Papírformátum

Művészeti útmutató diákoknak

Self Portrait (recto)

Név Osztály Dátum

john guthrie spence smith, Self Portrait (recto) (1917). Közösségi tulajdonú alkotás

Főbb tények

Művész
john guthrie spence smith wahooart.com/hu/artists/john-guthrie-spence-smith/
A művész élete
1880 – 1951
Festmény
1917
Eredeti méret
50 x 41 cm
Mozgalom
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

A kontextusban

Self Portrait (recto) — john guthrie spence smith

Mekkora méretű?

Az eredeti mérete 50 × 41 cm (magasság × szélesség), amelyet itt egy átlagos magasságú felnőtt mellett ábrázoltunk.

Mikor készült ez a festmény?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Árnyalva: john guthrie spence smith élettartama (1880–1951) ▲ ez a mű, 1917

Összehasonlítható műalkotások

  • Bakehouse Close, 1941 wahooart.com/hu/art/john-guthrie-spence-smith-bakehouse-close-AQUSHK-en/
  • Cir Mhor wahooart.com/hu/art/john-guthrie-spence-smith-cir-mhor-AQUSJ9-en/
  • Old Perth Buildings, 1932 wahooart.com/hu/art/john-guthrie-spence-smith-old-perth-buildings-AQUSHH-en/

Válasszon ki egy fentebb szereplő művet: nevezzen meg két olyan dolgot, ami közös vele ezzel a művel, és egy olyan dolgot, ami eltér közöttük.

További alkotások, amelyek mellé helyezhetők: wahooart.com/hu/art/similar/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/

Színek

A képről mérve

    Fő színe

    Walnut #614423

    Katalógusba került paletta

    • #614423
    • #34200D
    • #CCA46C
    • #94703E
    Paletta
    Earthy A képen domináns színek családja.
    Fő színszín
    Walnut
    Intenzitás
    Balanced Mennyire telítettek és változatosak a színek, egyetlen visszafogott tónustól számos élénk színig.
    Kontraszt
    Bold Mennyire eltérnek a színek fényessége és telítettsége a kép különböző részein.
    Harmónia
    Unified Palette Mennyire harmonikusan együttműködnek a színek, az összeütközéstől a teljes egységesedésig.
    Fényerő
    Deep_shadow A kép teljes körű fényessége, a mély árnyékoktól a világos fényfülekig.
    Szaturáció
    Balanced Soft A színek rendkívül tiszta és erőteljesek, a szürkés árnyalatoktól a teljességig vibrálóak.

    Művész és múzeum

    Művész

    john guthrie spence smith

    John Guthrie Spence Smith: A Visionary of Scottish Landscapes

    John Guthrie Spence Smith (1880-1951) remains a quietly significant figure in 20th-century British art, particularly within the rich tapestry of Scottish painting. Born in Perth, Scotland, into a family profoundly shaped by tragedy – his three older brothers succumbed to illness at young ages – Smith’s early life instilled a sensitivity and perhaps an unusual focus on observation. A childhood affliction robbed him of speech and hearing, a circumstance that arguably sharpened his visual perception and fostered a unique way of engaging with the world around him. This formative experience deeply influenced his artistic approach, imbuing his landscapes with a profound sense of stillness and quiet contemplation.

    Smith’s formal training began at Dundee College of Art, followed by studies at Edinburgh College of Art and the prestigious Royal Scottish Academy Life Drawing Classes under the tutelage of Robert Burns and Charles Hodge Mackie. These formative years exposed him to established artistic traditions while simultaneously nurturing his own distinctive style. He quickly distinguished himself as a talented artist, winning several prizes during his time at the RSA, demonstrating an early aptitude for capturing light, atmosphere, and the subtle nuances of the Scottish countryside. Crucially, he became involved with the Edinburgh Group, a collective of artists who challenged academic conventions and sought to forge a new path for modern art in Scotland. This association exposed him to innovative ideas and provided a platform for his work to be seen alongside other emerging talents.

    A Distinctive Style: Landscape and Streetscapes

    Smith’s artistic output is primarily characterized by meticulously rendered landscapes and evocative street scenes, predominantly depicting the familiar yet subtly transformed vistas of Perthshire, Angus, and the surrounding areas. He wasn't interested in dramatic, sweeping compositions; instead, he favored a measured approach, capturing the quiet dignity of rural life and the understated beauty of everyday settings. His palette was restrained, relying on muted earth tones – ochres, browns, greys, and blues – to create a sense of atmospheric depth and realism. He skillfully employed light and shadow to convey the changing moods of the Scottish weather, imbuing his paintings with a palpable sense of time and place. His work is often described as having a “colourist” quality, echoing the influence of artists like J.M. Whistler, though Smith’s approach was firmly rooted in his own unique vision.

    Influences and Artistic Development

    Smith's artistic journey reveals a complex interplay of influences. The traditional landscape painting of the Scottish Colourists – particularly their emphasis on capturing the essence of light and colour – undoubtedly shaped his early style. However, he also absorbed elements from Impressionism and Post-Impressionism, evident in his use of broken brushstrokes and his exploration of subjective perception. His time spent in France during World War I, though brief, provided a crucial opportunity to study the works of masters like Monet and Renoir, further expanding his artistic horizons. Following the war, he returned to Scotland, continuing to develop his distinctive style while maintaining close ties with the Edinburgh art community. His later work demonstrates an increasing confidence and maturity, reflecting a deeper understanding of both his subject matter and his own artistic voice.

    Legacy and Recognition

    Despite not achieving widespread fame during his lifetime, John Guthrie Spence Smith’s contribution to Scottish art is now increasingly recognized. His paintings are held in public collections across Scotland, including those of Glasgow, Paisley, Perth, and Greenock Museums, testament to the enduring quality of his work. His membership in the Royal Scottish Academy and his association with the Edinburgh Group cemented his place within a pivotal period of artistic innovation in Scotland. Smith’s legacy lies not only in his beautiful paintings but also in his quiet determination to pursue his artistic vision despite significant personal challenges. He represents a compelling example of an artist who found solace and expression through observation, capturing the essence of Scottish life with remarkable sensitivity and skill. His work continues to resonate with viewers today, offering a glimpse into a bygone era and a profound appreciation for the beauty of the Scottish landscape.

    Further Resources

    Art UK: https://artuk.org/discover/artists/smith-john-guthrie-spence-18801951

    Fleming Collection: https://www.flemingcollection.com/copy-of-spencer-richard-b

    Glasgow Museums Collections Online: https://collections.glasgowmuseums.com/mwebcgi/mweb?request=record;id=8890;type=701

    askART: https://www.askart.com/artist/john_guthrie_spence/11071253/john_guthrie_spence.aspx?alert=info

    További információk

    Keresse online is

    QR-kód, amely a Self Portrait (recto) letöltési oldalára mutat

    wahooart.com/hu/art/download/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/

    Ezen mű megidézése

    MLA
    smith, john guthrie spence. Self Portrait (recto). 1917, https://wahooart.com/hu/art/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/
    APA
    smith, john guthrie spence (1917). Self Portrait (recto) [Painting]. https://wahooart.com/hu/art/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/
    Chicago
    john guthrie spence smith. Self Portrait (recto). 1917. https://wahooart.com/hu/art/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/
    Harvard
    smith, john guthrie spence (1917) Self Portrait (recto). Available at: https://wahooart.com/hu/art/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/

    Nézzen rá alaposan

    Self Portrait (recto) — john guthrie spence smith

    Nézzük meg közelebbről

    Válaszoljon saját szavaival. Itt nincsenek rossz válaszok – csak olyan válaszok, amelyeket képes elmagyarázni.

    1. Mi hívja először fel a figyelmét, és miért?
    2. Mely színek vagy formák keltik az hangulatot – és mi ez a hangulat?
    3. Hány arcot találsz meg? ____ (a katalógusunk 1 darabot számol – te is így látod?)
    4. Katalógusunk az alábbi kategóriákba sorolja ezt a művet: portrait painting, self reflection, earth tones art. Egyetért ezzel? Mit adna hozzá, vagy mit távolítana el?
    5. Nézzen vissza a guide korábbi részére, ahol a Bakehouse Close (1941) szerepel. Nevezzen meg két olyan dolgot, ami közös vele ezzel a művel, és egy olyanat, ami eltér tőle.

    Az Ön válasza

    Írjon egy rövid bejegyzést erről a műről. Használja ehhez az útmutató korábbi részeiben található adatokat és a fenti válaszait.