Ben Nicholson, 1894 – 1982

100 najpoznatijih djela Ben Nicholson

Slika koja je proslavila Ben Nicholson je 1946 (cerulean abstraction) (1946); nalazi se u muzeju Pallant House Gallery, Chichester. 1933 (St Rémy self portrait with Barbara Hepworth) (1933) i 1934 (painted relief) (1934) slijede nakon njih u srcima kolekcionara i posjetitelja muzeja. Od 127 djela umjetnika Ben Nicholson u našem katalogu, ovih 100 najcenjenijih, a svako je predstavljeno s datumom nastanka, muzejom i onim što ga izdvaja.

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Portret Ben Nicholson
Ben Nicholson · 1894 – 1982
Rođen · umro
1894 – 1982, Buckinghamshire (grofovija)
Pokret
Cubism
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127
Najpoznatije
1946 (cerulean abstraction) (1946)
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Kettle's Yard

Ben Nicholson: deset remek-diela

1946 (cerulean abstraction) (1946) od Ben Nicholson
1

1946 (cerulean abstraction)

1946 · Acrylic On Canvas · Pallant House Gallery, Chichester

Ben Nicholson OM’s “1946,” a cerulean abstraction housed at Pallant House Gallery, stands as a testament to the burgeoning modernist movement and Nicholson's singular vision for capturing emotion through geometric form. Painted in 1946 amidst the postwar landscape of Britain—a period marked by rebuilding efforts and a fervent embrace of experimental artistic approaches—the canvas embodies a profound stillness punctuated by dynamic interplay between color and shape.

1934 (painted relief) (1934) od Ben Nicholson
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1934 (painted relief)

1934 · Acrylic On Canvas · University of Hertfordshire, North Hatley

Exploring Geometric Minimalism: Ben Nicholson’s ‘1934 (relief)’ Ben Nicholson OM's '1934 (relief)' stands as a testament to the understated elegance of geometric abstraction, embodying the spirit of mid-century modern design and inviting contemplation on form and texture. Created in 1934, this mahogany painted relief exemplifies Nicholson’s pioneering exploration of spatial relationships within simplified shapes—a deliberate departure from representational art that sought to capture the essence of experience rather than visual…

1932–33 (musical instruments) (1933) od Ben Nicholson
7

1932–33 (musical instruments)

1933 · Oil On Canvas · Kettle's Yard, Cambridge

A violin and a cello emerge from a quiet, gray landscape. They are not drawn with the soft curves of a musician's hand, but through the sharp, disciplined language of geometric abstraction. In this 1933 oil on canvas, the instruments lose their wooden warmth to become a series of intersecting planes and incised lines. The composition relies on a muted palette, where shades of gray dictate the mood, creating a…

Još Ben Nicholson remek-dla, od 11 do 100

May 1956 (hendrifter) (1956) od Ben Nicholson
#12

May 1956 (hendrifter)

1956 · Arts Council Collection

To stand before Ben Nicholson’s May 1956 (hendrifter) is to encounter a moment of profound, almost crystalline stillness. This work does not shout its presence; rather, it invites…

c.1922 (Balearic Islands) (1924) od Ben Nicholson
#13

c.1922 (Balearic Islands)

1924 · Kettle's Yard

Ben Nicholson's "c.1922 (Balearic Islands)" isn’t merely a painting; it’s a distilled moment of introspection, captured with the quiet intensity characteristic of the artist’s mature style. Painted in…

1927 (Winifred and Jake) (1928) od Ben Nicholson
#14

1927 (Winifred and Jake)

1928 · Pallant House Gallery

The artwork titled 1927 (Winifred and Jake) is a painting by the artist Ben Nicholson. Completed in 1927, this work functions as a portrait of Winifred and Jake…

1938 (1938) od Ben Nicholson
#15

1938

1938 · National Gallery of Victoria

is an oil on canvas work by the British artist Ben Nicholson. Created in 1938, the piece marks a significant period in the artist's career, coinciding with a…

1930 (Christmas night) (1930) od Ben Nicholson
#16

1930 (Christmas night)

1930 · Kettle's Yard

The painting 1930 (Christmas night) is a work by Ben Nicholson OM. Created in 1930, the piece captures a quiet domestic scene through a lens of geometric simplicity.…

1925 (zemljopis) (1925) od Ben Nicholson
#17

1925 (zemljopis)

1925 · Pallant House Gallery

Ben Nicholson OM (1894-1982) stands as a monumental figure in British Modernism, celebrated for his pioneering exploration of abstraction and his profound engagement with the materiality of art.…

1925 (jar and goblet) (1925) od Ben Nicholson
#19

1925 (jar and goblet)

1925 · Kettle's Yard

Ben Nicholson OM's "Jar and Goblet," created in 1925, stands as a cornerstone of British Modernism—a deceptively simple painting that belies its profound exploration of form, color, and…

1944–5 (painted relief) (1945) od Ben Nicholson
#22

1944–5 (painted relief)

1945 · The Pier Arts Centre

In the quiet, profound stillness of Ben Nicholson’s 1944–5, one encounters more than just an arrangement of shapes; one enters a meticulously constructed universe of balance and light.…

Exhibition Sign (1933) od Ben Nicholson
#74

Exhibition Sign

1933 · Kettle's Yard

The Quiet Geometry of “Exhibition Sign” Ben Nicholson’s “Exhibition Sign,” painted in 1933, isn't merely a sign; it’s a distilled meditation on form, color, and the very act…

1933 (design) (1933) od Ben Nicholson
#89

1933 (design)

1933 · Laing Art Gallery

In the quiet evolution of British modernism, few works capture the playful intersection of geometry and organic life as poignantly as Ben Nicholson OM’s 1933 design. This captivating…

1945 (still life with flag) (1945) od Ben Nicholson
#90

1945 (still life with flag)

1945 · The Ashmolean Museum of Art and Archaeology

In the quiet aftermath of global upheaval, Ben Nicholson OM captured a moment of profound structural stillness in his 1945 masterpiece, 1945 (still life with flag). This evocative…

1928 (foothills, Cumberland) (1928) od Ben Nicholson
#91

1928 (foothills, Cumberland)

1928

In the quiet, evocative landscape of 1928 (foothills, Cumberland), we encounter a moment frozen in time, captured by the masterful hand of Ben Nicholson. This oil on canvas…

1932 (Talc de Coty) (1932) od Ben Nicholson
#92

1932 (Talc de Coty)

1932 · The Pier Arts Centre

In the evocative realm of British Modernism, few works capture the experimental spirit of the early twentieth century as tangibly as Ben Nicholson’s 1932 (Talc de Coty). This…

c.1930 (framed lid) (1930) od Ben Nicholson
#93

c.1930 (framed lid)

1930 · Pallant House Gallery

The artwork "c.1930 (framed lid)" by Ben Nicholson Om is a captivating piece that showcases the artist's unique style and technique. Created in 1930, this pen drawing measures…

November 3 1950 (still life winter) (1950) od Ben Nicholson
#94

November 3 1950 (still life winter)

1950 · The Phillips Collection

We are looking at November 3 1950 (still life winter), a work created by Ben Nicholson in 1950. This piece belongs to the collection of the Phillips Collection,…

March 1949 (Trencrom) (1949) od Ben Nicholson
#95

March 1949 (Trencrom)

1949 · British Council Collection

In the vast landscape of twentieth-century abstraction, few works capture the delicate equilibrium between structure and spontaneity as masterfully as Ben Nicholson’s March 1949 (Trencrom). This commanding piece…

c.1928 (Cumbrian landscape) (1928) od Ben Nicholson
#96

c.1928 (Cumbrian landscape)

1928 · Kettle's Yard

Ben Nicholson’s “Cumbrian Landscape (No. 2),” painted in 1928, isn't merely a depiction of a rural scene; it’s an invitation to pause and contemplate the quiet beauty of…

August 1956 (Val d'Orcia) (1956) od Ben Nicholson
#97

August 1956 (Val d'Orcia)

1956 · Tate Modern

Ben Nicholson’s “August 1956 (Val d’Orcia)” isn't merely a depiction of a Tuscan hillside; it’s an invitation to contemplate the very nature of perception and memory. Painted in…

1946 (window in Cornwall) (1946) od Ben Nicholson
#98

1946 (window in Cornwall)

1946 · The Whitworth

Ben Nicholson’s “1946 (Window in Cornwall)” isn't merely a depiction of a landscape; it’s an invitation to contemplate the very essence of perception. Created in 1946, this remarkable…

date unknown (king III) od Ben Nicholson
#99

date unknown (king III)

Pallant House Gallery

In the intimate dimensions of this captivating work, titled date unknown (king III), we are invited into a world that feels both profoundly personal and grandly mythic. At…

1926 (still life with fruit – version 2) (1926) od Ben Nicholson
#100

1926 (still life with fruit – version 2)

1926 · British Council Collection

Ben Nicholson's "1926 (Still Life with Fruit – Version 2)" isn’t merely a depiction of apples and oranges; it’s a carefully constructed meditation on form, stillness, and the…

Slike umjetnika Ben Nicholson prema razdoblju

Motivi koje je Ben Nicholson najčešće slikao

Četiri teme koje se najčešće pojavljuju među ovim remek-djelima, uz najbolji primjer svake od njih.

Gdje vidjeti slike umjetnika Ben Nicholson

8 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Ben Nicholson Slike iz ovog popisa
Kettle's Yard, CambridgeKettle's Yard Cambridge 17 1932–33 (musical instruments), c.1922 (Balearic Islands), 1930 (Christmas night)
The Pier Arts Centre, StromnessThe Pier Arts Centre Stromness 9 1944–5 (painted relief), 1929 (fireworks), 1935 (painting)
Pallant House Gallery, ChichesterPallant House Gallery Chichester 8 1946 (cerulean abstraction), 1927 (Winifred and Jake), 1925 (zemljopis)
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 5 December 13-17 1947 (Trendine 2), March 17 1950 (still life), February 1955 (talisman)
British Council Collection, LondonBritish Council Collection London 4 March 1949 (Trencrom), 1926 (still life with fruit – version 2)
Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 3 1932 (crowned head the queen), 1930–1936 (composition still life)
Dudmaston HallDudmaston Hall 2 Composition, Four Squares, Two Circles
Arts Council Collection, LondonArts Council Collection London 3 May 1956 (hendrifter)

Ben Nicholson, desetljeće po desetljeće: kultno djelo svakog od njih

  1. 1910s
  2. 1920s
  3. 1930s
  4. 1940s
    1946 (cerulean abstraction) (1946) od Ben Nicholson
    1. od 100

    1946 (cerulean abstraction)

    Godine 46 – 55 · Pallant House Gallery

    Ben Nicholson OM’s “1946,” a cerulean abstraction housed at Pallant House Gallery, stands as a testament to the burgeoning modernist movement and Nicholson's singular vision for capturing emotion…

  5. 1950s
    May 1956 (hendrifter) (1956) od Ben Nicholson
    #12 od 100

    May 1956 (hendrifter)

    Godine 56 – 65 · Arts Council Collection

    To stand before Ben Nicholson’s May 1956 (hendrifter) is to encounter a moment of profound, almost crystalline stillness. This work does not shout its presence; rather, it invites…

  6. 1960s

Remek-djela umjetnika Ben Nicholson: pitanja i odgovori

Po kojem je slikarstvu Ben Nicholson najpoznatiji/a?Prikaži odgovor

1946 (cerulean abstraction) (1946), Pallant House Gallery, Chichester. Sljedeći su 1933 (St Rémy self portrait with Barbara Hepworth) (1933) i 1934 (painted relief) (1934).

Koliko je godina Ben Nicholson imao/la kada je slikao/la 1946 (cerulean abstraction)?Prikaži odgovor

52 godina: 1946 (cerulean abstraction) datira iz 1946, a Ben Nicholson je rođen/a 1894.

Koja su deset najznačajnijih djela umjetnika Ben Nicholson?Prikaži odgovor

1946 (cerulean abstraction), 1933 (St Rémy self portrait with Barbara Hepworth), 1934 (painted relief), 1928 (Walton Wood cottage no.1), 1948 (still life), 1924 (first abstract painting, Chelsea), 1932–33 (musical instruments), 1932 (Au Chat Botté), Jan 27 1933 i 1932 (Auberge de la Sole Dieppoise). Gornji popis prikazuje godinu i muzej za svako od njih.

Koliko je djela naslikao Ben Nicholson?Prikaži odgovor

Naš katalog sadrži 127 djela umjetnika Ben Nicholson, datiranih od 1914 do 1969.

U kojim muzejima mogu vidjeti remek-djela umjetnika Ben Nicholson?Prikaži odgovor

Većina njih se nalazi u Kettle's Yard (Cambridge), The Pier Arts Centre (Stromness) i Pallant House Gallery (Chichester). Gornja tablica navodi muzeje jedan po jedan.

Kada je Ben Nicholson naslikao svoja remek-djela?Prikaži odgovor

U razdoblju 1930s: 40 od ukupno 100 djela na ovoj stranici datira iz tog vremena, među kojima je i 1933 (St Rémy self portrait with Barbara Hepworth).

Koja su prva i posljednja poznata djelo Ben Nicholson?Prikaži odgovor

Najstarije djelo na ovoj stranici je iz 1914 (the striped jug) (1914), a najnovije iz 1969 (Holkham Sands No. 1) (1969).

Koji su bili omiljeni motivi Ben Nicholson?Prikaži odgovor

Geometric shapes (10), Geometric (7) i British art (6), od ukupno 100 djela na ovoj stranici.

Koju je tehniku preferirao/la Ben Nicholson?Prikaži odgovor

Oil On Canvas: 14 od ukupno 100 djela na ovoj stranici.

Koji umjetnički pravac zastupa Ben Nicholson?Prikaži odgovor

Cubism, kao što pokazuju slike na ovoj stranici.

Koja se remek-djela Ben Nicholson nalaze u muzeju Kettle's Yard?Prikaži odgovor

1932–33 (musical instruments), c.1922 (Balearic Islands) i 1930 (Christmas night) su među 9 djela na ovoj stranici koja se nalaze u muzeju Kettle's Yard, Cambridge.

Život umjetnika Ben Nicholson

Ben Nicholson OM: Život u apstraktnoj umjetnosti

  • Rođen: 10. travnja 1894., Denham, Buckinghamshire, Ujedinjeno Kraljevstvo
  • Preminuo: 6. veljače 1982., London, Ujedinjeno Kraljevstvo

Rano djetinjstvo i umjetničko obrazovanje

  • Ben Nicholson je rođen u umjetničkoj obitelji; njegov otac, Sir William Nicholson, i majka, Mabel Pryde, bili su vrsni slikari. Takvo okruženje potaknulo je duboko uvažavanje prema umjetnosti od najranijih godina.
  • Svoje rano obrazovanje stekao je u školama Tyttenhangar Lodge Preparatory School, Seaford, Heddon Court, Hampstead te Gresham's School u Holt, Norfolk.
  • Nicholson je formalno studirao na Slade School of Fine Art (1910.-1911.), gdje je bio suvremenik istaknutih umjetnika poput Paula Nasha, Stanleyja Spencera, Marka Gertlera i Edwarda Wadswortha. Prema anegdotama, tijekom tog razdoblja provodio je značajno vrijeme igrajući bilijar, pronalazeći estetsku privlačnost u geometriji i pokretu te igre.

Umjetnički razvoj i utjecaji

  • Rana djela: Nicholsonovi početni umjetnički poduzimaji uključivali su naturalističke mrtve prirode, pod utjecajem stilom njegovog oca.
  • utjecaj Kubistički utjecaj: Oko 1926. godine počeo je istraživati apstrakciju, pod snažnim utjecajem sintetičkog kubizma i rada Pabla Picassa.
  • Neoplasticizam i primitivni stil: Susret s Pietom Mondrianom uveo ga je u neoplasticizam, dok je susret s Henrijem Rousseauom probudio interes za primitivni stil. Ovi su utjecaji značajno oblikovali njegov umjetnički smjer.
  • Ključni pokreti: Nicholson se uključio u nekoliko važnih umjetničkih pokreta tog vremena, uključujući Seven and Five Society (čije je bio predsjednik), Unit One i Abstraction-Création.

Glavna djela i umjetnički stil

  • Reljefi: Nicholson je posebno poznat po svojim apstraktnim reljefima, koji započinju 1933. godine. Ova djela kombinirala su slikarstvo s elementima kiparstva, stvarajući jedinstveno vizualno iskustvo. Bijeli reljefi iz sredine 1930-ih smatraju se jednim od njegovih najznačajnijih postignuća.
  • Mrtve prirode i pejzaži: Iako je poznat po apstrakciji, Nicholson je stvarao i upečatljive mrtve prirode i pejzaže, često uključujući geometrijske oblike i prigušene boje.
  • Nicholsonov zid: Značajno javno djelo je "Nicholson Wall", mural stvoren za vrt Sutton Place u Guildfordu, Surrey, koji demonstrira njegovo vjerovanje da bi apstraktna umjetnost trebala biti dostupna široj publici.
  • Materijali i tehnike: Eksperimentirao je s raznim materijalima i tehnikama, uključujući uljanu boju, olovku, šljunak i masonite, često ih kombinirajući na inovativne načine.

Naslijeđe i povijesna važnost

  • Moderna britanska umjetnost: Ben Nicholson priznat je kao ključna figura u modernoj britanskoj umjetnosti, dajući značajan doprinos razvoju apstrakcije i reljefne skulpture.
  • Međunarodno priznanje: Njegov rad stekao je svjetsku slavu, s izložbama na prestižnim mjestima poput Venecijanskog bienala i retrospektivama u glavnim muzejima širom svijeta. Primio je brojne nagrade, uključujući Order of Merit 1968. godine.
  • Aukcijski rekordi: Nicholsonove slike postižu visoke cijene na aukcijama, što odražava njihovu umjetničku vrijednost i povijesnu važnost. Na primjer, djelo "Sept 53 (Balearic)" prodato je za 1.650.500 USD u Christie's New Yorku 2011., dok je „Fiddle and Spanish Guitar” donio 3.313.000 € u Christie’s Parizu 2012. godine.
  • Utjecaj na umjetnike koji su uslijedili: Nicholsonov inovativni pristup apstrakciji te njegovo istraživanje forme i prostora utjecali su na generacije umjetnika.

Sva 127 djela umjetnika Ben Nicholson →