ポルトガルの元首相兼大統領、マリオ・ソアレスとアート界との繋がりを探求しましょう。彼はポルトガル文化の擁護者であり、サン・フェルナンドやヴィアナなどの美術館を支援しました。
ヴィゼウの国立博物館で、グラアン・ヴァスコによるルネサンスの傑作を探訪!ポルトガルの歴史的な神学校から、信仰と芸術的才能を伝える息をのむような祭壇画や作品を発見しましょう。
A landscape that reproduces the capture of a brief record, as if it was marking a moment of wanders through the parish of Tancos, in Vila Nova da Barquinha, Santarém. It is a momentary lapse, without obvious signs of humanization and integrated in the Portuguese naturalist school. In a recreation made from loose and imprecise spots, the greens of the vegetation and trees are dotted with different shades of brown, imparting body to the trunks and branches of the trees, to the undergrowth, accentuating the path that divides the landscaped green and the ground which dominates the first plane of the composition.Overlapping the horizon line, the trees are trimmed in the cloudy sky of lilac tonality, progressing to the darkened blue, remembering a late afternoon or early morning. A tree with thin trunks and branches intersects with the landscape and extends to the limit of the representation of the sky, with loose and rapid brushstrokes, forming a scattered foliage, overlapping the figurative field as if it were a curtain that, dividing, guarantees and accentuates, the unity of composition plans.
WahooArt.com 編集部