用紙

学生作品ガイド

Peacock

氏名 クラス 日付

joseph lorenzl, Peacock (1930), Museo Art Nouveau y Art Déco - Casa Lis. パブリックドメイン

基本情報

作家
joseph lorenzl wahooart.com/ja/artists/joseph-lorenzl/
制作年
1892 – 1950
彩色済み
1930
様式
Art Deco Sleek geometric style of the 1920s and 30s, all bold symmetry, sunbursts and machine-age polish.
開催場所
Museo Art Nouveau y Art Déco - Casa Lis wahooart.com/ja/museums/museo-art-nouveau-y-art-deco-casa-lis-salamanca/

文脈内

Peacock — joseph lorenzl

制作年

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950

Shaded: joseph lorenzlの生涯 (1892–1950) ▲ 本作品、1930

カラーパレット

画像より計測

    主な色

    Phthalo Green #151519

    登録済みパレット

    • #151519
    • #70716C
    • #48433A
    • #AFB1B3
    主な色名
    Phthalo Green
    彩度
    Monochromatic 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Gentle 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Discordant Palette 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    明るさ
    Deep_shadow 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Muted 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    アーティストと美術館

    作家

    joseph lorenzl

    生誕地 Vienna, Austria

    A Sculptor of Elegance: The Life and Art of Joseph Lorenzl

    Joseph Lorenzl, a name synonymous with the grace and dynamism of the Art Deco period, was born in Vienna, Austria, in 1892. Though his life ended prematurely in 1950, his artistic legacy continues to captivate collectors and enthusiasts alike. Lorenzl’s journey began not within the hallowed halls of an art academy, but in the practical environment of the Vienna Arsenal, a military storage complex that also housed a foundry. This early immersion in bronze casting proved foundational, instilling in him a mastery of the medium that would become his signature. He wasn't immediately destined for artistic renown; rather, he honed his technical skills through diligent work, learning to coax form and movement from molten metal. This period was crucial, providing the bedrock upon which his later creative explorations would flourish.

    The Rise of an Art Deco Master

    As Lorenzl’s artistry matured, he gravitated towards capturing the human form, particularly that of women. The 1920s witnessed a cultural shift—a liberation and celebration of femininity—and Lorenzl became its eloquent chronicler in sculpture. He quickly distinguished himself with his delicate figurines crafted from bronze and ivory, often referred to as chryselephantine sculptures. These weren’t merely representations; they were embodiments of elegance, sensuality, and the spirit of the Roaring Twenties. His figures exuded a unique charm, characterized by elongated limbs, serene expressions, and a captivating sense of movement. He frequently depicted dancers, their poses frozen in moments of graceful fluidity, hinting at untold stories and inner lives. The influence of contemporary dance halls, particularly those he encountered during visits to Paris, is palpable in the energy and dynamism of his work.

    Collaboration and Ceramic Innovations

    Lorenzl’s talent wasn't confined to bronze and ivory; he also demonstrated a remarkable aptitude for ceramics. A significant chapter in his career unfolded through his collaboration with Goldscheider, a renowned Viennese ceramic manufacturer. Working from a studio on the company grounds, Lorenzl produced a prolific body of work that further cemented his reputation as an Art Deco luminary. His ceramic sculptures echoed the themes found in his bronze pieces—elegant female forms, often adorned with flowing garments and intricate details. One particularly celebrated example is “The Butterfly Girl,” inspired by the iconic dancer Niddy Impekoven, which perfectly encapsulates Lorenzl’s ability to capture both movement and grace within a single form. He also collaborated with a painter named Crejo who would sometimes add color to his pieces, creating unique joint works that are highly sought after today.

    A Legacy Defined by Detail and Movement

    Lorenzl's sculptures weren’t simply beautiful objects; they were meticulously crafted statements of artistic vision. His attention to detail was extraordinary—from the delicate folds of fabric to the intricate patterns of jewelry, every element contributed to the overall sense of opulence and refinement. He often signed his work with various pseudonyms – “Enzl”, “Lor”, “Renz” or “Renzl” – adding an intriguing layer of mystery for collectors. The use of Brazilian green onyx plinths further enhanced the visual impact of his sculptures, providing a striking contrast to the bronze and ivory figures. His ability to imbue static forms with a sense of life and movement remains one of the most compelling aspects of his artistry.

    Historical Significance and Enduring Appeal

    The outbreak of World War II cast a shadow over Lorenzl’s career, disrupting the artistic climate that had nurtured his success. While he continued to work, he struggled to regain the prominence he once enjoyed. Tragically, after his death in 1950, his wife Anna (Njura) Lorenzl reportedly destroyed many of his figurines, further diminishing their availability and increasing their value today. Despite these challenges, Joseph Lorenzl’s contribution to the Art Deco movement remains undeniable. His sculptures embody the era's spirit—a celebration of modernity, elegance, and the female form. His work continues to inspire contemporary artists and collectors, serving as a testament to his enduring artistic vision and technical mastery. Discovering a Joseph Lorenzl sculpture is not merely acquiring an artwork; it’s owning a piece of history, a tangible echo of a glamorous and transformative era.

    美術館・博物館

    Museo Art Nouveau y Art Déco - Casa Lis

    展示場所 Salamanca, Spain

    A Jewel of Modernism: The Enchanted World of Casa Lis

    Nestled within the ancient, sun-drenched city walls of Salamanca, Spain, the

    Museo Art Nouveau y Art Déco – Casa Lis

    stands as a breathtaking testament to an era of unparalleled elegance. To approach this architectural marvel is to step through a portal into the early 20th century, where the boundaries between structure and ornament dissolve into a seamless dance of light and form. Designed by Joaquín de Vargas y Aguirre for the prosperous tanner Miguel de Lis and completed in 1905, the mansion itself is a masterpiece of the Modernist spirit. Its façade, adorned with intricate detailing and mesmerizing stained glass, serves as a vibrant prelude to the treasures held within its walls. The very air of Casa Lis seems to vibrate with the history of its survival; once a neglected relic facing the threat of ruin, it was rescued by the civic pride of Salamanca in 1981, reborn as a sanctuary for the decorative arts that define the transition from the organic whimsy of Art Nouveau to the streamlined sophistication of Art Deco.

    Stepping inside, visitors are greeted by an atmosphere where luxury and innovation intertwine. The museum’s architecture embodies the essence of

    Art Nouveau

    , featuring soaring ceilings draped in floral motifs and flowing, asymmetrical lines that mimic the natural world. This organic aesthetic is most profoundly realized in the museum's legendary glasswork collection. As sunlight filters through the magnificent stained-glass skylights, it illuminates a dazzling array of vases, lamps, and decorative objects that showcase the mastery of glass artistry. The interplay of color and translucency creates a shifting mosaic of light, turning every corner into a curated moment of beauty. For the interior designer or the lover of fine craftsmanship, these pieces offer an eternal study in how light can be harnessed to elevate everyday objects into ethereal works of art.

    The collection at Casa Lis is a profound tapestry of human creativity, spanning from the late 19th century through the transformative years of World War II. Beyond the luminous glass, the museum houses over 2,500 exquisite pieces that speak to the refined tastes of a bygone bourgeoisie. One cannot wander through these halls without being captivated by the unparalleled collection of porcelain dolls, each a miniature marvel meticulously dressed in period attire, reflecting the era's fascination with intricate detail and delicate artistry. The museum also presents a sophisticated dialogue between styles, showcasing chryselephantine statuettes—where the warmth of ivory meets the strength of bronze—and opulent enamelwork that demands close, intimate inspection. From the bold, geometric confidence of Art Deco furniture to the rare, shimmering allure of a Fabergé egg, the collection serves as a bridge between two worlds: one rooted in the undulating curves of nature and the other in the rhythmic precision of modernity.

    More than a mere repository for artifacts, Casa Lis functions as a living cultural beacon. It is a space where history is not just observed but felt. Whether one is finding quiet inspiration in the

    Café de Lis

    or exploring the curated narratives within the

    Tienda de Lis

    , the museum offers a holistic sensory experience. Through temporary exhibitions and educational programs, it continues to foster a deep appreciation for the decorative arts, ensuring that the legacy of craftsmanship remains vibrant for future generations. For collectors seeking the soul of design and travelers yearning for an immersive aesthetic journey, Casa Lis remains an indispensable destination—a place where the elegance of the past continues to illuminate the beauty of the present.

    詳細はこちら

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    PeacockのダウンロードページへつながるQRコード

    wahooart.com/ja/art/download/joseph-lorenzl-peacock-D65TY4-en/

    この作品の引用方法

    MLA
    lorenzl, joseph. Peacock. 1930, Museo Art Nouveau y Art Déco - Casa Lis. https://wahooart.com/ja/art/joseph-lorenzl-peacock-D65TY4-en/
    APA
    lorenzl, joseph (1930). Peacock [Painting]. Museo Art Nouveau y Art Déco - Casa Lis. https://wahooart.com/ja/art/joseph-lorenzl-peacock-D65TY4-en/
    Chicago
    joseph lorenzl. Peacock. 1930. Museo Art Nouveau y Art Déco - Casa Lis. https://wahooart.com/ja/art/joseph-lorenzl-peacock-D65TY4-en/
    Harvard
    lorenzl, joseph (1930) Peacock. Museo Art Nouveau y Art Déco - Casa Lis. Available at: https://wahooart.com/ja/art/joseph-lorenzl-peacock-D65TY4-en/

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    Peacock — joseph lorenzl

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    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. いくつの顔を見つけることができますか? ____ (当カタログでは 1 と数えています —— あなたもそう思いますか?)
    4. 当カタログでは、この作品を peacock plumage, elegant woman statue, art deco design として分類しています。この分類は適切でしょうか?追加したい項目や、削除すべき項目があれば教えてください。
    5. Art Deco: Sleek geometric style of the 1920s and 30s, all bold symmetry, sunbursts and machine-age polish. この作品のどこにそれが見て取れるでしょうか?

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