Cliff Rowe, 1904 – 1988

Slike autora Cliff Rowe: Najpoznatija 77 djela, rangirana

Najpoznatije djelo umjetnika Cliff Rowe je Chemist. Uz Casting i The Fried Fish Shop (1936), to su tri djela koja svi prepoznaju. Naš katalog sadrži 77 djela umjetnika Cliff Rowe; ovih 77 ispod su djela koja svijet najčešće posjećuje, a svako od njih navodi godinu nastanka, muzej u kojem se nalazi i razlog njegovog značaja.

Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026.

Portret Cliff Rowe
Cliff Rowe · 1904 – 1988
Rođen · umro
1904 – 1988
Pokret
Cubism
Djela u našem katalogu
77
Najpoznatije
Chemist
Najviše djela u
New Walk Museum - Art Gallery

10 najpoznatijih djela umjetnika Cliff Rowe

Cliff Rowe, slike od 11 do 77

Woman with Birdcage in Window (1931) od Cliff Rowe
#76

Woman with Birdcage in Window

1931

The People's History Museum (United Kingdom) is home to a stunning oil painting titled by Cliff Rowe, created in 1931. This captivating artwork measures 61 x 91 cm…

Cleaning Gas Retorts, St Pancras (1942) od Cliff Rowe
#77

Cleaning Gas Retorts, St Pancras

1942

The painting Cleaning Gas Retorts, St Pancras is a remarkable artwork created by Cliff Rowe in 1942. This oil on canvas piece measures 46 x 91 cm and…

Motivi koje je Cliff Rowe najčešće slikao

Četiri teme koje se najčešće pojavljuju među ovim remek-djelima, uz najbolji primjer svake od njih.

Gdje vidjeti slike umjetnika Cliff Rowe

2 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Cliff Rowe Slike iz ovog popisa
New Walk Museum - Art Gallery, LeicesterNew Walk Museum - Art Gallery Leicester 1 The Fried Fish Shop
Herbert Art Gallery - Museum, CoventryHerbert Art Gallery - Museum Coventry 1 Woman with a Shopping Bag

Najpoznatija djela umjetnika Cliff Rowe po godinama

Od 1931 do 1945, karijera umjetnika Cliff Rowe traje 15 godina, nešto više od deset godina: evo pregleda godinu po godinu, uz najpoznatija djela svake godine.

  1. 1931
  2. 1931
  3. 1931
  4. 1931
    Woman with Birdcage in Window (1931) od Cliff Rowe
    76. od 77

    Woman with Birdcage in Window

    Godine 27

    The People's History Museum (United Kingdom) is home to a stunning oil painting titled by Cliff Rowe, created in 1931. This captivating artwork measures 61 x 91 cm…

  5. 1936
  6. 1937
  7. 1937
  8. 1942
    Cleaning Gas Retorts, St Pancras (1942) od Cliff Rowe
    #77 od 77

    Cleaning Gas Retorts, St Pancras

    Godine 38

    The painting Cleaning Gas Retorts, St Pancras is a remarkable artwork created by Cliff Rowe in 1942. This oil on canvas piece measures 46 x 91 cm and…

  9. 1945

Pitanja o slikama umjetnika Cliff Rowe

Koje je najpoznatije djelo umjetnika Cliff Rowe?Prikaži odgovor

Chemist. Zatim slijede Casting i The Fried Fish Shop (1936).

Koja su 10 najboljih slika umjetnika Cliff Rowe?Prikaži odgovor

Chemist, Casting, The Fried Fish Shop, Woman with a Shopping Bag, Electrical Engineer, Industrial Plant, Three Men Building Frame, Plating Bicycle Frames, Man Shaping a Bottle i Man Drawing Out Molten Glass. Gornji popis prikazuje godinu i muzej za svako od njih.

Koliko je slika stvorio/la Cliff Rowe?Prikaži odgovor

Naš katalog sadrži 77 djela umjetnika Cliff Rowe, datiranih od 1931 do 1945.

Gdje se nalaze najpoznatija djela umjetnika Cliff Rowe?Prikaži odgovor

Većina njih se nalazi u New Walk Museum - Art Gallery (Leicester) i Herbert Art Gallery - Museum (Coventry). Gornja tablica navodi muzeje jedan po jedan.

Kada je Cliff Rowe naslikao svoja najpoznatija djela?Prikaži odgovor

U razdoblju 1931: 4 od ukupno 77 djela na ovoj stranici datira iz tog vremena, među kojima je i Street Scene Kentish Town.

Koja su najranija i najnovija poznata djela Cliff Rowe?Prikaži odgovor

Najstarije djelo na ovoj stranici je iz Street Scene Kentish Town (1931), a najnovije iz St Pancras, Cleaning Yard (1945).

Što je Cliff Rowe najčešće slikao?Prikaži odgovor

Social commentary (4), London life (3) i Abstract figures (2), od ukupno 77 djela na ovoj stranici.

Kojem umjetničkom pravcu pripada Cliff Rowe?Prikaži odgovor

Cubism, kao što pokazuju slike na ovoj stranici.

O Cliff Rowe

The Visionary of the Working Class: The Life and Legacy of Cliff Rowe

Born in the heart of Wimbledon, South London, to working-class parents, Clifford Rowe’s life was a profound tapestry woven from threads of social conviction and artistic mastery. His early years were defined by a dual education: the formal training at the Wimbledon School of Art and the Royal College of Art, which sharpened his technical draughtsmanship, and the raw, lived experience of London’s streets, which forged his political soul. This unique intersection of modernist experimentation and Marxist ideology would become the hallmark of his career, allowing him to bridge the gap between avant-garde aesthetics and the urgent realities of the common man.

The 1920s served as a crucible for Rowe’s developing worldview. As he navigated the turbulent economic landscapes marked by hunger marches and the global tremors of the Wall Street Crash, his art began to find its political voice. A pivotal moment occurred in 1930 when he traveled to the Soviet Union. Staying for eighteen months, Rowe immersed himself in a society that viewed art as a vital instrument of the state and the people. While he eventually returned to England, driven by the realization that the class struggle was equally potent on home soil, his time abroad left an indelible mark on his technique, introducing him to a sense of scale and purpose that would define his later compositions.

A Canvas of Social Transformation

Rowe’s artistic output was never merely decorative; it was deeply communicative. As a founding member of the Artists International Association (AIA) in 1933, he championed the idea that art should be accessible to the masses rather than sequestered in elite galleries. His work often blended the sharp, angular influences of Cubism with a gritty, grounded realism—a style some have described as a meeting point between Socialist Realism and New Realism. Whether through his evocative oil paintings or his prolific work as an illustrator, Rowe sought to capture the dignity of labor without falling into the trap of sentimentalism.

His versatility allowed him to move seamlessly between different mediums and commissions:

  • Illustrative Mastery: He produced striking dust jacket designs for books and worked extensively on political publications, using imagery to disseminate progressive ideals.
  • Public Commemorations: His talent was recognized on a national stage through his promotional commissions for the Attlee Labour government and his contributions to the iconic 1951 Festival of Britain.
  • Graphic Activism: Through the AIA, he designed posters, banners, and placards that became the visual language of contemporary social demonstrations and trade union movements.

Symbolism and the Human Condition

In his more introspective works, Rowe explored the psychological weight of modernity. Paintings such as Man and Microscope utilize Cubist-influenced forms to examine the detachment between humanity and advancing technology, using muted tones to evoke a sense of clinical isolation. Similarly, Operating Theatre Nurse presents an unsettling, geometric depiction of clinical detachment, showcasing his ability to use abstraction to convey profound emotional states. Even in his more representational scenes of London life—from the bustling atmosphere of fish shops to the industrial grit of factories—there is an underlying tension, a careful balance between the physical reality of the subject and the symbolic weight of their social position.

The historical significance of Cliff Rowe lies in his refusal to separate the artist from the citizen. His legacy is preserved not only in the prestigious collections of the Tate and The People’s History Museum but also in the very fabric of British social history. He remains a vital figure for those studying the intersection of art and politics, reminding us that the brush can be as powerful a tool for change as any political manifesto. Through his eyes, we see a London that is both a place of struggle and a landscape of immense, quiet beauty.

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