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River scene
Ručno oslikana uljana reprodukcija od $231 41 × 25 cm
Isti veličine kao i original $248 51 × 31 cm Naručite u izvornim dimenzijama →
Slika koja je proslavila Walter Wright je River scene (1910); nalazi se u muzeju Auckland Art Gallery Toi o Tāmaki, Auckland. Shelly Beach (1916) i The Canoe Builders (1915) slijede nakon njih u srcima kolekcionara i posjetitelja muzeja. Od 8 djela umjetnika Walter Wright u našem katalogu, ovih 8 najcenjenijih, a svako je predstavljeno s datumom nastanka, muzejom i onim što ga izdvaja.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Studeni 2026. Svako remek-dielo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejske kvalitete ili kao umjetnička štampa, u dimenzijama koje odaberete.
1 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Walter Wright | Slike iz ovog popisa |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 8 | River scene, Shelly Beach, The Canoe Builders |
River scene (1910), Auckland Art Gallery Toi o Tāmaki, Auckland. Sljedeći su Shelly Beach (1916) i The Canoe Builders (1915).
44 godina: River scene datira iz 1910, a Walter Wright je rođen/a 1866.
Naš katalog sadrži 8 djela umjetnika Walter Wright, datiranih od 1898 do 1916.
Većina njih se nalazi u Auckland Art Gallery Toi o Tāmaki (Auckland). Gornja tablica navodi muzeje jedan po jedan.
U razdoblju 1910s: 4 od ukupno 8 djela na ovoj stranici datira iz tog vremena, među kojima je i River scene.
Najstarije djelo na ovoj stranici je iz A Quiet stream, Hangitiki (1898), a najnovije iz Shelly Beach (1916).
River scene, Shelly Beach i The Canoe Builders su među 8 djela na ovoj stranici koja se nalaze u muzeju Auckland Art Gallery Toi o Tāmaki, Auckland.
Da. Svako djelo na ovoj stranici možete naručiti kao ručno oslikano ulje na platnu muzejske kvalitete ili kao umjetničku tisku, u odabranoj veličini, izravno sa stranice samog djela.
Born in Nottingham, England, Walter Wright emigrated to New Zealand with his family following the death of his father. Settling in Auckland, he began his professional journey as an upholstery apprentice on Shortland Street. His artistic talent emerged early, and he began exhibiting with the Auckland Society of Arts, where his seaside scenes were noted for their inherent genius. Seeking further refinement, Wright and his brother Frank returned to England to study at the Heatherley Art School, where Walter studied under Stanhope Forbes.
Upon returning to New Zealand, Wright established a studio in Auckland, where he worked as both an artist and a teacher. His career was marked by extensive travels throughout the country, producing a series of seventy-five watercolours that illustrated William Pember Reeves' book, New Zealand. He also contributed work to Frank Fox's Oceania.
Wright became a leading exponent in the depiction of Māori life and culture. His subject matter was diverse, ranging from everyday scenes of women washing clothes in hot pools and harvesting crops to large social gatherings. His work A Native Gathering received significant praise at the Auckland Society of Arts' 1910 annual exhibition. Other notable works include The Canoe Builders, a collaboration with his brother Frank, and The Burning of the Boyd, Whangaroa Harbour, 1809, which was acclaimed as the finest picture at the 1908 exhibition.
In his later years, Wright's output was impacted by failing eyesight, leading him to cease teaching. Following the death of his brother Frank in 1923, he became somewhat reclusive. He died in Auckland, leaving behind a legacy of works held in significant collections, including the Auckland Art Gallery Toi o Tāmaki.