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Pegasus, (2) (1949)

Nome Classe Data

carl milles, Pegasus, (2) (1949). Di pubblico dominio.

Dettagli dell'opera

Artista
carl milles wahooart.com/it/artists/carl-milles/
Date dell'artista
1875 – 1955
Movimento
Classical

Nel contesto

Pegasus, (2) (1949) — carl milles

Data presunta di realizzazione

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950

Shaded: la vita di carl milles (1875–1955)

L'anno esatto di questo disco non è disponibile nei nostri archivi: basandoti sulla vita dell'artista e sullo stile dell'opera, a quale decennio penseresti?

Opere simili

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Altre opere da affiancare a questa: wahooart.com/it/art/similar/carl-milles-pegasus-2-1949-A26H8D-en/

Palette colori

Rilevato dall'immagine

    Colore principale

    Putty #dcdcd8

    Tavolozza salvata

    • #DCDCD8
    • #1F251C
    • #616C5F
    • #A0A49A
    Palette
    Neutrals La gamma cromatica dominante nell'immagine.
    Colore principale
    Putty
    Intensità
    Monochromatic La saturazione e la varietà dei colori, da una singola tonalità tenue a molteplici sfumature vivaci.
    Contrasto
    Statement Quanto i colori differiscano in luminosità e saturazione nell'intera opera.
    Armonia
    Strong Color Unity L'armonia cromatica, dall'accostamento contrastante all'unione completa.
    Luminosità
    Bright Il grado di luminosità o di oscurità complessiva dell'immagine, dalle ombre profonde ai punti di massima luce.
    Saturazione
    Muted Quanto siano puri e intensi i colori, dal quasi grigio al pienamente vivido.

    Artista e museo

    Artista

    carl milles

    Carl Milles: A Sculptor of Dynamic Forms and Enduring Symbolism

    Carl Milles (1875-1955) stands as one of Sweden’s most celebrated sculptors, a figure whose monumental works—particularly his breathtaking fountains—continue to captivate audiences worldwide. Born Carl Wilhelm Andersson in Lagga, Uppsala, he possessed an innate artistic sensibility that blossomed during his formative years in Paris, where he honed his skills under the tutelage of Auguste Rodin. This early exposure to the master’s expressive realism profoundly shaped Milles' approach, imbuing his own sculptures with a powerful sense of movement and emotional depth. His life was inextricably linked to his family—his brother Ruth Milles, and half-brother Evert Milles—and his wife, Olga Milles, whose artistic contributions complemented his sculptural endeavors.

    Early Life and Artistic Development

    Milles’ journey began with a planned sojourn to Chile, intended as a temporary posting managing a gymnastics school. However, an unexpected stay in Paris proved transformative. It was there that he immersed himself fully in the artistic milieu, studying diligently and gradually gaining recognition for his burgeoning talent. His early works demonstrated a fascination with classical forms, yet they were quickly infused with a distinctly modern sensibility—a willingness to experiment with scale, material, and narrative. The influence of Rodin is undeniable, particularly in Milles’ ability to capture fleeting expressions and convey raw emotion through the manipulation of clay and bronze. His decision to relocate to Sweden in 1904 marked a pivotal moment, establishing him within his homeland's artistic landscape and ultimately leading to the creation of his most iconic masterpieces.

    Major Sculptural Achievements

    Milles’ career is punctuated by a series of significant commissions that cemented his reputation as a visionary sculptor. The Gustaf Vasa statue at the Stockholm Nordic Museum remains a powerful testament to his ability to render historical figures with both dignity and dynamism. His Poseidon statue, gracing Gothenburg's waterfront, embodies the god’s commanding presence and turbulent power. Equally impressive is the Orpheus group outside the Stockholm Concert Hall, a poignant depiction of the mythical musician’s struggle to reunite his beloved Eurydice. However, Milles is perhaps best known for his fountains—large-scale installations that transform public spaces into immersive theatrical experiences. The Wedding of the Waters in St. Louis, with its playful and often provocative figures, sparked considerable controversy upon its unveiling but quickly became a beloved landmark. His work at Fort Christina in Wilmington, Delaware, depicting the Kalmar Nyckel, stands as a proud symbol of Swedish heritage and exploration.

    The Influence of Cranbrook and American Works

    In 1931, Carl Milles was invited to serve as sculptor-in-residence at Cranbrook Educational Community in Bloomfield Hills, Michigan. This period marked a significant shift in his artistic practice, exposing him to new ideas and collaborations. His time at Cranbrook led to the creation of works like “The Hand of God,” a monumental sculpture commissioned by the United Auto Workers (UAW) as a tribute to Frank Murphy, a prominent American figure. The statue’s depiction of a reaching hand—a symbol of strength and justice—became an enduring emblem of Detroit's civic pride. Milles’ willingness to embrace diverse commissions, even those that challenged his sensibilities, demonstrated his adaptability and commitment to his craft.

    Legacy and Enduring Symbolism

    Carl Milles’ legacy extends far beyond the individual sculptures that bear his name. His work continues to inspire artists and captivate audiences with its dynamic forms, evocative narratives, and profound emotional resonance. The Millesgården estate, now a museum dedicated to his life and art, offers a unique glimpse into the world of this extraordinary sculptor. His fountains, in particular, remain a testament to his ability to transform public spaces into vibrant works of art—a legacy that ensures Carl Milles’ place as one of Sweden's most important artistic figures. His home near Stockholm, Millesgården, became his resting place and is now a museum, offering visitors a chance to experience the artist's creative spirit and personal life. The influence of his work can be seen in numerous contemporary sculptures, demonstrating the enduring power of his vision.

    Dove approfondire

    Scoprilo online

    Codice QR che rimanda alla pagina di download per Pegasus, (2) (1949)

    wahooart.com/it/art/download/carl-milles-pegasus-2-1949-A26H8D-en/

    Citazione dell'opera

    MLA
    milles, carl. Pegasus, (2) (1949). n.d., https://wahooart.com/it/art/carl-milles-pegasus-2-1949-A26H8D-en/
    APA
    milles, carl (n.d.). Pegasus, (2) (1949) [Painting]. https://wahooart.com/it/art/carl-milles-pegasus-2-1949-A26H8D-en/
    Chicago
    carl milles. Pegasus, (2) (1949). n.d. https://wahooart.com/it/art/carl-milles-pegasus-2-1949-A26H8D-en/
    Harvard
    milles, carl (n.d.) Pegasus, (2) (1949). Available at: https://wahooart.com/it/art/carl-milles-pegasus-2-1949-A26H8D-en/

    Guarda da vicino

    Pegasus, (2) (1949) — carl milles

    Guarda da vicino

    Rispondi con parole tue. Non esistono risposte errate — solo risposte che puoi spiegare.

    1. Cosa ti colpisce per primo, e perché?
    2. Quali colori o forme creano l'atmosfera — e di che atmosfera si tratta?
    3. Quanti volti riesci a trovare? ____ (il nostro catalogo ne conta 1 — sei d'accordo?)
    4. Il nostro catalogo classifica quest'opera sotto: mythological creature, winged horse sculpture, classical mythology. Sei d'accordo? Cosa aggiungeresti o toglieresti?
    5. Rivedi Pegasus, (3) (1949), poco prima in questa guida. Indica due elementi che condivide con quest'opera e uno che la differenzia.

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