用紙

学生作品ガイド

Axial Figure 38

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

氏名 クラス 日付
jan lebenstein, Axial Figure 38 (1959). 参考用として複製。著作権は権利者に帰属します。

基本情報

作家
jan lebenstein wahooart.com/ja/artists/jan-lebenstein/
制作年
1930 – 1999
彩色済み
1959
原寸大
160 x 59 cm

In context

Axial Figure 38 — jan lebenstein

How big is it?

The original measures 160 × 59 cm (height × width), drawn here beside an adult of average height.

制作年

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Shaded: jan lebensteinの生涯 (1930–1999) ▲ 本作品、1959

比較する作品

上記の作品を一つ選んでください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。

こちらの作品と並べて鑑賞したい他の作品:wahooart.com/ja/art/similar/jan-lebenstein-axial-figure-38-AS7TG9-en/

カラーパレット

画像より計測

    主な色

    Espresso #514934

    登録済みパレット

    • #514934
    • #5E5945
    • #3B3425
    • #6C6650
    パレット
    Monochrome 作品の中で主要な色調。
    主な色名
    Espresso
    彩度
    Monochromatic 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Serene 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Unified Palette 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    明るさ
    Shadow 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Subtle Color 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    アーティストと美術館

    Axial Figure 38 — jan lebenstein

    作家

    jan lebenstein

    Jan Lebenstein: A Visionary of Axial Forms

    Born in Brest Litovsk, Poland, in 1930 and tragically passing away in Krakow in 1999, Jan Lebenstein remains a profoundly enigmatic figure within the landscape of 20th-century art. His work, characterized by its arresting simplicity and deeply felt existentialism, defies easy categorization, oscillating between abstraction and figuration while consistently exploring themes of identity, connection, and the human condition. Lebenstein’s artistic journey was shaped by a complex interplay of influences – from the early austerity of Polish Expressionism to the subtle nuances of Utrillo's interiors and the stark geometries of Wols – culminating in his signature “Axial Figures,” a series that continues to captivate and provoke contemplation.

    His formal training at Warsaw’s Academy of Fine Arts under Artur Nacht-Samborski provided a foundational understanding of traditional techniques, yet Lebenstein quickly diverged from established norms. He wasn't interested in replicating reality; instead, he sought to distill it into its most essential elements. This pursuit led him to develop his distinctive visual language – vertical compositions dominated by simplified, almost insect-like human figures, often presented within starkly delineated interiors.

    詳細はこちら

    オンラインで見る

    Axial Figure 38のダウンロードページへつながるQRコード

    wahooart.com/ja/art/download/jan-lebenstein-axial-figure-38-AS7TG9-en/

    この作品の引用方法

    MLA
    lebenstein, jan. Axial Figure 38. 1959, https://wahooart.com/ja/art/jan-lebenstein-axial-figure-38-AS7TG9-en/
    APA
    lebenstein, jan (1959). Axial Figure 38 [Painting]. https://wahooart.com/ja/art/jan-lebenstein-axial-figure-38-AS7TG9-en/
    Chicago
    jan lebenstein. Axial Figure 38. 1959. https://wahooart.com/ja/art/jan-lebenstein-axial-figure-38-AS7TG9-en/
    Harvard
    lebenstein, jan (1959) Axial Figure 38. Available at: https://wahooart.com/ja/art/jan-lebenstein-axial-figure-38-AS7TG9-en/

    Look closely

    Axial Figure 38 — jan lebenstein

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Axial Figure 90 (1960), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. jan lebenstein was about 29 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.