用紙

学生作品ガイド

Sculpture Architecturale

氏名 クラス 日付

otto freundlich, Sculpture Architecturale (1935), Lehmbruck Museum. パブリックドメイン

基本情報

作家
otto freundlich wahooart.com/ja/artists/otto-freundlich/
制作年
1878 – 1943
彩色済み
1935
原寸大
69 x 128 cm
開催場所
Lehmbruck Museum wahooart.com/ja/museums/lehmbruck-museum-dusseldorf/

文脈内

Sculpture Architecturale — otto freundlich

サイズについて

原寸は 69 × 128 cm (高さ × 幅) で、ここでは平均的な身長の成人と比較して表示しています。

制作年

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940

Shaded: otto freundlichの生涯 (1878–1943) ▲ 本作品、1935

カラーパレット

画像より計測

    主な色

    Putty #e1e2d7

    登録済みパレット

    • #E1E2D7
    • #2B2C2A
    • #777978
    • #4C504F
    パレット
    Neutrals 作品の中で主要な色調。
    主な色名
    Putty
    彩度
    Monochromatic 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Statement 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Unified Palette 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    明るさ
    Brilliant 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Muted 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    アーティストと美術館

    作家

    otto freundlich

    生誕地 Stolp, Germany

    otto freundlich was a german painter and sculptor of jewish origin. he was born on july 10, 1878, in stolp, germany (now poland) and died on march 9, 1943, in the majdanek concentration camp in german-occupied poland. freundlich was a part of the first generation of abstract painters in western art and was a great admirer of cubism. he was murdered during the holocaust. freundlich's work was condemned by the nazis as degenerate and removed from public display. some works were seized and displayed at the infamous nazi exhibition of degenerate art, including his monumental sculpture 'der neue mensch' which was used as the cover illustration of the exhibition catalogue. freundlich was also known as otto frenkiel.

    美術館・博物館

    Lehmbruck Museum

    展示場所 Düsseldorf, Germany

    A Sanctuary of Emotion: The Soul of the Lehmbruck Museum

    In the heart of Duisburg, nestled within the verdant embrace of Kantpark, lies a destination that transcends the traditional boundaries of a gallery. The Stiftung Wilhelm Lehmbruck Museum is not merely a repository for stone and bronze; it is a profound testament to the human condition, a space where the weight of history meets the lightness of modern form. For the discerning art lover or the collector seeking works that resonate with existential depth, this institution offers an intimate encounter with the spirit of Wilhelm Lehmbruck, one of the most poignant voices of German Expressionism. To step inside is to enter a realm of quiet contemplation, where every elongated silhouette and melancholic curve invites the viewer to confront themes of vulnerability, longing, and the fragile beauty of existence.

    The museum’s collection serves as a powerful dialogue between the physical and the metaphysical. At its core are the masterpieces of Lehmbruck himself, whose ability to translate collective trauma into tangible form remains unparalleled. His iconic Fallen Man (1915-16) stands as a haunting sentinel of the post-World War I era, capturing not just physical collapse, but a spiritual devastation that echoed across a fractured Europe. Alongside these monumental works, one finds Lehmbruck’s numerous female nudes—figures characterized by graceful yet sorrowful lines that explore the inner world of quiet desperation. This sculptural narrative is beautifully complemented by an extraordinary array of 20th-century masters, including the raw emotionality of Käthe Kollwitz and Ernst Barlach, the geometric innovations of Alexander Archipenko, and the surrealist wonders of Pablo Picasso and Salvational Dalí. For the interior designer, these works offer a masterclass in how form and texture can imbue a space with profound emotional resonance.

    The architectural setting of the museum is as much a work of art as the sculptures it houses. Designed by Lehmbruck’s son, the architect Manfred Lehmbruck, the complex is a triumph of post-war modernism. The ensemble is characterized by a harmonious blend of clean lines and expansive, light-filled volumes that foster a seamless connection between the art and its environment. The structure consists of an earthbound concrete wing dedicated to the permanent collection, paired with a breathtaking glass hall that invites the shifting natural light to dance across the surfaces of the sculptures. This architectural transparency extends beyond the walls into the seven-hectare Kantpark sculpture park, where monumental works by artists such as Henry Moore and Magdalena Abakanowicz reside under the open sky, blurring the distinction between the curated interior and the natural world.

    What truly distinguishes the Lehmbruck Museum is its role as a living, breathing cultural hub. It does not merely preserve the past; it actively engages with the pulse of contemporary sculpture through rotating exhibitions that challenge and inspire. By showcasing both historical legends and emerging talents, the museum ensures that the trajectory of sculptural innovation remains a continuous, unfolding story. Whether one is drawn by the historical significance of the German Expressionist movement or the aesthetic allure of modern abstraction, the Lehmbruck Museum offers an unparalleled experience—a place where art possesses the transformative power to touch not only our surroundings but the very depths of our inner lives.

    詳細はこちら

    オンラインで見る

    Sculpture ArchitecturaleのダウンロードページへつながるQRコード

    wahooart.com/ja/art/download/otto-freundlich-sculpture-architecturale-D66HAU-en/

    この作品の引用方法

    MLA
    freundlich, otto. Sculpture Architecturale. 1935, Lehmbruck Museum. https://wahooart.com/ja/art/otto-freundlich-sculpture-architecturale-D66HAU-en/
    APA
    freundlich, otto (1935). Sculpture Architecturale [Painting]. Lehmbruck Museum. https://wahooart.com/ja/art/otto-freundlich-sculpture-architecturale-D66HAU-en/
    Chicago
    otto freundlich. Sculpture Architecturale. 1935. Lehmbruck Museum. https://wahooart.com/ja/art/otto-freundlich-sculpture-architecturale-D66HAU-en/
    Harvard
    freundlich, otto (1935) Sculpture Architecturale. Lehmbruck Museum. Available at: https://wahooart.com/ja/art/otto-freundlich-sculpture-architecturale-D66HAU-en/

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    Sculpture Architecturale — otto freundlich

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    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. otto freundlich は、この作品の制作当時 57 歳でした。作品のどのような点に、その時期のアーティストらしい特徴が見て取れるでしょうか。
    4. アーティストは、あなたにどのような感情を抱いてほしかったのでしょうか。
    5. もしこの作品についてアーティストに一つだけ質問できるとしたら、何を聞いてみたいですか?

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