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学生作品ガイド

Inflatable Home

氏名 学年 日付

Mary Mattingly, Inflatable Home (2008), Art Works for Change. 参考用として複製。著作権は権利者に帰属します。

詳細情報

作家
Mary Mattingly wahooart.com/ja/artists/mary-mattingly/
制作年
1978 – ?
彩色済み
2008
開催場所
Art Works for Change wahooart.com/ja/museums/art-works-for-change-oakland/

文脈に合わせて

Inflatable Home — Mary Mattingly

制作時期

  1. 1970
  2. 1980
  3. 1990
  4. 2000

背景色:Mary Mattinglyの生涯 (1978–?) ▲ 本作品、2008

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カラー

画像から抽出したパレット

    主要色

    Espresso #575548

    カタログ済みパレット

    • #575548
    • #2D271C
    • #6B797B
    • #AEB6AA
    主要色
    Espresso
    彩度
    Monochromatic 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Gentle 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Discordant Palette 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    輝度
    Balanced 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Muted 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    アーティストと美術館

    作家

    Mary Mattingly

    生誕地 Rockville, Maryland, United States of America

    Mary Mattingly: Sculpting Sympathy for a Warming World

    Mary Mattingly (born September 8, 1978) is an American visual artist whose practice centers on exploring the intersection of ecology, technology, and social engagement. Rooted in her upbringing in Rockville, Connecticut, she honed her artistic vision through studies at Parsons School of Design and Pacific Northwest College of Art, establishing herself as a pioneering voice within contemporary art—one deeply attuned to pressing environmental concerns and committed to fostering collaborative creative endeavors.

    Early Life & Education:

    Born in Rockville, Connecticut, Mattingly’s formative years instilled a profound appreciation for the natural world alongside an inquisitive spirit that propelled her toward formal artistic training. Her BFA from Pacific Northwest College of Art provided foundational skills in sculptural fabrication and photographic documentation—tools she would subsequently wield with remarkable precision to translate complex ideas into tangible artworks.

    The Rise of Wearable Architecture:

    Mattingly’s breakthrough came with “Wearable Home,” a series of photographs documenting nomadic dwellings designed as miniature ecosystems. This project, conceived in 2004-2006, wasn't merely aesthetic; it served as a conceptual meditation on displacement and resilience—a deliberate provocation to consider how human settlements could adapt to the challenges posed by climate change. The suits themselves were meticulously crafted from reclaimed materials, embodying Mattingly’s ethos of repurposing resources and reimagining possibilities.

    Opera & Collaborative Ecosystems:

    Her 2006 opera “Fore Cast” further solidified her commitment to interdisciplinary exploration. Collaborating with scientists and engineers, Mattingly created a theatrical experience that confronted the looming threat of ecological disaster—a stark reminder of Einstein’s prophetic assertion: "I don't know what World War III will be fought with, but I know World War IV will be fought with sticks and stones." The installation itself mirrored this sentiment, utilizing sand and tree stumps to symbolize vulnerability and emphasizing the importance of simple solutions.

    The Waterpod Project & Public Engagement:

    Perhaps Mattingly’s most iconic achievement is “The Waterpod,” a monumental sculptural habitat erected in New York City between June 2009 and September 2012. This ambitious undertaking brought together artists, designers, builders, civic activists, scientists, and environmentalists—a testament to Mattingly's belief in collective creativity as a catalyst for positive change. The Waterpod functioned as a self-sustaining microcosm of ecological principles, demonstrating how human ingenuity could address issues of water scarcity and promote sustainable living practices.

    Ongoing Exploration & Artistic Legacy:

    Since then, Mattingly has continued to push boundaries in her artistic explorations—creating Flock House structures that traverse the city’s park system, engaging audiences through immersive installations, and consistently advocating for environmental stewardship. Her work stands as a powerful reminder that art can serve not only as contemplation but also as active participation in shaping a more equitable and ecologically sound future.

    Notable Works:

    Heading West (Photography): Captures the desolate beauty of a solitary figure against a muted landscape, symbolizing human connection amidst environmental challenges.

    Wearable Home (Sculpture Photography): Demonstrates resilience and adaptability in response to displacement—a conceptual exploration of sustainable living.

    Opera Fore Cast: Confronts ecological disaster through theatrical performance and sculptural installation.

    The Waterpod Project: A collaborative habitat showcasing innovative solutions for water scarcity and promoting eco-conscious practices.

    Influences:

    Mattingly’s artistic vision draws inspiration from thinkers like Albert Einstein—particularly his assertion about the future of conflict—and from ecological pioneers who champion the importance of interconnectedness within natural systems. Her work reflects a deep concern for social justice alongside an unwavering dedication to environmental sustainability.

    美術館・博物館

    Art Works for Change

    展示中: Oakland, United States of America

    Art Works for Change: A Beacon of Contemporary Social Art

    Oakland, California’s Art Works for Change isn't merely a museum; it’s an intentional space—a crucible where artistic vision intersects with urgent societal concerns. Founded on the belief that art possesses the capacity to catalyze profound change and foster meaningful dialogue, this nonprofit organization distinguishes itself from traditional institutions by prioritizing exhibitions that confront critical global challenges head-on. Its mission is to champion artists who bravely tackle complex issues through their creative endeavors while simultaneously providing visitors with a platform for connection and reflection.

    Focus on Social Impact:

    Unlike conventional art museums, Art Works for Change operates at the forefront of artistic activism. It’s a deliberate choice to position itself within this dynamic intersection—a place where creativity isn't just aesthetically pleasing but actively engaged in promoting awareness and advocating for positive transformation.

    Community Engagement:

    Recognizing that art thrives on interaction, Art Works for Change proactively cultivates connections with the Oakland community. Workshops, discussions, and collaborative projects ensure that its programming remains relevant and accessible to a diverse audience—reflecting the vibrancy of the city itself.

    A Collection Rooted in Bold Vision

    The museum’s collection showcases artists who grapple with pressing issues – human rights violations, gender inequity, environmental degradation, and systemic injustices. Each piece serves as a testament to the power of artistic expression to illuminate uncomfortable truths and inspire action toward solutions. Notable highlights include:

    "Progenic Art: work No. 2" by Alfred Freddy Krupa – This Croatian painting from 2015 exemplifies the museum’s commitment to exploring nuanced perspectives on social realities through a distinctive New Ink Art style.

    "A Group Of Mainly Early Works On Japan And Japanese Art" by Charles James Adams – A meticulously rendered still life featuring antique books, this artwork embodies Impressionistic brushwork and atmospheric perspective—a beautiful example of Bucks County art.

    "Two Works Of Art" by Walter Emerson Baum – Offering a serene glimpse into winter landscapes with muted tones, Baum’s piece exemplifies the museum's dedication to capturing beauty alongside contemplation.

    Celebrating Artistic Pioneers

    Beyond its impressive collection, Art Works for Change honors artists who have shaped the landscape of contemporary art. Featured artists include Elmer Bischoff, Karen Knorr Honfrps, Elizabeth Murray and many more—each bringing a unique voice and perspective to their craft. Their work speaks volumes about artistic exploration and social responsibility.

    Architectural Harmony & Exhibitions That Spark Dialogue

    Situated in Oakland’s vibrant Arts District, Art Works for Change occupies a thoughtfully designed building that prioritizes natural light and openness—creating an environment conducive to contemplation and engagement. The museum regularly hosts exhibitions that delve into complex themes, fostering conversations about pressing social issues and encouraging visitors to consider new viewpoints. Its ongoing commitment to showcasing contemporary artists ensures it remains a vital cultural resource for those seeking inspiration and understanding.

    Why Art Works For Change Stands Apart

    Ultimately, Art Works for Change distinguishes itself through its unwavering dedication to art as activism—a purposeful fusion of creativity and social consciousness. It’s more than just viewing art; it's experiencing it within a context that actively seeks to provoke thought and inspire action. By championing artists who confront societal challenges with boldness and integrity, the museum reaffirms its role as a catalyst for positive change in Oakland and beyond.

    さらに詳しく読む

    オンラインで詳細を見る

    Inflatable HomeのダウンロードページへつながるQRコード

    wahooart.com/ja/art/download/mary-mattingly-inflatable-home-D7KMWV-en/

    この作品の引用元

    MLA
    Mattingly, Mary. Inflatable Home. 2008, Art Works for Change. https://wahooart.com/ja/art/mary-mattingly-inflatable-home-D7KMWV-en/
    APA
    Mattingly, Mary (2008). Inflatable Home [Painting]. Art Works for Change. https://wahooart.com/ja/art/mary-mattingly-inflatable-home-D7KMWV-en/
    Chicago
    Mary Mattingly. Inflatable Home. 2008. Art Works for Change. https://wahooart.com/ja/art/mary-mattingly-inflatable-home-D7KMWV-en/
    Harvard
    Mattingly, Mary (2008) Inflatable Home. Art Works for Change. Available at: https://wahooart.com/ja/art/mary-mattingly-inflatable-home-D7KMWV-en/

    細部まで見る

    Inflatable Home — Mary Mattingly

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    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. このガイドの前述にある Life of Objects (2013) を改めて振り返ってみましょう。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。
    4. Mary Mattingly は、この作品の制作当時 30 歳でした。作品のどのような点に、その時期のアーティストらしい特徴が見て取れるでしょうか。
    5. アーティストは、あなたにどのような感情を抱いてほしかったのでしょうか。

    回答内容

    この作品について短い文章を書いてください。本ガイドの前半部分に記載されている事実と、上記での回答内容を活用してください。