カタログ項目: Medea

作家

Aimé Morot

生誕地 Nancy, France

The Life and Academic Career of Aimé Morot

Born in Nancy, France, Aimé Morot was a painter and sculptor who began his artistic journey at the age of twelve. His early studies in drawing, painting, and gravure printing took place at the l'Ecole Municipal de Dessin et de Peinture de Nancy. He later attended the workshop of Alexandre Cabanel at the École Nationale Supérieure des Beaux-Arts in Paris. Despite leaving the formal academy after receiving two corrections from Cabanel, Morot pursued independent study in the Jardin des Plantes, where he focused on observing and portraying animals. In 1873, he won the Grand Prix de Rome with his work Babylonian Captivity (Super Flumina Babylonis), which is held in the collection of the École des Beaux-Arts in Paris. This achievement allowed him to reside at the Villa Medici in Rome.

Artistic Contributions and Subject Matter

Morot’s diverse body of work includes:

In addition to his studio work, Morot was a professor at the École Nationale Supérieure des Beaux-Arts and a member of the Institute. He was awarded the title of Chevalier in the Legion of Honour in 1883, later becoming an Officier in 1901, and eventually a Commandeur in the Légion d'Honneur in 1912.

美術館・博物館

Musée Barrois

展示場所： Bar-le-Duc, France

The Vestiges of the Dukes

The Musée Barrois occupies the remains of the former castle of the Dukes of Bar and Lorraine, situated within the historic Ville haute district of Bar-le-Duc, France. This structure, a listed Monument Historique, holds a presence that reflects its origins as a seat of power. The architecture itself carries the weight of the past, with the museum integrated into the castle's stones since 1974. It functions as an encyclopedic repository, gathering diverse forms of human production from the Middle Ages through to the 20th century.

The atmosphere within the walls is one of quiet accumulation. The collection spans a vast chronological range, moving from the ancient artifacts of Nasium to the ethnographic curiosities of distant lands. It is a place where the local history of the Meuse region meets the broader movements of global art and natural history.

A Collection of Diverse Origins

The holdings within the museum are varied, reflecting an ambition to capture the breadth of human creativity and the natural world. The paintings and sculptures are distributed across thirteen rooms, each holding a specific fragment of history. The following items represent the presence of the museum's catalog:

Portrait of a Man, 1550 - Jacopo Tintoretto

Saint Jerome, 1650 - Jacques Blanchard

Full-Length Portrait of Marshal Gérard, 1833 - Charles-Philippe Larivière

Daughter of Louis XV as Diana (Princess Louise Elisabeth), 1710 - Jean-Marc Nattier

Medea, 1876 - Aimé Morot

Ruins from the Ancient Baths in Nîmes - Charles Louis Clerisseau

View of a Village Church, 1650 - Mathys Schoevaerdts

Beyond the canvas, the museum preserves the material culture of many societies. This includes a 12th-century Taíno zemi, a wooden sculpture that remains a significant relic of the Caribbean peoples. The ethnographic section brings together objects from Africa, Oceania, the Far East, and the Maghreb, offering a glimpse into the rites and daily lives of non-Western cultures. Alongside these are weapons, armor, and Islettes earthenware, which ground the collection in the specificities of local craftsmanship and warfare.

The Materiality of History

The museum's identity is tied to the physical objects it protects, from the delicate Islettes ceramics to the heavy presence of archaeological finds from the ancient Nasium. It is a space where the natural history specimens sit in dialogue with the works of sculptors like Ligier Richier and Jean Robert dit Ipoustéguy. Even in its current state of closure for renovations, the building remains a central part of the Bar-le-Duc landscape, holding its treasures within the historic fabric of the castle.