Művészeti útmutató diákoknak
Szerzői jogi védelem Ez a mű a jogi szabadközösség része. Kenyon Cox 1919-ben halt meg; a szerzői jog 70 évig érvényes a művész halála után, így 1989 lejárult.
A kontextusban
Study for Evening — Kenyon Cox
Az eredeti mérete 51 × 41 cm (magasság × szélesség), amelyet itt egy átlagos magasságú felnőtt mellett ábrázoltunk.
Árnyalva: Kenyon Cox élettartama (1856–1919) ▲ ez a mű, 1883
Válasszon ki egy fentebb szereplő művet: nevezzen meg két olyan dolgot, ami közös vele ezzel a művel, és egy olyan dolgot, ami eltér közöttük.
További alkotások, amelyek mellé helyezhetők: wahooart.com/hu/art/similar/kenyon-cox-study-for-evening-AS7RMT-en/
A képről mérve
Fő színe
Phthalo Green #1b1d14
Katalógusba került paletta
Művész és múzeum
Born: October 27, 1856, in Warren, Ohio.
Parents: Jacob Dolson Cox and Helen Finney Cox.
Kenyon Cox initially studied at the Art Academy of Cincinnati (formerly the McMicken School of Art). However, he quickly recognized the limited artistic opportunities available in the city.
Following a visit to the Centennial Exposition in Philadelphia, he decided to pursue further education at the Pennsylvania Academy of Fine Arts, hoping it would lead to studies in Europe.
In 1877, Cox moved to Paris, joining a wave of American artists seeking artistic inspiration. He believed Paris was experiencing a “second renaissance” in art.
Influential Teachers: Carolus-Duran, Jean-Léon Gérôme, and Alexandre Cabanel at the École des Beaux-Arts.
He initially studied under Carolus-Duran but became frustrated with what he perceived as a “vulgarity” in Duran’s style.
Travels throughout France and Italy exposed him to the works of Renaissance masters, profoundly shaping his artistic vision.
In 1882, Cox returned to New York City, where he established himself as a painter and illustrator.
Illustration Work: He became well-known for his magazine illustrations, which reached a wider audience than his paintings.
Art Criticism: Cox also wrote unsigned art criticisms for the New York Evening Post, supplementing his income.
His artistic style leaned towards realism, with a focus on landscapes, portraits, and genre studies. He was known for idealized nudes and traditional treatments of classical themes.
Art Students League of New York: Cox became a highly influential instructor at the Art Students League, shaping generations of artists. He designed the League’s logo featuring the motto “Nulla Dies Sine Linea” (No Day Without a Line).
Elected an Associate Academician of the National Academy of Design in 1900 and a full Academician in 1903.
Founding Member: He was one of the founders and secretary of the National Free Arts League.
Leadership Roles: Served as president of the National Society of Mural Painters from 1915 to 1919, and held memberships in various prestigious art organizations.
Cox’s work represented a commitment to classical ideals at a time when modern art movements were emerging. He advocated for careful drawing, modulated color, and the use of allegory and symbolism.
His writings, such as “Two Ways of Painting,” articulated his views on figurative art versus abstract or representational styles.
Legacy: Though not a radical innovator, Kenyon Cox played a crucial role in maintaining traditional artistic standards and educating aspiring artists. His influence extended through his teaching and his contributions to the American art establishment.
Death: March 17, 1919.
wahooart.com/hu/art/download/kenyon-cox-study-for-evening-AS7RMT-en/
Nézzen rá alaposan
Study for Evening — Kenyon Cox
Válaszoljon saját szavaival. Itt nincsenek rossz válaszok – csak olyan válaszok, amelyeket képes elmagyarázni.
Írjon egy rövid bejegyzést erről a műről. Használja ehhez az útmutató korábbi részeiben található adatokat és a fenti válaszait.