Ary Scheffer, 1795 – 1858

Ary Scheffer Paintings: The 100 Most Famous Works, Ranked

Ary Scheffer's most famous painting is Marquis De Lafayette (1822), in the National Portrait Gallery, Washington, D.C.. With Portrait of the king Louis-Philippe (1835) and Princess Marie of Orléans (1813–1839) (1837), it completes the three works everyone recognises. Our catalogue lists 227 works by Ary Scheffer; the 100 below are the ones the world looks at most, each with its year, the museum that holds it and why it matters.

Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.

Portret Ary Scheffer
Ary Scheffer · 1795 – 1858
Rođen · umro
1795 – 1858, Dordrecht
Pokret
Romanticism
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Marquis De Lafayette (1822)
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Dordrechts Museum

The 10 most famous Ary Scheffer paintings

Marquis De Lafayette (1822) od Ary Scheffer
1

Marquis De Lafayette

1822 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

The Marquis De Lafayette gazes out from the canvas, his presence fixed in a moment of quiet dignity. Ary Scheffer captures the man in this 1822 oil on canvas, presenting a likeness that feels immediate and alive. The subject appears with a sense of composed authority, his features rendered with a precision that suggests a deep familiarity with his character. Every brushstroke contributes to a sense of weight and substance…

Portrait of the king Louis-Philippe (1835) od Ary Scheffer
2

Portrait of the king Louis-Philippe

1835 · Oil On Canvas · Musée Condé, Chantilly

A single light source strikes the subject from the upper left, carving a profile out of the surrounding gloom. King Louis-Philippe sits in a quiet, heavy stillness. The light catches the stark white of his cravat, a sharp contrast against the deep, ink-like shadows of his coat. His gaze is fixed toward the left, directed at something unseen beyond the frame. There is a gravity in his expression, a stillness…

Princess Marie of Orléans (1813–1839) (1837) od Ary Scheffer
3

Princess Marie of Orléans (1813–1839)

1837 · Oil On Canvas · Musée Condé, Chantilly

The portrait presents Princess Marie of Orléans in a three-quarter view, her gaze directed toward the right of the frame. A soft, directional light enters from the upper left, defining the contours of her face and the delicate texture of her skin. She is dressed in a light grey gown, the fabric rendered with fluid, heavy folds that suggest both weight and movement. The composition is vertical and intimate, set…

The Death of Saint Louis (1817) od Ary Scheffer
5

The Death of Saint Louis

1817 · Oil On Canvas · Los Angeles County Museum of Art, Los Angeles

In this work, titled The Death of Saint Louis, the artist Ary Scheffer captures a profound moment of historical and religious significance. Painted about 1817, the canvas depicts the final moments of the French King Saint Louis IX, who lived from 1214 to 1270. The scene is set within a tent on the Libyan coast, a location chosen to reflect the circumstances of the King's passing during the later stages…

A Shepherd (1840) od Ary Scheffer
6

A Shepherd

1840 · Oil On Canvas · Museum Boijmans Van Beuningen, Rotterdam

A weathered man emerges from a heavy, espresso-toned darkness, his face turned upward toward an unseen light. This is a shepherd, though the title feels more like a state of being than a mere occupation. His skin, etched by years of sun and wind, catches a dramatic glow that carves out the rugged contours of his forehead and cheekbone. A grey beard clings to a jawline set in an expression…

Portrait of Zygmunt Krasiński. (1850) od Ary Scheffer
7

Portrait of Zygmunt Krasiński.

1850 · Oil On Canvas · Narodni muzej u Varšavi, Varšava

This oil portrait, executed in 1850, presents a man in a three-quarter view, positioned slightly off-center and facing toward the right. The subject is rendered with a focus on the facial features, which are illuminated by a directional light source originating from the upper left. This lighting creates a chiaroscuro effect, casting soft shadows across the right side of the face and neck to establish three-dimensional volume. The subject wears…

Count Eberhard of Württemberg Mourns next to the Body of his Son (1853) od Ary Scheffer
8

Count Eberhard of Württemberg Mourns next to the Body of his Son

1853 · Oil On Canvas · Museum Boijmans Van Beuningen, Rotterdam

This oil on canvas, titled Count Eberhard of Württemberg Mourns next to the Body of his Son, is a significant work by the Dutch-French painter Ary Scheffer. The painting captures a profound historical subject, rendered with the specific emotional weight characteristic of the artist's hand. It was originally presented to the public at the Salon de 1834 in Paris, marking its early recognition within the French art scene.

Portrait of Queen Mary Amélie (1857) od Ary Scheffer
10

Portrait of Queen Mary Amélie

1857 · Oil On Canvas · Musée Condé, Chantilly

The Portrait of Queen Mary Amélie emerges from the shadows of history, a formal and dignified oil on canvas rendered by the hand of Ary Scheffer. Created in 1857, this work captures a moment of quiet authority and poise. The subject of this portrait is Maria Amalia of Naples and Sicily, presented with a serene expression that suggests a deep, internal wisdom. She sits in a state of calm contemplation,…

Ary Scheffer, paintings 11 to 100

The subjects Ary Scheffer painted most

The four subjects that return most often among these masterpieces, with the finest example of each.

Where to see Ary Scheffer's paintings

8 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Ary Scheffer Slike iz ovog popisa
Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 105 Greek Combat (Nestor and Diomedes), Hannibal, to whom on a platter the head of Hasdrubal is brought, Head of an Old Man with Beret on Head
Musée de la Vie Romantique, ParisMusée de la Vie Romantique Paris 26 Project for a Triptych, The Storm, Presumed Portrait of Princess Marie d'Orléans
Musée Condé, ChantillyMusée Condé Chantilly 5 Portrait of the king Louis-Philippe, Princess Marie of Orléans (1813–1839), Portrait of the Prince de Talleyrand
Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 5 Mary Magdalene at the foot of the cross, Greek Exiles on a Rock, Staring at Their Lost Fatherland, Portrait of a Lady
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 4 A Shepherd, Count Eberhard of Württemberg Mourns next to the Body of his Son, Count Eberhard of Württemberg and his Son
Opera House, VersaillesOpera House Versailles 3 Georges Mouton, Count of Lobau, Alphonse de Lamartine (1790-1869), poet, François Arago (1786-1853), physicist
Wallace Collection, LondonWallace Collection London 4 The Return of the Prodigal Son, The Sister of Mercy
Petit Palais, ParizPetit Palais Pariz 3 Portrait of Madame Edouard Caillard, Saint Thomas Aquinas Preaching Trust in God During the Storm

Ary Scheffer's most famous painting of each decade

  1. 1800s
  2. 1810s
    The Death of Saint Louis (1817) od Ary Scheffer
    No. 5 of 100

    The Death of Saint Louis

    Godine 15 – 24 · Los Angeles County Museum of Art

    In this work, titled The Death of Saint Louis, the artist Ary Scheffer captures a profound moment of historical and religious significance. Painted about 1817, the canvas depicts…

  3. 1820s
    Marquis De Lafayette (1822) od Ary Scheffer
    No. 1 of 100

    Marquis De Lafayette

    Godine 25 – 34 · National Portrait Gallery

    The Marquis De Lafayette gazes out from the canvas, his presence fixed in a moment of quiet dignity. Ary Scheffer captures the man in this 1822 oil on…

  4. 1830s
    Portrait of the king Louis-Philippe (1835) od Ary Scheffer
    Rank 2 / 100

    Portrait of the king Louis-Philippe

    Godine 35 – 44 · Musée Condé

    A single light source strikes the subject from the upper left, carving a profile out of the surrounding gloom. King Louis-Philippe sits in a quiet, heavy stillness. The…

  5. 1840s
    A Shepherd (1840) od Ary Scheffer
    Rank 6 / 100

    A Shepherd

    Godine 45 – 54 · Museum Boijmans Van Beuningen

    A weathered man emerges from a heavy, espresso-toned darkness, his face turned upward toward an unseen light. This is a shepherd, though the title feels more like a…

  6. 1850s
    Portrait of Zygmunt Krasiński. (1850) od Ary Scheffer
    No. 7 of 100

    Portrait of Zygmunt Krasiński.

    Godine 55 – 63 · Narodni muzej u Varšavi

    This oil portrait, executed in 1850, presents a man in a three-quarter view, positioned slightly off-center and facing toward the right. The subject is rendered with a focus…

Questions about Ary Scheffer's paintings

What is Ary Scheffer's most famous painting?Show the answer

Marquis De Lafayette (1822), National Portrait Gallery, Washington, D.C.. Next come Portrait of the king Louis-Philippe (1835) and Princess Marie of Orléans (1813–1839) (1837).

How old was Ary Scheffer when Marquis De Lafayette was painted?Show the answer

27 years old: Marquis De Lafayette dates from 1822 and Ary Scheffer was born in 1795.

What are the top 10 paintings by Ary Scheffer?Show the answer

Marquis De Lafayette, Portrait of the king Louis-Philippe, Princess Marie of Orléans (1813–1839), Portrait of the Prince de Talleyrand, The Death of Saint Louis, A Shepherd, Portrait of Zygmunt Krasiński., Count Eberhard of Württemberg Mourns next to the Body of his Son, Portrait of Madame Edouard Caillard i Portrait of Queen Mary Amélie. The ranking above gives the year and the museum of each.

How many paintings did Ary Scheffer make?Show the answer

Our catalogue lists 227 works by Ary Scheffer, dated from 1807 to 1857.

Where are Ary Scheffer's most famous paintings?Show the answer

Most of them are in Dordrechts Museum (Dordrecht), Musée de la Vie Romantique (Paris) i Musée Condé (Chantilly). The table above lists the museums one by one.

When did Ary Scheffer paint the most famous works?Show the answer

In 1830s: 35 of the 100 works on this page date from then, among them Portrait of the king Louis-Philippe.

What are Ary Scheffer's earliest and latest famous paintings?Show the answer

The earliest on this page is Head of an Old Man with Beret on Head (1807), the latest Portrait of Queen Mary Amélie (1857).

What did Ary Scheffer paint most often?Show the answer

Man (9), Portrait (4) i Dark background (4), among the 100 works on this page.

What medium did Ary Scheffer use most?Show the answer

Oil On Canvas: 12 of the 100 works on this page.

Which art movement does Ary Scheffer belong to?Show the answer

Romanticism, as the paintings on this page show.

Which Ary Scheffer paintings can I see at the Dordrechts Museum?Show the answer

Greek Combat (Nestor and Diomedes), Hannibal, to whom on a platter the head of Hasdrubal is brought i Head of an Old Man with Beret on Head are among the 46 works on this page held by the Dordrechts Museum, Dordrecht.

Can I buy a reproduction of a Ary Scheffer painting?Show the answer

Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.

About Ary Scheffer

Život koji spaja svjetove: Romantičarska vizija Aryja Scheffera

Ary Scheffer, ime možda manje odmah prepoznatljivo od nekih njegovih suvremenika poput Delacroixa ili Géricaulta, ipak zauzima značajno i fascinantno mjesto unutar krajolika europske umjetnosti 19. stoljeća. Rođen u Dordrechtu, u Nizozemskoj, 1795. godine, bio je lik duboko oblikovan kako holandskim umjetničkim tradicijama, tako i usincujućem pokretom romantizma koji se učvršćivao u Francuskoj. Njegova je priča priča o migraciji – ne samo geografskoj, od Holandije do Pariza s majkom nakon očeve smrti 1809. godine – već i umjetničkoj, kretanju između pedantnog detalja naslijeđenog od roditelja, koji su oboje bili slikari, i emocionalne intenzivnosti koja je definirala novu estetsku senzibilnost koja je preplavljivala Europu. Njegov otac, Johan Bernard Scheffer, bio je portretist, dok se njegova majka, Cornelia Lamme, specijalizirala za minijaturne portrete; to rano izlaganje ugradilo je u Aryja temeljno poštovanje prema tehničkoj vještini i preciznoj reprezentaciji. Ipak, upravo je u Parizu, studirajući pod Pierre-Narcisse Guérinom u École des Beaux-Arts, Scheffer doista pronašao svoj umjetnički glas, upijajući utjecaje Xaviera Sigalona, Eugènea Delacroixa i Théodorea Géricaulta dok je stvarao stil koji je bio jedinstveno njegov – često opisivan kao „hladnokrpno klasičan“, što je prividni paradoks koji nagovještava sržnu napetost unutar njegovog djela.

Književno platno: Teme i umjetnički razvoj

Schefferova je karijera odvijala se kroz nekoliko desetljeća, obilježena dosljednim istraživanjem tema izvučenih iz književnosti, mitologije, religije i portretizma. On nije samo ilustrirao priče; pokušavao je *vizualizirati* emocionalno jezgro tih narativa, prenoseći složena psihološka stanja na platno. To je posebno evidentno u njegovim ponavljajućim prikazima Dantove Franceske da Rimini, tragične priče o zabranjenoj ljubavi, koju je više puta ponovno interpretirao tijekom svoje karijere. Svaka iteracija nudila je nijansirano istraživanje tuge, strasti i očaja. Podjednako upečatljive su njegove slike inspirirane Goetheovim Wilhelm Meisterom, posebno likom Mignon, čija je čežnja za domom i nebom duboko odjekivala sa Schefferovom vlastitom osjećajem gubitka doma i duhovnom žudnjom. Christus Consolator, moćno djelo koje pokazuje njegov angažman prema religioznim temama, prikazuje mističnu kvalitetu koja dodatno izdvaja njegov stil. On nije samo prikazivao biblijske scene; tražio je način da prenese duboko emocionalno i duhovno iskustvo vjere. Osim ovih književnih i religioznih tema, Scheffer je također postigao značajan uspjeh kao portretist, bilježeći sličja plemića i istaknutih figura francuskog društva, pokazujući svestranost koja je pridonijela njegovoj širokoj popularnosti. Njegova slika iz 1837. godine, Pastiri vođeni zvijezdom, primjer je njegove sposobnosti da tradicionalnu religioznu ikonografiju prožme romantičarskim senzibilitetom.

Stil definiran nijansama: Spajanje klasicizma i romantizma

Definiranje Schefferovog stila nije jednostavno; ono postoji u fascinantnoj interakciji između aparentno suprotstavljenih sila. Iako nedvojbeno pod utjecajem emocionalnog žara romantizma, njegovo djelo dosljedno zadržava formalnost i klasičnu strukturu koja ga razlikuje od izrazito dramatičnijih slikara poput Delacroixa. Njegove su kompozicije pedantno izrađene, pokazujući profinjenu tehniku i evokativnu upotrebu svjetla i sjene kako bi se stvorila atmosfera i dubina. Posjedovao je iznimnu pažnju prema detaljima, posebno u prikazivanju kostima i okruženja, što njegovim slikama dodaje sloj povijesne autentičnosti. Međutim, ta pedantnost nikada ne djeluje hladno ili sterilno; ona služi za pojačanje emocionalnog dojeta scene. Prepoznatljiva karakteristika Schefferovog rada je njegova sklonost prema sentimentalnim, čak i melodramatičnim prikazima književnih i religioznih tema. Nije se bojao prihvatiti emociju, ali ju je često prezentirao kroz prizmu suzdržanosti i profinjenosti. Njegova preferencija za prigušene palete boja dodatno doprinosi tom osjećaju kontrolirane emocionalnosti, stvarajući slike koje su istovremeno vizualno upečatljive i emocionalno rezonantne.

Naslijeđe i trajna privlačnost

Iako je Schefferova popularnost u 20. stoljeću pomalo opala, njegov utjecaj na sljedeće generacije umjetnika ostaje neporeciv. Njegova jedinstvena mješavina romantizma i klasicizma ponudila je uvjerljivu alternativu radikalnijim pristupima nekih njegovih suvremenika. Danas se njegova djela čuvaju u muzejima diljem svijeta, uključujući Dordrecht Museum – što je svjedočanstvo njegovih nizozemskih korijena – i Museum of Fine Arts u Bostonu, što dokazuje njegovo međunarodno priznanje. Musée de la Vie Romantique u Parizu posjeduje posebnu kolekciju posvećenu Schefferu i George Sand, ističući njegov značaj unutar intelektualnih i umjetničkih krugova ere romantizma. Dostupnost njegovih remek-djela putem ručno izrađenih replika uljanih slika osigurava da njegova umjetnost i danas nastavlja inspirirati i očaravati publiku. Naslijeđe Aryja Scheffera ne leži samo u ljepoti njegovih slika, već i u njegovoj sposobnosti da spaja svjetove – između tradicije i inovacije, između razuma i emocije, te između nizozemskog umjetničkog nasljeđa i živopisnog kulturnog krajolika 19. stoljeća Francuske. On ostaje fascinantna figura za svakoga tko želi razumjeti složenost i nijanse romantičarske umjetnosti.

Sva 227 djela umjetnika Ary Scheffer →