Twelve Views of Landscape (Shan-shui shih-erh-ching) najpoznatije je djelo umjetnika Xia Gui, koje se nalazi u muzeju Nelson-Atkins Museum of Art u gradu Kansas City. Od 2 djela umjetnika Xia Gui u našem katalogu, izdvajamo ovih 2 koja su najtraženija među kolekcionarima i posjetiteljima muzeja, uz godinu nastanka, naziv muzeja i priču o svakom od njih.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026. Svako remek-dielo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejske kvalitete ili kao umjetnička štampa, u dimenzijama koje odaberete.
2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Xia Gui | Slike iz ovog popisa |
|---|---|---|---|
 Nelson-Atkins Museum of Art |
Kansas City | 1 | Twelve Views of Landscape (Shan-shui shih-erh-ching) |
 National Palace Museum |
Taipei | 1 | Pure and Remote View of Streams and Mountains |
Twelve Views of Landscape (Shan-shui shih-erh-ching)
Naš katalog sadrži 2 djela umjetnika Xia Gui.
Većina njih se nalazi u Nelson-Atkins Museum of Art (Kansas City) i National Palace Museum (Taipei). Gornja tablica navodi muzeje jedan po jedan.
Da. Svako djelo na ovoj stranici možete naručiti kao ručno oslikano ulje na platnu muzejske kvalitete ili kao umjetničku tisku, u odabranoj veličini, izravno sa stranice samog djela.
Xia Gui was a Chinese landscape painter of the Song dynasty, most likely born in Hangzhou, People's Republic of China. Alongside his contemporary Ma Yuan, he founded the influential Ma-Xia school. While much of his life remains unknown, he served in the Imperial Painting Academy during the reign of Emperor Ningzong. His artistic approach was characterized by a move away from highly detailed, complex compositions toward a more immediate and striking effect, often utilizing limited materials to achieve this impact.
His technical mastery is evident in his use of extremely subtle, graded ink washes and overlapping brushstrokes to create atmospheric effects of mist, sky, and infinity. He was noted for his ability to work with great ease and speed, often producing spontaneous creations on paper that absorbed ink quickly. Furthermore, Xia Gui was praised for his skill in drawing architecture freehand without the use of a ruler.
The surviving works of Xia Gui include various genres, such as small album leaves and hand scrolls. His technique often featured perfectly balanced diagonal compositions where void and solid mass played equally important roles. Notable examples of his work include:
His influence extended far beyond his own era, impacting the Japanese master Sesshū Tōyō, who was influenced by Xia's idiom and made studies of his landscape fans.