Najpoznatije djelo umjetnika Pierre Roy je Composition with Weights and Measures (1932), koje se nalazi u muzeju Izraelski muzej, u gradu Jeruzalem. Uz Still Life (1938) i Invitation to the Voyage (Invitation au voyage) (1929), to su tri djela koja svi prepoznaju. Naš katalog sadrži 3 djela umjetnika Pierre Roy; ovih 3 ispod su djela koja svijet najčešće posjećuje, a svako od njih navodi godinu nastanka, muzej u kojem se nalazi i razlog njegovog značaja.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026. Svako remek-dielo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejske kvalitete ili kao umjetnička štampa, u dimenzijama koje odaberete.
2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Pierre Roy | Slike iz ovog popisa |
|---|---|---|---|
 Izraelski muzej |
Jeruzalem | 2 | Composition with Weights and Measures, Invitation to the Voyage (Invitation au voyage) |
 Art Institute of Chicago |
Chicago | 1 | Still Life |
Pierre Roy je stvarao umjetnost tek 10 godina, od 1929 do 1938: pratite to razdoblje godinu po godinu, kroz djela koja su mu donijela ime.
Composition with Weights and Measures (1932), Izraelski muzej, Jeruzalem. Sljedeći su Still Life (1938) i Invitation to the Voyage (Invitation au voyage) (1929).
52 godina: Composition with Weights and Measures datira iz 1932, a Pierre Roy je rođen/a 1880.
Naš katalog sadrži 3 djela umjetnika Pierre Roy, datiranih od 1929 do 1938.
Većina njih se nalazi u Izraelski muzej (Jeruzalem) i Art Institute of Chicago (Chicago). Gornja tablica navodi muzeje jedan po jedan.
Najstarije djelo na ovoj stranici je iz Invitation to the Voyage (Invitation au voyage) (1929), a najnovije iz Still Life (1938).
Surrealism, kao što pokazuju slike na ovoj stranici.
Composition with Weights and Measures i Invitation to the Voyage (Invitation au voyage) su među 2 djela na ovoj stranici koja se nalaze u muzeju Izraelski muzej, Jeruzalem.
Da. Svako djelo na ovoj stranici možete naručiti kao ručno oslikano ulje na platnu muzejske kvalitete ili kao umjetničku tisku, u odabranoj veličini, izravno sa stranice samog djela.
Born in 1880, Pierre Roy was a French surrealist painter. He was the eldest of four children, born to the secretary of the management board of the Musée d'Arts de Nantes, and his siblings were all amateur painters. After obtaining his baccalauréat at a local school, he worked for a firm of architects before enrolling at the Ecole des Beaux-Arts in Paris. Following a period of disappointment with his studies, he left to work on designs for the 1900 Paris Exposition. In 1905, he committed himself to painting, beginning his exhibition history in 1906 at the Salon of the Société Nationale des Beaux-Arts (SNBA).
Roy's career saw him exhibiting with the Société des Artistes Indépendants in 1907, 1908, 1913, and 1914. A significant moment in his career occurred in 1925 when he participated in the first exhibition of surrealist painters alongside figures such as Giorgio de Chirico, Max Ernst, and Pablo Picasso. He held his first solo exhibition in 1926 and was appointed as a naval artist for a five-year term in 1933. Beyond his canvas work, he created stage sets, advertising posters, and several covers for Vogue magazine.
Roy is recognized for his surrealist compositions, characterized by the realistic painting of ordinary objects. His works often feature items such as:
These objects are arranged in unexpected ways within his compositions. His work has been displayed in various international locations, including New York, London, and Hawaii. Notable pieces held in public collections include Danger dans l'escalier (Danger on the stairs) and L'Heure d'été (Daylight Saving Time) at the Museum of Modern Art in New York, and A Naturalist's Study at the Tate Modern in London. Other works reside in the Art Institute of Chicago, the Philadelphia Museum of Art, and the Musée des Beaux-arts in Nantes.