用紙

学生作品ガイド

Playing and Dancing Indians

氏名 クラス 日付

jonas rimša, Playing and Dancing Indians (1960), Lithuanian Art Centre TARTLE. 参考用として複製。著作権は権利者に帰属します。

基本情報

作家
jonas rimša wahooart.com/ja/artists/jonas-rimsa/
制作年
1903 – 1978
彩色済み
1960
技法
Oil On Canvas
原寸大
59 x 69 cm
様式
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.
制作年代
Modern
開催場所
Lithuanian Art Centre TARTLE wahooart.com/ja/museums/lithuanian-art-centre-tartle-vilnius/
Artistic style
Post-Impressionist, Symbolism, Realism
Influences
Spanish school, French painting, Paul Gauguin
Notable elements or techniques
Colorful depiction of group activities
Subject or theme
Indigenous culture, joy, and camaraderie

In context

Playing and Dancing Indians — jonas rimša

How big is it?

The original measures 59 × 69 cm (height × width), drawn here beside an adult of average height.

制作年

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Shaded: jonas rimšaの生涯 (1903–1978) ▲ 本作品、1960

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カラーパレット

画像より計測

    主な色

    Walnut #9b5814

    登録済みパレット

    • #9B5814
    • #436961
    • #B39E47
    • #1F3934
    パレット
    Dark 作品の中で主要な色調。
    主な色名
    Walnut
    彩度
    Vivid 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Gentle 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Discordant Palette 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    明るさ
    Balanced 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Clear Color Presence 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    この作品について

    Playing and Dancing Indians — jonas rimša

    The beginning of J. Rimša’s career was related to his studies of Indian life: their past, traditions, customs and nature. He travelled to Argentina, Bolivia and Peru, and painted more than 1,000 pictures, although the whereabouts of most of them are unknown. He began his career under the influence of the Spanish school of painting, while his creative individuality matured under the influence of French painting, mostly Post-Impressionist. He finally felt a spiritual affinity with Gauguin, who also sought out the charm of primitive cultures, but in Tahiti. Living far away from Lithuania, Rimša took a similar path in his work: from traditional realism, which occurred in Latin America under the influence of Spanish painting, to Post-Impressionism and Symbolism. Text author Nijolė Tumėnienė.

    アーティストと美術館

    作家

    jonas rimša

    Born in Svetasiai, Lithuania

    A Lithuanian Soul Rooted in Bolivian Landscape

    Jonas Rimša, a name that resonates with the profound depth of the Lithuanian diaspora, was an artist whose life story reads like an epic odyssey of cultural discovery and artistic resilience. Born in 1903 in Svetasiai, Lithuania, his early years were shaped by the rich heritage of the Suvalkija region. Though he initially followed a path dictated by familial duty—graduating from a prestigious sewing school in Vienna—his heart remained tethered to the canvas. This internal tug-of-war between obligation and passion eventually gave way to an unyielding pursuit of aesthetic truth, leading him far from his Baltic roots toward the vibrant landscapes of South America and the tropical allure of the Pacific.

    His artistic formation was a tapestry woven from the finest European traditions. Under the tutelage of masters such as Pius Weloński in Warsaw, Antonin Mercié at the École nationale supérieure des Beaux-Arts in Paris, and Konstanty Laszczka at the Cracow Academy of Fine Arts, Rimša absorbed the essence of Impressionism and Post-Impressionism. These formative years provided him with a sophisticated technical foundation, yet it was his later travels that would truly define his creative voice. As he moved through Argentina, Bolivia, and Peru, his style underwent a remarkable metamorphosis. He transitioned from the structured realism influenced by the Spanish school to a more expressive, symbolic language that sought to capture the very spirit of the indigenous peoples and their ancestral traditions.

    The Spirit of the Andes and the Gauguinesque Vision

    Rimša’s connection to Bolivia was not merely professional but deeply spiritual. In the city of Sucre, he became a pillar of the local art community, establishing schools that nurtured a new generation of talent known as “Rimša’s Group.” His devotion to the region went beyond the classroom; he was a tireless advocate for his students, often personally funding their journeys to Europe to refine their crafts. This commitment to cultural enrichment earned him the highest civilian distinction in Bolivia, the prestigious Cóndor de los Andes award, and the profound honor of being named an Honorary Citizen of Bolivia.

    Thematically, Rimša’s work is a breathtaking exploration of life, tradition, and nature. He found a deep spiritual affinity with the works of Paul Gauguin, particularly in his pursuit of "primitive" beauty. Just as Gauguin sought paradise in Tahiti, Rimša traveled to the Pacific islands in 1966, seeking an earthly Eden. His paintings from this period, such as the evocative In a Garden, reflect a mastery of color and a fascination with graphic ornamentality. Whether depicting the rhythmic vitality of Aymara dancers or the lush, verdant stillness of a tropical garden, his oeuvre is characterized by:

    Vibrant Color Palettes: Using light and hue to evoke emotional resonance and atmospheric depth.

    Cultural Symbiosis: A seamless blending of European Post-Impressionist techniques with the indigenous motifs of Latin America.

    Symbolic Depth: Moving beyond mere representation to capture the soul, customs, and ancient rhythms of the civilizations he encountered.

    A Lasting Legacy of Artistic Exchange

    The significance of Jonas Rimša lies in his ability to act as a bridge between worlds. He was a painter who refused to be confined by geography or nationality. His life’s work—comprising nearly 1,000 paintings and dozens of solo exhibitions—stands as a testament to the power of the artist to transcend borders. Through his eyes, the traditions of the Andes were elevated through a European lens, creating a unique aesthetic that remains vital and moving today. He remains one of the most vivid figures of the Lithuanian diaspora, an artist whose brushstrokes captured the enduring heartbeat of the landscapes and cultures he called home.

    美術館・博物館

    Lithuanian Art Centre TARTLE

    On show in Vilnius, Lithuania

    A Sanctuary of Lithuanian Identity: Exploring the TARTLE Art Centre

    Nestled within the bohemian heart of Vilnius’ Užupis district, the Lithuanian Art Centre TARTLE is more than a mere repository of artifacts; it's an immersive journey into the very soul of Lithuania. Founded on a profound commitment to reclaiming and celebrating its cultural heritage, TARTLE stands as a powerful testament to art’s enduring ability to define a nation’s identity. Established by the Lithuanian Art Foundation and collector Rolandas Valiūnas, this remarkable space isn't simply about displaying objects – it’s about meticulously weaving a narrative that connects Lithuania’s ancient pagan roots with its vibrant, contemporary artistic expression. Stepping through its doors is akin to turning the pages of a richly illustrated visual history book, each exhibit offering a poignant glimpse into centuries of resilience, creativity, and cultural evolution. The building itself, harmoniously integrated within Užupis’ eclectic landscape – a district renowned for its self-declared independence and artistic spirit – exudes an inviting charm, beckoning visitors to lose themselves in Lithuania's captivating artistic legacy.

    The heart of TARTLE lies in its astonishingly diverse collection, a breathtaking assemblage that spans centuries and encompasses a remarkable breadth of historical artifacts and modern masterpieces. Perhaps most immediately striking is the centre’s unparalleled accumulation of medals – miniature sculptures that serve as tangible records of significant moments in Lithuanian history and culture. These aren't merely commemorative tokens; they are intricate works of art, each reflecting the stylistic trends and political climates of its time. Imagine holding a tiny bronze representation of a pivotal battle or a diplomatic treaty – these objects whisper stories of kings, wars, and treaties, offering an intimate connection to Lithuania’s past. Alongside these captivating medals, rare historical maps provide a fascinating perspective on Lithuania’s geographical transformations over centuries, revealing shifting borders, evolving perceptions of its place within Europe, and the very essence of its territorial identity. The museum also champions traditional Lithuanian folk art, showcasing the exquisite craftsmanship and deeply symbolic language embedded in wood carvings, textiles, and other artisanal creations – each piece imbued with stories passed down through generations.

    Užupis: A Bohemian Backdrop for Artistic Discovery

    The location of TARTLE within the Užupis district is utterly integral to its character. This self-declared Republic of Artists has cultivated an atmosphere of unparalleled creative freedom and unconventional expression, making it the perfect haven for a museum dedicated to preserving Lithuania’s artistic spirit. Užupis itself is a living artwork – its streets adorned with whimsical sculptures, vibrant murals, and thought-provoking installations that reflect the neighborhood's independent ethos. Visitors are warmly encouraged to explore this dynamic district before or after their visit, immersing themselves in its unique ambiance and discovering hidden gems around every corner. The museum’s presence actively contributes to Užupis’ thriving arts community, fostering dialogue and collaboration between artists, scholars, and art enthusiasts – a true synergy of creative forces.

    Notable Collections & Exhibitions

    Beyond the medals and maps, TARTLE's holdings are remarkably rich. The collection boasts an impressive array of works by renowned Lithuanian artists, including Petras Rimša, whose evocative sculptures form a cornerstone of the museum’s permanent exhibition. Jacques Lipschitz’s presence is equally significant, bridging classical forms with modern sensibilities and offering a compelling dialogue between artistic traditions. The centre also houses a substantial collection of books, silverware – including a particularly exquisite watch crafted by Vilnius master Jacob Gierke in the 17th century – and inter-war Lithuania's stamps, each telling its own story. Currently, “In the Shadow of Knowledge,” an exhibition exploring themes of space, material, and dream through sculpture, demonstrates TARTLE’s commitment to fostering dialogue between past and present. The museum regularly hosts temporary exhibitions showcasing emerging Lithuanian artists alongside established masters, ensuring a constantly evolving and engaging experience for visitors.

    A Dynamic Space for Contemporary Engagement & Accessibility

    Despite its deep roots in history, TARTLE is far from a static institution. It actively embraces contemporary artistic practices, hosting exhibitions that challenge conventional boundaries and invite contemplation. Guided tours led by knowledgeable art historians provide invaluable insights into the collection’s significance, enriching the visitor experience with contextual information and scholarly perspectives. Furthermore, TARTLE champions research and scholarship, serving as a vital resource for students and academics interested in Lithuanian art and history. The centre's dedication to accessibility is noteworthy; it offers flexible visiting hours and caters to diverse needs, ensuring that its treasures are enjoyed by all. It stands as a beacon of cultural preservation, safeguarding Lithuania’s artistic legacy for future generations.

    A Gateway to the Lithuanian Soul

    TARTLE isn't merely a museum; it’s an invitation – a genuine invitation – to connect with the heart and soul of Lithuania. It offers a unique opportunity to understand the nation’s complex history, appreciate its artistic traditions, and engage with its vibrant contemporary culture. Whether you are an avid collector seeking rare treasures, an interior designer searching for inspiration drawn from authentic cultural narratives, or simply a curious traveler eager to explore a hidden gem, TARTLE promises an enriching and unforgettable experience. It is a testament to the power of art to transcend time and connect us to something larger than ourselves – a shared human heritage that deserves to be cherished and celebrated.

    詳細はこちら

    オンラインで見る

    Playing and Dancing IndiansのダウンロードページへつながるQRコード

    wahooart.com/ja/art/download/jonas-rimsa-playing-and-dancing-indians-DD27SE-en/

    この作品の引用方法

    MLA
    rimša, jonas. Playing and Dancing Indians. 1960, Lithuanian Art Centre TARTLE. https://wahooart.com/ja/art/jonas-rimsa-playing-and-dancing-indians-DD27SE-en/
    APA
    rimša, jonas (1960). Playing and Dancing Indians [Painting]. Lithuanian Art Centre TARTLE. https://wahooart.com/ja/art/jonas-rimsa-playing-and-dancing-indians-DD27SE-en/
    Chicago
    jonas rimša. Playing and Dancing Indians. 1960. Lithuanian Art Centre TARTLE. https://wahooart.com/ja/art/jonas-rimsa-playing-and-dancing-indians-DD27SE-en/
    Harvard
    rimša, jonas (1960) Playing and Dancing Indians. Lithuanian Art Centre TARTLE. Available at: https://wahooart.com/ja/art/jonas-rimsa-playing-and-dancing-indians-DD27SE-en/

    Look closely

    Playing and Dancing Indians — jonas rimša

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: indigenous culture, dancing, gathering. Do you agree? What would you add, or take away?
    4. Look back at In a Garden (1966), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.