学生作品ガイド
著作権 この作品はパブリックドメインです。Jacob Marrelは1681に没し、著作権は没後70年まで保護されるため、1751に終了しました。
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Flower still life — Jacob Marrel
Shaded: Jacob Marrelの生涯 (1614–1681)
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画像より計測
主な色
Rosy Brown #d2b793
登録済みパレット
アーティストと美術館
生誕地 Frankenthal, Germany
Born: Frankenthal, Germany in 1614.
In 1624, Marrel moved with his family to Frankfurt.
He began his artistic training in 1627 as a student of Georg Flegel, a prominent still life painter specializing in pantry and flower pieces.
This early exposure laid the foundation for Marrel’s future specialization.
Attracted by the lucrative market for flower still lifes, Marrel traveled to Utrecht between 1632 and 1650.
He studied extensively under Jan Davidszoon de Heem, a master of opulent and detailed still life compositions.
De Heem’s influence is evident in Marrel's later works, particularly his use of rich colors, dramatic lighting, and complex arrangements.
This period was crucial for Marrel’s artistic development, refining his technique and establishing his style.
Around 1650, Marrel returned to Frankfurt and married Johanna Sybilla Heim(ius), the widow of Matthäus Merian.
He took on students, fostering a workshop environment.
A significant connection: His step-daughter, Maria Sibylla Merian, became a renowned painter and naturalist specializing in insects and flowers – rivaling Rachel Ruysch in fame.
Merian later married one of Marrel’s pupils, Johann Andreas Graff, further solidifying the artistic lineage.
Specialization: Marrel is celebrated for his exquisite flower still lifes, often featuring meticulously rendered blooms, including tulips which he frequently depicted as individual 'portraits'.
His compositions are characterized by a sense of abundance and luxury.
He skillfully balanced realism with artistic arrangement, creating visually stunning and harmonious works.
Notable Works: Include “Still-Life with Flowers”, “Flowers, parrot and tit”, and “Quiet Life With Roman, Silver Tazza, Fruits, Pastries And Bird”.
Marrel revisited Utrecht in 1660 with his student Abraham Mignon.
He established a flower painting school in Frankfurt after returning to Germany in 1665.
He remained active as an art dealer in Utrecht until 1669.
Death: Jacob Marrel died in Frankfurt in 1681.
Historical Significance: He played a vital role in popularizing flower still life painting during the Dutch Golden Age and influenced subsequent generations of artists, most notably his step-daughter Maria Sibylla Merian.
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Flower still life — Jacob Marrel
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