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From Two Paths

Nome Classe Data

june redfern, From Two Paths (1994). Riproduzione a scopo illustrativo; tutti i diritti sono riservati dal titolare dei diritti.

Dettagli dell'opera

Artista
june redfern wahooart.com/it/artists/june-redfern/
Date dell'artista
1951 – ?
Pittura
1994
Dimensioni originali
168 x 184 cm

Nel contesto

From Two Paths — june redfern

Quali sono le dimensioni?

Le dimensioni originali sono 168 × 184 cm (altezza × larghezza), qui rappresentate accanto a un adulto di statura media.

Data di realizzazione

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Shaded: la vita di june redfern (1951–?) ▲ quest'opera, 1994

Opere simili

Scegli un'opera tra quelle sopra elencate: indica due elementi in comune con quest'ultima e una differenza.

Altre opere da affiancare a questa: wahooart.com/it/art/similar/june-redfern-from-two-paths-AR2CY8-en/

Palette colori

Rilevato dall'immagine

    Colore principale

    Khaki #e7bc66

    Tavolozza salvata

    • #E7BC66
    • #232E46
    • #4E7BA6
    • #A36836
    Palette
    Dark La gamma cromatica dominante nell'immagine.
    Colore principale
    Khaki
    Intensità
    Vivid La saturazione e la varietà dei colori, da una singola tonalità tenue a molteplici sfumature vivaci.
    Contrasto
    Statement Quanto i colori differiscano in luminosità e saturazione nell'intera opera.
    Armonia
    Discordant Palette L'armonia cromatica, dall'accostamento contrastante all'unione completa.
    Luminosità
    Balanced Il grado di luminosità o di oscurità complessiva dell'immagine, dalle ombre profonde ai punti di massima luce.
    Saturazione
    Clear Color Presence Quanto siano puri e intensi i colori, dal quasi grigio al pienamente vivido.

    Artista e museo

    Artista

    june redfern

    June Redfern: A Landscape of Emotion

    Born in Fife, Scotland, in 1951, June Redfern’s artistic journey is one deeply rooted in both traditional academic training and a fiercely expressive, almost visceral approach to landscape painting. Her early years at Edinburgh College of Art provided her with a solid foundation – an understanding of perspective, anatomy, and the technical mastery required for oil and watercolour. However, it was a deliberate rejection of rigid formalism that truly defined her artistic voice, leading her to explore the emotional resonance of place and subject matter rather than simply replicating visual reality.

    Redfern’s work is immediately recognizable by its scale – often monumental canvases that invite viewers into the heart of the scene. This ambition isn't merely about size; it’s a reflection of her desire to capture atmosphere, mood, and the intangible qualities of a landscape. Her early paintings frequently featured female figures, rendered with a striking intensity and vulnerability, suggesting a personal connection to themes of identity, memory, and the human condition. These figures weren’t simply portraits but embodiments of emotional states – longing, contemplation, and perhaps even a touch of melancholy.

    The Influence of Expressionism

    While her academic training provided a crucial starting point, Redfern's artistic development was profoundly shaped by the burgeoning movement of expressionism. Artists like Van Gogh, Gauguin, and particularly the German Expressionists – Kirchner, Heckel, Nolde – offered a model for conveying subjective experience through colour and form. Redfern embraced this approach wholeheartedly, utilizing bold, often clashing colours to evoke specific emotions and sensations. Her palette isn’t descriptive; it's deliberately charged with symbolic meaning, reflecting the inner landscape of her subjects.

    The influence is particularly evident in her later work, where she abandons more representational forms for a looser, more gestural style. She employs thick impasto – building up layers of paint to create texture and depth – and allows colour to bleed and mingle, creating a sense of movement and dynamism. This technique isn’t simply decorative; it's integral to her exploration of atmosphere and the fleeting nature of perception.

    A Shift Towards Landscape

    As Redfern’s career progressed, her focus gradually shifted towards landscape painting. However, this wasn’t a departure from her previous concerns but rather an evolution – a way of translating her emotional vocabulary onto a broader canvas. She began to explore the wilder, more remote corners of Scotland, capturing the rugged beauty of its coastline, moorlands, and forests. These landscapes aren't idyllic vistas; they are imbued with a sense of solitude, mystery, and even foreboding.

    Her approach is deeply observational, yet profoundly subjective. She’s not simply recording what she sees but interpreting it through the lens of her own emotional experience. The light in her paintings isn't neutral; it’s often dramatic and theatrical, casting long shadows and highlighting textures with a palpable intensity. Her use of colour becomes even more expressive, conveying mood and atmosphere with remarkable subtlety.

    Recognition and Legacy

    June Redfern’s work has been exhibited extensively throughout the UK and Europe, garnering critical acclaim for its emotional power and technical skill. She has held solo exhibitions at prestigious galleries such as The Royal Academy, Deson Herstein Fine Art in Chicago, and The Bohun Gallery in Henley-On-Thames. Her paintings are also included in several important public collections, including the National Galleries of Scotland.

    Beyond her artistic achievements, Redfern’s career represents a significant contribution to contemporary landscape painting. She demonstrated that landscape could be more than just a pretty picture; it could be a vehicle for exploring complex emotions and ideas. Her bold use of colour, expressive brushwork, and willingness to embrace subjective experience have inspired generations of artists. Her legacy lies not only in the beauty of her paintings but also in their profound emotional resonance – a testament to the power of art to connect us to ourselves and to the world around us.

    Dove approfondire

    Scoprilo online

    Codice QR che rimanda alla pagina di download per From Two Paths

    wahooart.com/it/art/download/june-redfern-from-two-paths-AR2CY8-en/

    Citazione dell'opera

    MLA
    redfern, june. From Two Paths. 1994, https://wahooart.com/it/art/june-redfern-from-two-paths-AR2CY8-en/
    APA
    redfern, june (1994). From Two Paths [Painting]. https://wahooart.com/it/art/june-redfern-from-two-paths-AR2CY8-en/
    Chicago
    june redfern. From Two Paths. 1994. https://wahooart.com/it/art/june-redfern-from-two-paths-AR2CY8-en/
    Harvard
    redfern, june (1994) From Two Paths. Available at: https://wahooart.com/it/art/june-redfern-from-two-paths-AR2CY8-en/

    Guarda da vicino

    From Two Paths — june redfern

    Guarda da vicino

    Rispondi con parole tue. Non esistono risposte errate — solo risposte che puoi spiegare.

    1. Cosa ti colpisce per primo, e perché?
    2. Quali colori o forme creano l'atmosfera — e di che atmosfera si tratta?
    3. Rivedi Composition of People, poco prima in questa guida. Indica due elementi che condivide con quest'opera e uno che la differenzia.
    4. june redfern aveva circa 43 anni quando quest'opera è stata realizzata. Quali elementi ne rivelano la mano di un artista in quella fase della sua carriera?
    5. Cosa potrebbe aver voluto trasmetterti l'artista?

    La tua risposta

    Scrivi un breve paragrafo su quest'opera. Utilizza i fatti riportati nelle parti precedenti di questa guida e le tue risposte fornite sopra.