' ‘Against Nature,’ where he meticulously recreated a hallucinatory scene inspired by Breton folklore. His prints are renowned for their evocative symbolism—particularly “Comedy of Death,” which explores themes of mortality and decay with unsettling artistry.

    Influence & Legacy: Bresdin’s influence extended beyond his immediate peers, inspiring artists like Moreau, Rubel, Velly, and Mohlitz. He served as a mentor to Odilon Redon, fostering a shared fascination for the realm of dreams and subconscious imagery—a connection that cemented Bresdin's place within the broader artistic landscape of his time.

    Critical Reception & Historical Significance

    Critics recognized Bresdin’s singular vision as groundbreaking. Huysmans famously described how Des Esseintes, his literary hero, sought “the rarest perfumes of visual splendours,” captivated by Bresdin's engravings—specifically “Comedy of Death”—which presented "an impossible landscape bristling with trees, coppices and thickets taking the shape of demons and phantoms." This astute observation underscores Bresdin’s contribution to Symbolist aesthetics and his ability to capture the anxieties of a generation grappling with existential questions. He stands alongside Whistler, Dore, and Meryon as one of the most accomplished printmakers of the Victorian era, securing his reputation as an artist who dared to confront darkness and beauty simultaneously.

    Baudelaire & Breton: Bresdin’s work resonated deeply with Baudelaire and Breton—artists who championed Symbolism's exploration of irrationality and emotion. Their appreciation for Bresdin’s unsettling imagery solidified his position as a pivotal figure in the artistic movement.

    Concluding Thoughts

    Rodolphe Bresdin remains an artist whose unsettling beauty continues to fascinate viewers today. His meticulous technique, combined with his visionary imagination—fueled by Breton folklore and Symbolist ideals—established him as a true pioneer of printmaking and cemented his enduring legacy within the history of art.

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    この作品の引用方法

    MLA
    bresdin, rodolphe. The Good Samaritan. 1861, https://wahooart.com/ja/art/rodolphe-bresdin-the-good-samaritan-AQT3F5-en/
    APA
    bresdin, rodolphe (1861). The Good Samaritan [Painting]. https://wahooart.com/ja/art/rodolphe-bresdin-the-good-samaritan-AQT3F5-en/
    Chicago
    rodolphe bresdin. The Good Samaritan. 1861. https://wahooart.com/ja/art/rodolphe-bresdin-the-good-samaritan-AQT3F5-en/
    Harvard
    bresdin, rodolphe (1861) The Good Samaritan. Available at: https://wahooart.com/ja/art/rodolphe-bresdin-the-good-samaritan-AQT3F5-en/

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    The Good Samaritan — rodolphe bresdin

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    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. いくつの顔を見つけることができますか? ____ (当カタログでは 3 と数えています —— あなたもそう思いますか?)
    4. このガイドの前述にある Flemish Interior (1856) を改めて振り返ってみましょう。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。
    5. rodolphe bresdin は、この作品の制作当時 39 歳でした。作品のどのような点に、その時期のアーティストらしい特徴が見て取れるでしょうか。

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