学生作品ガイド
著作権 この作品の著作権は現在も存続しています。Dan Ricoは1985に没年しました。著作権は没後70年間継続するため、2055まで有効です。本画像は教育目的の参照用として掲載しており、権利は権利者に帰属します。
文脈において
Casualty — Dan Rico
原寸は 15 × 20 cm (高さ × 幅) で、ここでは平均的な身長の成人と並べて表示しています。
上の行：年。下の行：各期間の開始時と終了時の年齢 — 出生時は0、没時は 73。
作家が 26 歳の時に制作。 そのアーティストは73まで生きました。 0 of the 5 dated works by this artist in our catalogue came earlier.
背景色：Dan Ricoの生涯 (1912–1985) ▲ 本作品、1938 年代ごとに並ぶ、すべての制作年入り作品
上記の作品から一つ選んでください。その作品と共通する点を2つ、異なる点を1つ挙げてください。
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画像から抽出したカラーパレット
メインカラー
Gray #6e6458
保存済みパレット
アーティストのパレット全体を構成するこれらの色彩 色から他の絵画を探す
主要な10カ国
地図上で最も色が濃い3つの国を見つけてください。この絵画を収蔵している美術館は、そのいずれかの国にありますか？遠く離れた場所にいる人々が、この作品に目を向ける理由を一つ書き出してください。
これらの作品は、このアーティストの絵画が過去12か月間に受けた注目全体の 100.0% を占めています。カタログにはこのアーティストによる 5 点の作品が収められており、そのうち 2 点は少なくとも一度は閲覧されました。 この作品は現時点ではまだ閲覧されていないため、順位なしとしてリストの最後に表示されています。 月ごとの集計結果は同一です
バーは注目度を示すものであり、品質を示すものではありません。リストの最上部にある作品と、こちらの作品を選んでください：絵画がその技術的な巧拙を超えて有名になる要因として、考えられることを一つ挙げてください。
アーティストと美術館
Dan Rico, a name perhaps less familiar than some of his contemporaries in the Golden Age of comics and illustration, nevertheless represents a significant and often overlooked figure in American art history. Born Donato Francisco Rico II in Rochester, New York, on September 26, 1912, into an Italian immigrant family steeped in artistic tradition – his father a shoe designer hailing from Celano, Abruzzi, and his mother from the Basilicata region – Rico’s early life laid the foundation for a career that would span wood engraving, comic book illustration, novel writing, and even radio broadcasting. His journey wasn't one of singular acclaim, but rather a testament to adaptability, tireless dedication, and a keen understanding of visual storytelling across diverse mediums.
Rico’s artistic path began with a scholarship at the Memorial Art Gallery of the University of Rochester at just twelve years old, an early indication of his innate talent and drive. This foundation was further strengthened by his family's move to The Bronx, New York City, where he honed his skills in wood engraving under the tutelage of H.J. Glintenkamp. These formative years instilled a deep appreciation for craftsmanship and the tactile nature of printmaking – qualities that would profoundly influence his later work. Crucially, during the Depression era, Rico’s engagement with the Federal Arts Project provided him with invaluable experience creating prints depicting everyday American life, showcasing his ability to capture both the beauty and hardship of the period. These early works, now residing in prestigious collections like those of the Metropolitan Museum of Art and the Library of Congress, established a recognizable style characterized by meticulous detail and a subtle realism.
Rico’s foray into comic books began in 1939 with Victor A. Fox Publications, marking his entry into a burgeoning industry that would become central to his career. Initially working as a penciler andinker on “Flip Falcon,” he quickly expanded his responsibilities, contributing to various titles for companies like Timely Comics (a precursor to Marvel), Lev Gleason Publications, and Quality Comics. His versatility was remarkable; he wasn’t simply an artist but often a writer and editor, shaping the narratives and visual presentation of these early superhero stories. He collaborated with legendary figures like Stan Lee on the creation of Black Widow, a character who would become one of Marvel's most enduring icons. Rico’s work during this period is particularly noteworthy for its stylistic evolution – moving from more traditional Golden Age aesthetics to incorporating elements of modernism and realism. He wasn’t afraid to experiment with composition and perspective, pushing the boundaries of what was expected in comic book art.
Rico's creative pursuits extended far beyond the realm of comics. He penned over 60 published novels, often under various pseudonyms – Donella St. Michaels, Donna Richards, Joseph Milton, and N. Korok – demonstrating a remarkable range across genres. He also dabbled in screenwriting and television work, contributing to shows like “Adam-12.” Remarkably, he maintained an active presence in the entertainment industry during the 1940s, even singing in nightclubs and hosting his own radio program. This multifaceted career highlights Rico’s adaptability and entrepreneurial spirit – a willingness to explore different creative avenues and establish himself as a versatile artist and storyteller.
Dan Rico passed away on March 27, 1985, in Hollywood, California, leaving behind a legacy that is often overshadowed by more prominent figures of the Golden Age. However, his contributions to American art and pop culture are significant. His wood engravings, particularly “Front Street” and “Signs of the City,” demonstrate a masterful command of technique and a keen eye for capturing urban landscapes. These works, now housed in museums across America, offer a glimpse into Rico’s artistic vision and technical skill. Furthermore, his work on iconic comic book characters like Black Widow helped shape the visual language of superhero storytelling. While he may not have achieved widespread fame during his lifetime, Dan Rico remains a vital figure in the history of American illustration, comics, and popular art – an artist who quietly but powerfully influenced generations of creatives. His story is one of perseverance, versatility, and a deep-seated passion for visual expression.
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Casualty — Dan Rico
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