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Untitled — Louise Nevelson
原寸は 93 × 66 cm (高さ × 幅) で、ここでは平均的な身長の成人と比較して表示しています。
Shaded: Louise Nevelsonの生涯 (1899–1988) ▲ 本作品、1967
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Gray #837f74
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アーティストと美術館
生誕地 Pereslav, Russia
Born: Pereslav, Russia (1899)
Died: 1988
Louise Nevelson, born Leah Berliawsky in the Poltava Governorate of the Russian Empire (present-day Ukraine), emigrated to the United States with her family in 1905. They settled in Rockland, Maine.
Her father’s lumber business exposed her to wood, a material that would become central to her artistic practice.
Early exposure to art came through a plaster cast of Joan of Arc at the Rockland Public Library, sparking her ambition to become an artist.
She attended high school in Rockland and displayed early talent in watercolor painting, foreshadowing her later abstract style.
Marriage to Charles Nevelson in 1920 allowed her to pursue art studies in New York City.
Nevelson studied at the Art Students League of New York, learning from instructors like Hans Hofmann and Chaim Gross.
Early experimentation included found objects, painting, and printing before focusing on sculpture.
Her signature style emerged in the late 1950s: monumental, monochromatic wooden wall pieces and sculptures.
She assembled discarded wood scraps into intricate puzzle-like structures, often painted black or white.
This unique approach transformed everyday materials into powerful abstract compositions.
The all-black environments she created in the late 1950s garnered significant attention and established her reputation.
Exhibited at the 31st Venice Biennale, gaining international recognition.
Her work was featured in major exhibitions, including "Sixteen Americans" at The Museum of Modern Art (1959-1960).
Received numerous awards and honorary doctorates throughout her career.
Commissioned for significant public works, including the Louise Nevelson Plaza in Lower Manhattan and the Nevelson Chapel at St. Peter's Church.
Her sculptures are held in prominent museum collections worldwide.
Louise Nevelson is considered one of the most important figures in 20th-century American sculpture.
She pioneered a unique approach to assemblage art, transforming found objects into evocative and monumental works.
Her monochromatic style and abstract forms challenged conventional notions of sculpture and expanded its possibilities.
Nevelson's work continues to inspire artists and captivate audiences with its power, mystery, and enduring beauty.
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Untitled — Louise Nevelson
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