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An Old Cistern

Nome Classe Data

Jacques Joseph Tissot, An Old Cistern (1889). Di pubblico dominio.

Dettagli dell'opera

Artista
Jacques Joseph Tissot wahooart.com/it/artists/jacques-joseph-tissot_it/
Date dell'artista
1836 – 1902
Pittura
1889
Dimensioni originali
23 x 15 cm
Movimento
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.

Nel contesto

An Old Cistern — Jacques Joseph Tissot

Quali sono le dimensioni?

Le dimensioni originali sono 23 × 15 cm (altezza × larghezza), qui rappresentate accanto a un adulto di statura media.

Data di realizzazione

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900

Shaded: la vita di Jacques Joseph Tissot (1836–1902) ▲ quest'opera, 1889

Opere simili

Scegli un'opera tra quelle sopra elencate: indica due elementi in comune con quest'ultima e una differenza.

Altre opere da affiancare a questa: wahooart.com/it/art/similar/jacques-joseph-tissot-an-old-cistern-8XYAQD-en/

Palette colori

Rilevato dall'immagine

    Colore principale

    Rosy Brown #b0a898

    Tavolozza salvata

    • #B0A898
    • #898378
    • #5B5851
    • #D0C5B0
    Palette
    Neutrals La gamma cromatica dominante nell'immagine.
    Colore principale
    Rosy Brown
    Intensità
    Balanced La saturazione e la varietà dei colori, da una singola tonalità tenue a molteplici sfumature vivaci.
    Contrasto
    Gentle Quanto i colori differiscano in luminosità e saturazione nell'intera opera.
    Armonia
    Unified Palette L'armonia cromatica, dall'accostamento contrastante all'unione completa.
    Luminosità
    Brilliant Il grado di luminosità o di oscurità complessiva dell'immagine, dalle ombre profonde ai punti di massima luce.
    Saturazione
    Muted Quanto siano puri e intensi i colori, dal quasi grigio al pienamente vivido.

    Artista e museo

    Artista

    Jacques Joseph Tissot

    Nato a Nantes, Francia

    Early Life and Artistic Beginnings

    Jacques Joseph Tissot, born October 15, 1836, in Nantes, France, was destined for a life steeped in artistic passion from his earliest years. His father, a drapery merchant, instilled in him an appreciation for craftsmanship and detail—qualities that would profoundly shape his artistic vision. Simultaneously, his mother, a milliner, nurtured his sensitivity to beauty and fashion, exposing him to the vibrant world of Parisian society. Despite familial responsibilities, Tissot relentlessly pursued his artistic ambitions, enrolling at the École des Beaux-Arts in Paris where he honed his skills under the tutelage of luminaries like Ingres, Flandrin, and Lamothe. This formative period cemented his commitment to painting as a vocation and established him firmly within the influential Parisian art milieu.

    The Salon Years and Recognition

    Tissot’s debut at the Paris Salon in 1861 marked a pivotal moment—the unveiling of “The Meeting of Faust and Marguerite,” a dramatic tableau that captivated audiences and garnered considerable acclaim from critics. Purchased by the state for inclusion in the Luxembourg Gallery, this ambitious undertaking signaled Tissot's burgeoning reputation as a painter capable of capturing complex narratives and conveying profound emotion. Subsequent Salon exhibitions solidified his position within the artistic establishment, showcasing his evolving style and attracting commissions from prominent patrons. His early successes fueled confidence and propelled him toward exploring new subjects and techniques—a trajectory that would ultimately define his illustrious career.

    Genre Painting and Parisian Society

    Tissot’s artistic breakthrough arrived with his series “La Femme à Paris,” a meticulously observed depiction of the demi-mondaine world of late Victorian London. These paintings, characterized by their luminous color palettes and masterful rendering of textures—particularly fabrics—became synonymous with capturing the allure and dynamism of Parisian high society. Tissot's meticulous attention to detail extended beyond mere visual representation; he sought to convey not only appearances but also psychological nuances, reflecting the anxieties and aspirations of his subjects. His work stands as a testament to Impressionistic influences blended with realism, offering an unparalleled glimpse into the social customs and artistic sensibilities of the Belle Époque.

    Biblical Themes and Japonisme

    Throughout his prolific output, Tissot embraced diverse artistic inspirations—ranging from medieval narratives to biblical scenes—demonstrating remarkable versatility. His depictions of religious subjects, imbued with spiritual depth and emotional resonance, showcased his ability to elevate visual storytelling into profound contemplation. Simultaneously, he was captivated by Japonisme—the fascination with Japanese art and aesthetics that swept across Europe during the Victorian era—evident in compositions infused with asymmetrical arrangements and subtle color harmonies reminiscent of Japanese prints. This stylistic fusion underscored Tissot’s intellectual curiosity and his willingness to experiment with innovative artistic approaches.

    Later Years and Legacy

    Tissot's life took a dramatic turn when he enlisted in the Franco-Prussian War, serving on the French side—an experience that undoubtedly shaped his worldview. Following the war’s conclusion, he relocated to London where he pursued etching alongside Sir Seymour Haden and honed his artistic skills through portrait commissions and caricatures for Vanity Fair. His relationship with Kathleen Newton blossomed into a passionate companionship, providing him with enduring inspiration for numerous paintings. Tragically, Newton succumbed to tuberculosis in 1882—a profound loss that deeply affected Tissot’s creative output. Despite this sorrowful chapter, he continued to produce exceptional artwork until his death in 1902. Today, Jacques Joseph Tissot's legacy resides in museums across Europe and North America—most notably the Musée National Jean-Jacques Henner in Paris—where his celebrated paintings continue to inspire admiration for their artistic brilliance and evocative portrayal of Victorian life and faith. His enduring influence on genre painting and Impressionism secures his place as one of France’s most distinguished artists of the 19th century.

    Dove approfondire

    Scoprilo online

    Codice QR che rimanda alla pagina di download per An Old Cistern

    wahooart.com/it/art/download/jacques-joseph-tissot-an-old-cistern-8XYAQD-en/

    Citazione dell'opera

    MLA
    Tissot, Jacques Joseph. An Old Cistern. 1889, https://wahooart.com/it/art/jacques-joseph-tissot-an-old-cistern-8XYAQD-en/
    APA
    Tissot, Jacques Joseph (1889). An Old Cistern [Painting]. https://wahooart.com/it/art/jacques-joseph-tissot-an-old-cistern-8XYAQD-en/
    Chicago
    Jacques Joseph Tissot. An Old Cistern. 1889. https://wahooart.com/it/art/jacques-joseph-tissot-an-old-cistern-8XYAQD-en/
    Harvard
    Tissot, Jacques Joseph (1889) An Old Cistern. Available at: https://wahooart.com/it/art/jacques-joseph-tissot-an-old-cistern-8XYAQD-en/

    Guarda da vicino

    An Old Cistern — Jacques Joseph Tissot

    Guarda da vicino

    Rispondi con parole tue. Non esistono risposte errate — solo risposte che puoi spiegare.

    1. Cosa ti colpisce per primo, e perché?
    2. Quali colori o forme creano l'atmosfera — e di che atmosfera si tratta?
    3. Il nostro catalogo classifica quest'opera sotto: buildings. Sei d'accordo? Cosa aggiungeresti o toglieresti?
    4. Rivedi Ottobre (1878), precedentemente citato in questa guida. Indica due elementi che condivide con quest'opera e uno che la differenzia.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Dove si può osservare questo elemento in quest'opera?

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