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Chrysanthemum

5 parts 1 The artwork2 In context3 About this artwork4 Artist and museum5 Look closely

Nome Classe Data
ogata kenzan, Chrysanthemum (1743). Di pubblico dominio.

Dettagli dell'opera

Artista
ogata kenzan wahooart.com/it/artists/ogata-kenzan/
Date dell'artista
1663 – 1743
Pittura
1743
Dimensioni originali
33 x 54 cm

In context

Chrysanthemum — ogata kenzan

How big is it?

The original measures 33 × 54 cm (height × width), drawn here beside an adult of average height.

Data di realizzazione

  1. 1660
  2. 1670
  3. 1680
  4. 1690
  5. 1700
  6. 1710
  7. 1720
  8. 1730
  9. 1740

Shaded: la vita di ogata kenzan (1663–1743) ▲ quest'opera, 1743

Opere simili

Scegli un'opera tra quelle sopra elencate: indica due elementi in comune con quest'ultima e una differenza.

Altre opere da affiancare a questa: wahooart.com/it/art/similar/ogata-kenzan-chrysanthemum-D2XGDW-en/

Palette colori

Rilevato dall'immagine

    Colore principale

    Driftwood #cba962

    Tavolozza salvata

    • #CBA962
    • #A09F9C
    • #DDD8C8
    • #767354
    Palette
    Neutrals La gamma cromatica dominante nell'immagine.
    Colore principale
    Driftwood
    Intensità
    Balanced La saturazione e la varietà dei colori, da una singola tonalità tenue a molteplici sfumature vivaci.
    Contrasto
    Serene Quanto i colori differiscano in luminosità e saturazione nell'intera opera.
    Armonia
    Strong Color Unity L'armonia cromatica, dall'accostamento contrastante all'unione completa.
    Luminosità
    Brilliant Il grado di luminosità o di oscurità complessiva dell'immagine, dalle ombre profonde ai punti di massima luce.
    Saturazione
    Muted Quanto siano puri e intensi i colori, dal quasi grigio al pienamente vivido.

    Informazioni sull'opera

    Chrysanthemum — ogata kenzan

    A cluster of white chrysanthemum blossoms and their rich green leaves and stalks stand out against a gold-leafed background. The seal and signature—indicating his age as eighty-one— of the artist Ogata Kenzan, one of the principal masters of the mid-Edo period Rinpa school, appear to the right. The fan painting is striking for the bold but simple design, its limited palette and close-up view of the flowers and leaves, and an overlapping of the blossoms that provides a three-dimensional quality, contrasting with the flatness of the gilded background.Tenzan, younger brother of the renowned painter Ogata Kōrin (1658–1716), was educated in literature and the arts as befitted a well-to-do gentleman, and became a skilled calligrapher, although he is known primarily as a ceramics artist. For his ceramic wares he sometimes collaborated with Kōrin, who provided painted designs to ornament the vessels. However, Kenzan was himself a gifted painter, and created paintings in various formats. This fan reflects the influence of his brother, who produced numerous images of chrysanthemums, inspired by Chinese and Japanese literary references to the flowers associated with the autumn season and longevity.

    Artista e museo

    Chrysanthemum — ogata kenzan

    Artista

    ogata kenzan

    The Soul of the Edo Period: The Life and Legacy of Ogata Kenzan

    In the vibrant, culturally rich landscape of the Edo period, few names resonate with as much grace and multidisciplinary mastery as Ogata Kenzan. Born in 1663 as Ogata Shinsei into a prosperous Kyoto kimono merchant family, Kenzan was destined for a life steeped in the finest aesthetics of Japan. His upbringing within the Kariganeya shop—a business patronized by the very elite of the Tokugawa shogunate—provided him with an intimate understanding of texture, pattern, and the profound importance of visual harmony. While his elder brother, the legendary painter Ogata Kōrin, would go on to define the expressive brushwork of the Rinpa school, Kenzan carved a unique path that bridged the gap between the tactile world of ceramics and the ethereal realm of painting.

    Kenzan’s artistic journey was deeply rooted in the traditions of Kyoto. He sought mentorship under the esteemed potter Nonomura Ninsei, whose mastery of Kyō ware provided Kenzan with a foundational command over subtle glazes and elegant forms. This training was not merely technical; it was an immersion into a philosophy where every vessel held the potential for storytelling. As he matured, Kenzan established his own kiln in Narutaki, mirroring the workshop environments of his predecessors.

    Dove approfondire

    Scoprilo online

    Codice QR che rimanda alla pagina di download per Chrysanthemum

    wahooart.com/it/art/download/ogata-kenzan-chrysanthemum-D2XGDW-en/

    Citazione dell'opera

    MLA
    kenzan, ogata. Chrysanthemum. 1743, https://wahooart.com/it/art/ogata-kenzan-chrysanthemum-D2XGDW-en/
    APA
    kenzan, ogata (1743). Chrysanthemum [Painting]. https://wahooart.com/it/art/ogata-kenzan-chrysanthemum-D2XGDW-en/
    Chicago
    ogata kenzan. Chrysanthemum. 1743. https://wahooart.com/it/art/ogata-kenzan-chrysanthemum-D2XGDW-en/
    Harvard
    kenzan, ogata (1743) Chrysanthemum. Available at: https://wahooart.com/it/art/ogata-kenzan-chrysanthemum-D2XGDW-en/

    Look closely

    Chrysanthemum — ogata kenzan

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Incense Container with Design of Plum Sprays in underglaze Brown and Blue, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. ogata kenzan was about 80 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.