x
Wax
Post-Impressionism
19th Century
45.0 x 45.0 cm
Galleria Civica di Arte Moderna e Contemporanea Torinoメダルト・ロッソ(1858-1928)をご紹介。ブロンズや石膏作品における光と影、そして心理的な深みの革新的な表現で称賛される、ポスト印象派の先駆的な彫刻家です。彼の遺した偉大な足跡をぜひご覧ください。
GAMトリノ(ガレリア・チヴィカ・ディ・アルテ・モデルナ・エ・コンテンポラネア)の紹介。イタリア最古の近代美術館として、未来派、アルテ・ポーヴェラ、アンディ・ウォーホルなどの傑作を展示しています。
Aetas Aurea, Latin for "Golden Age," is a profoundly moving sculpture by Italian artist Medardo Rosso. This work depicts his wife, Giuditta Pozzi, and their young son, Francesco, capturing a tender moment of familial connection. It stands as a prime example of Rosso’s innovative approach to sculpting, particularly his exploration of wax as a medium.
Rosso was a pioneer in what can be considered "Impressionistic sculpture." Departing from the traditional academic style prevalent at the time, he embraced a more fluid and atmospheric aesthetic. Aetas Aurea exemplifies this shift. Rather than striving for precise anatomical detail or polished surfaces, Rosso prioritized capturing a fleeting impression – a moment suspended in time.
Aetas Aurea was created during a period of significant artistic change in Europe. Rosso’s work reflects the broader Post-Impressionist movement, which sought to move beyond mere representation towards conveying subjective experience and emotion. His journey to Paris in 1886, where he exhibited at the Salon and Salon des Indépendants, exposed him to new ideas and techniques that influenced his artistic development.
Beyond its aesthetic qualities, Aetas Aurea carries a profound emotional resonance. The sculpture evokes feelings of intimacy, tenderness, and familial love. The slightly tilted posture and soft modeling create an atmosphere of vulnerability and quiet contemplation.
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