bathers (1907) is the most famous painting by André Derain. London Bridge (1906) and Charing Cross from sw (1906) are the next two works the world knows best. From the 354 works of André Derain in our catalogue, here are the 100 that collectors and museum visitors look at most, with the year, the museum and the story of each.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.
To stand before André Derain's Bathers is to step directly into the exhilarating heart of the early twentieth century art revolution. This painting, executed in 1907, is not merely a depiction of figures by water; it is a pure explosion of color and emotion rendered through the lens of Fauvism. The very air around the canvas seems charged with the energy of bold pigment. Derain, a key figure alongside Henri…
In the heart of 1906, a revolution was unfolding on canvas, and André Derain was one of its most daring architects. His masterpiece, London Bridge, is far more than a mere architectural study; it is a visceral explosion of emotion captured through the lens of Fauvism. While the London fog is traditionally associated with muted greys and somber tones, Derain defies the atmospheric reality of the Thames to present a…
Charing Cross from SW: A Fauvist Symphony of London André Derain’s “Charing Cross from SW” isn't merely a depiction of a London landmark; it’s an explosion of feeling, a vibrant declaration of the Fauvist movement at its peak. Painted in 1906, this artwork captures a bustling scene along the Thames, dominated by the iconic Charing Cross bridge, yet rendered through a lens entirely unique to Derain's revolutionary approach to color…
To stand before André Derain’s Landscape at L'Estaque is not merely to observe a scene; it is to be enveloped by a burst of pure, unadulterated chromatic energy. Painted in 1906, this oil on canvas stands as a vibrant manifesto of the Fauvist movement—a style that dared to liberate color from the shackles of mere description. Here, the natural world of L'Estaque is rendered not with photographic accuracy, but with…
To gaze upon André Derain's Hyde Park is to step directly into the effervescent heart of early 20th-century Parisian life. This painting, executed in 1906, is far more than a mere depiction of an afternoon stroll; it is a vibrant celebration of modern leisure captured through the revolutionary lens of Fauvism. The scene unfolds with an almost palpable energy—a tapestry woven from bold color and dynamic movement. We see figures…
The artwork titled The Turning Road, L'Estaque - (129.5x195) was painted by André Derain. This work was created in 1906. The subject matter is situated in L'Estaque, a location in southern France that has since been subsumed by the city of Marseille.
To stand before André Derain’s "Cypresses" is to step directly into the vibrant heart of early twentieth-century French modernism. This captivating oil-on-panel, dating from 1907, is far more than a mere depiction of a landscape; it is an explosion of color and emotion captured by an artist at the zenith of his revolutionary period. The scene unfolds with a profound sense of natural grandeur: a field dotted with resilient pine…
To stand before André Derain’s Portrait of Madame Paul Guillaume with a large hat is to step directly into the vibrant, charged atmosphere of an early twentieth-century artist's studio. This painting is far more than a mere likeness; it is a meditation on creativity itself. The subject, seated amidst the beautiful chaos of artistic tools—canvases leaning against unseen supports, palettes bearing the ghosts of color—commands our attention with a serene…
André Derain’s “Drying the Sails,” painted in 1905, isn't merely a depiction of a harbor scene; it’s an explosion of color and emotion—a quintessential embodiment of the Fauvist movement. Born from a confluence of artistic influences and a desire to break free from traditional representation, this painting captures a fleeting moment on the French coast, imbued with a raw energy that continues to resonate with viewers today. Derain, alongside Henri…
In the annals of modern art, few moments capture the raw, unbridled energy of a revolution quite like André Derain’s Mountains at Collioure. Painted during the feverish summer of 1905, this masterpiece serves as a vibrant manifesto of the Fauvist movement, a period when color was liberated from the shackles of reality to serve the needs of pure emotion. As one gazes upon this canvas, the eye is immediately swept…
To stand before André Derain's Effect of Sun on the Water, London is to witness more than just a sunset; it is to experience a moment suspended in…
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To stand before André Derain’s Still Life on the Table is to be enveloped in a sudden, vibrant explosion of color. This painting from 1904 is not merely…
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In this oil on canvas, André Derain presents Harbour of Collioure, a work from 1905. The painting captures a Mediterranean port, focusing on the specific light and atmosphere…
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To stand before André Derain's "Black Scarf" is to step directly into the effervescent, color-drenched heart of early 20th-century Paris. Painted in 1935, this oil on canvas transcends…
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André Derain's 1906 painting, *Houses of Parliament at Night*, is more than just a depiction of London; it’s an explosion of emotion rendered in the heart of Fauvist…
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To stand before André Derain’s Landscape (Blue) is to step directly into the exhilarating heart of early twentieth-century modernism. This painting, executed in 1906, is not merely a…
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In the annals of early twentieth-century modernism, few moments capture the raw, unbridled energy of artistic revolution quite like André Derain’s Landscape near Chatou. Painted in 1904, this…
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To stand before André Derain’s Landscape at Collioure is to witness the moment when the traditional boundaries of nature were dissolved by a sudden, brilliant explosion of light…
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In the annals of modern art, few moments capture the raw, unbridled spirit of rebellion quite like the emergence of Fauvism, and few works embody this revolution as…
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André Derain’s Still Life with Fruit – A Fauvist Vision of Rural Tranquility The painting “Still Life with Fruit,” executed by André Derain in 1940, stands as a…
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The artwork titled Cassis, also known as Landscape at Cassis, is an oil on canvas painting. This work was executed by the French artist André Derain in 1907.…
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The painting titled Road to Castel Gandolfo is a work by André Derain. Created about 1921, this piece reflects a specific period in the artist's life when he…
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The early 20th century was a transformative period for modern art, with the emergence of various movements that challenged traditional techniques and aesthetics. One such movement was Fauvism,…
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André Derain’s “The Houses of Parliament and Westminster Bridge,” painted in 1906, stands as a quintessential example of the Fauvist movement. This vibrant oil on canvas captures a…
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A soulful portrait emerges from a palette of ochre, sienna, and cream. The subject is positioned in a close-up, centered composition that forces an intimate encounter between the…
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The Sorrowful Landscape by André Derain is a masterpiece that embodies the essence of Expressionism, a style characterized by its emphasis on conveying intense emotions and inner experiences.…
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Landscape at Cadaques is a landscape oil on canvas created by André Derain in 1913. This work belongs to the Cubism and Post-Impressionism movements, reflecting a period of…
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The sun hangs heavy over the Mediterranean as we find ourselves in 1905, witnessing the lively scene of Collioure. This oil on canvas by André Derain captures a…
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A seated female figure, identified as Jane, occupies the center of this 1938 oil on canvas. She is positioned at a dining table, her body angled slightly while…
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The painting Martigues by André Derain is a quintessential example of the Fauvist art movement. Created in 1908, this oil on canvas work embodies the essence of Fauvism,…
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This 1923 oil painting on canvas presents a solitary figure dressed as a Harlequin, captured in a moment of quiet introspection. The subject is seated and holds a…
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A single figure occupies the center of the canvas, a seated woman emerging from a void of deep umber. The light strikes her from the upper left, carving…
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In Boy's Head by André Derain, the composition centers on a close-up study of a single human figure. The subject's face is positioned slightly turned to the left,…
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The painting Landscape near Chatou by André Derain is a quintessential example of the Fauvist art movement. Created in 1904, this oil on canvas painting measures 54 x…
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The painting The Beautiful Model by André Derain is a stunning example of Fauvism, a style characterized by vivid colors and emotive brushstrokes. Created in 1923, this oil…
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Introduction to the Painting Fishing Boats, Colioure, painted in 1905 by André Derain, is a quintessential example of the Fauvist art movement. This vibrant oil on canvas painting…
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By 1912, the impulse toward experimentation had settled into a desire for clarity. This piece embodies the "Return to order," a movement that sought stability in an era…
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André Derain, a French artist and co-founder of the Fauvist movement, created a captivating piece titled Boats at Colliure. This painting is a quintessential representation of the Fauvist…
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André Derain’s “The Lighthouse at Collioure,” painted in 1905, isn't merely a depiction of a coastal scene; it’s an immersive experience—a vibrant explosion of color and movement that…
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The oil on canvas work titled Nude with Folded Arms was executed by the artist André Derain. This specific painting dates to 1924. It is currently held within…
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In the sweeping expanse of André Derain’s "Golden Age," viewers are transported into a primordial realm where the boundaries between humanity and nature dissolve into a dramatic, cinematic…
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Introduction to the Painting Fishing Boats, Collioure, painted in 1905 by André Derain, is a quintessential example of Fauvism, an art movement characterized by bold and vivid colors.…
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In this mesmerizing 1907 masterpiece, titled Landscape, André Derain invites the viewer into a world where reality is reimagined through the fractured lens of early modernism. The canvas…
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In the 1911 work Still Life with Pipe by André Derain, the composition is centered on a wooden table or ledge. The arrangement consists of a tall reddish-brown…
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The landscape unfolds through a series of leaning, organic forms that define a grove of pine trees. Thick, sweeping brushstrokes trace the bark of the trunks, creating a…
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In the annals of modern art history, few movements captured the raw, unbridled energy of light and emotion quite like Fauvism. At the heart of this revolution stands…
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A Moment of Sacred Tension The air in the room feels heavy, thick with the weight of a final meal. In this 1911 oil on canvas, the scene…
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To stand before André Derain’s Martigues Landscape is to be enveloped by a joyous, almost primal explosion of color. Painted in 1908, this work is not merely a…
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To gaze upon André Derain’s The Road is to step into a moment suspended in the golden haze of memory. This oil on canvas, dating from 1932, captures…
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Bacchus Dance: A Fauvist Celebration of Movement The early 20th century witnessed a seismic shift in art, marked by movements that boldly challenged established norms. Among these was…
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The painting L'Estaque by André Derain is a quintessential example of Fauvism, a style characterized by the use of bold, vibrant colors and energetic brushstrokes. Created in 1906,…
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Gazing upon André Derain's "Boats at Collioure," one is immediately transported to the sun-drenched shores of the French Riviera. This painting captures more than just a seascape; it…
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In the heart of the early twentieth century, a revolution erupted on the canvases of Paris, and few artists captured its raw, unbridled energy quite like André Derain.…
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Harlequin and Pierrot – André Derain: A Fauvist Echo of Melancholy André Derain’s “Harlequin and Pierrot” stands as an arresting testament to the fervor of Fauvism, a movement…
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The Church near Carrières-sur-Seine is an oil paint on canvas created by André Derain. This work emerged in 1909, a year when the artist's hand began to seek…
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The gaze meets a figure captured in a moment of quietude within Portrait of a Man With a Newspaper. This work, also known as Portrait of a Man…
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To gaze upon André Derain’s Portrait of Alice Derain is to step through a painted portal into a moment suspended in time—a quiet afternoon imbued with the warmth…
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The four subjects that return most often among these masterpieces, with the finest example of each.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora André Derain | Slike iz ovog popisa |
|---|---|---|---|
 Statens Museum For Kunst |
Kopenhagen | 17 | Head of a Young Woman, Harlequin, Sitting Female Model, Semi-Nude |
 Metropolitan Museum of Art |
New York | 4 | Houses of Parliament at Night, London, Fishing Boats, Colioure, Lucien Gilbert |
 Musée d’Art Moderne de la Ville de Paris |
Pariz | 7 | The Lighthouse at Collioure, The Gypsy |
 MoMA - Museum of Modern Art |
New York City | 4 | London Bridge, Fishing Boats, Collioure |
 Art Institute of Chicago |
Chicago | 3 | The Last Supper, Cagnes |
 National Gallery of Art |
Washington | 2 | Charing Cross from sw |
 Musee d'Art Moderne de Troyes |
Troyes | 2 | Hyde Park |
 Pushkin State Museum |
Moskva | 2 | Drying the Sails |
To stand before André Derain's Bathers is to step directly into the exhilarating heart of the early twentieth century art revolution. This painting, executed in 1907, is not…
Landscape at Cadaques is a landscape oil on canvas created by André Derain in 1913. This work belongs to the Cubism and Post-Impressionism movements, reflecting a period of…
To stand before André Derain’s Portrait of Madame Paul Guillaume with a large hat is to step directly into the vibrant, charged atmosphere of an early twentieth-century artist's…
To stand before André Derain's "Black Scarf" is to step directly into the effervescent, color-drenched heart of early 20th-century Paris. Painted in 1935, this oil on canvas transcends…
André Derain’s Still Life with Fruit – A Fauvist Vision of Rural Tranquility The painting “Still Life with Fruit,” executed by André Derain in 1940, stands as a…
bathers (1907). Next come London Bridge (1906) and Charing Cross from sw (1906).
27 years old: bathers dates from 1907 and André Derain was born in 1880.
bathers, London Bridge, Charing Cross from sw, Landscape at L'Estaque, Hyde Park, The Turning Road, L'Estaque - (129.5x195), Cypresses, Portrait of Madame Paul Guillaume with a large hat, Drying the Sails i Mountains at Collioure. The ranking above gives the year and the museum of each.
Our catalogue lists 354 works by André Derain, dated from 1899 to 1946.
Most of them are in Statens Museum For Kunst (Kopenhagen), Metropolitan Museum of Art (New York) i Musée d’Art Moderne de la Ville de Paris (Pariz). The table above lists the museums one by one.
In 1900s: 45 of the 100 works on this page date from then, among them bathers.
The earliest on this page is Funeral (1899), the latest Sorrowful Landscape (1946).
Landscape (18), Trees (12) i Boats (10), among the 100 works on this page.
Oil On Canvas: 49 of the 100 works on this page.
Fauvism, as the paintings on this page show.
Head of a Young Woman, Harlequin i Sitting Female Model, Semi-Nude are among the 10 works on this page held by the Statens Museum For Kunst, Kopenhagen.
Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.
Godine 1880. André Derain je došao na svijet u Chatouu, selu smještenom u regiji Yvelines u Francuskoj. Njegove su rane godine oblikovali tihi krajolici Île-de-Francea, gdje je prirodna znatiželja prema okolini počela puštati korijen. Već do 1895. godine počeo je samostalno proučavati umjetnost, nastojeći razumjeti vizualni svijet vlastitim očima, a ne kroz formalnu nastavu. To razdoblje samostalnog istraživanja omogućilo mu je da razvije osobistviti način gledanja prije nego što su mu stroga pravila akademije mogla nametnuti svoju volju.
Put slikarstva nije bio njegova jedina pogleda. Godine 1898. tražio je strukturiranije obrazovanje, kratko studirajući za inženjera na Académie Camillo. Upravo su u tim akademskim dvoranama njegov život poprimio odlučujući preokret; pohodio je nastavu slikarstva pod vodstvom Eugène Carrière i tamo susreo Henri Matisse. Taj susret promijenio bi smjer njegovog života, odvlačeći ga od preciznosti inženjerstva prema ekspresivnim mogućnostima platna. Njegove su ambicije bile snažne, no njegov je napredak prekinut dužnostima građanina. Od rujna 1901. do 1904. godine obavljao je vojnu službu u Commercy, razdoblje odvojenosti koje je privremeno zaustavilo njegov rastući umjetnički razvoj.
Ljeto 1905. godine donijelo je iznenadnu, blistavu promjenu u živote André Deraina i Henrija Matissea. Putovali su zajedno u ribarski gradić Collioure, mjesto gdje je svjetlost poput zahtjeva tražila potpuno novi način gledanja. U tom obalijskom ambijentu, umjetnik je počeo odstupati od tradicionalnih pravila reprezentacije. Njegovo djelo iz razdoblja od 1905. do 1906. godine definirao je razuzmaji kolorizam koji je šokirao one naviknute na suptilnije tonove. Koristio je pojednostavljene crteže i pretjerano korištenje boje kako bi uhvatio samu esenciju krajolika, dajući prednost intenzivnim, nepomiješanim nijansama nasuprot naturalističkim bojama svijeta.
Ovaj radikalan pristup slikarstvu izazvao je žestoku reakciju javnosti i novinskih kolumenista. Umjetnici su dočekani s tolikim zaprepaštenjem da su dobili nadimak Les Fauves, ili divlje zvijeri. Taj je naziv, iako je bio namijenjen ismijavanju zbog njihovog navodnog nedostatka discipline, prihvaćen od strane same grupe. Derainova platna tijekom tih godina nisu nastojala replicirati krajolik poput fotografije, već su boju koristila kao izravni izraz osjećaja. Potezi četkicom bili su odvažni, a palete zapanjujuće, označavajući radikalni odmak od svega što je prethodilo tom trenutku.
U ožujku 1906. godine, trgovački predstavnik umjetnosti Ambroise Vollard prepoznao je novi smjer za umjetnika i poslao ga u London. To nije bio puki izlet, već promišljena narudžba s ciljem da se uhvati bit grada koji je već dugo bio predmet istraživanja mnogih slikarja. André Derain stigao je u englesku metropolu i počeo promatrati urbani krajolik kroz leću intenzivnih boja, udaljavajući se od mirnoće francuskog polja. Težio je prevesti energiju metropole u nešto što se osjeća, a ne samo vidi.
Tijekom tog razdoblja umjetnik je stvorio seriju od trideset slika, usmjerivši pažnju na Temzu i impozantnu arhitekturu grada. Nije pokušavao replicirati sive magle koje se često povezuju s ovom rijekom; umjesto toga, koristio je odvažne nijanse kako bi prikazao kretanje vode i siluete mostova. Njegova vizija grada bila je radikalno odmaknuće od atmosferskih studija onih koji su mu prethodili. Fokusirao se na strukturnu težinu znamenitosti i promjenjivu svjetlost urbanog okruženja.
Ova djela ostala su među njegovim najpopularnijim kreacijama, jer su ponudila svježu perspektivu na već utabani ambijent. Fokusirajući se na Temzu i Tower Bridge, uhvatio je osjećaj moderniteta i nemirnog kretanja. Gusti slojevi boje i nekonvencionalna paleta omogućili su mu da grad prikaže kao živo, dišuće biće svjetlosti i sjene.
Kako su godine prolazile, divlji impulsi mladosti počeli su se polako stišavati. Oko 1907. godine, promjena je obuzela njegovu ruku i oko, a njegovo djelo postalo je asketsnije. Neobuzdane boje koje su nekada definirale njegova platna ustupile su mjesto discipliniranijem pristupu. Taj pomak nije bio nagli prekid, već postepeno kretanje prema strukturi i formi. André Derain je tražio drugačiju vrstu istine, onu koja se nalazi u tihoj snazi kompozicije, a ne u šoku boje.
Između 1911. i 1914. godine ušao je u fazu koju su mnogi nazivali njegovim gotičkim razdobljem. Tijekom tog vremena, njegovo interesiranje za stare majstore i klasične oblike postalo je izraženije. Odmaknuo se od bučnih, nepomišenih pigmenata ranih godina, tražeći umjesto toga kontroliraniji i intelektualno rigorozniji način gledanja. To je bilo vrijeme traženja, u kojem se okretao temeljima umjetnosti kako bi pronašao novi put naprijed.
Veliki rat još jednom je promijenio pejzaž njegovog života i njegove umjetnosti. Nakon sukoba, pojavio se kao vođa pokreta poznatog kao Povratak redu. Ovaj novi klasicizam tražio je stabilnost i jasnoću u eri dubokih promjena. Postao je centralna figura u ovom preporodu, pomažući u usmjeravanju umjetnosti prema strukturiranijoj i tradicionalnijoj estetici. Njegovo djelo odražavalo je tu želju za redom, prihvaćajući osjećaj trajnosti koji je nedostajao tijekom njegovih eksperimentalnijih godina.
Kako su godine prolazile, umjetnikovi se interesi širili izvan okvira platna, produbljujući se u teatralni svijet. Godine 1919. okrenuo je svoj kreativni pogled prema sceni, dizajnirajući balet La Boutique Fantasque za Ballets Russes. Ovaj podbjesni izlet u dizajn scenografije i kostima otkrio je osjećaj ritma i spektakla koji je savršeno dopunio njegovu evoluirajuću estetiku. Njegova sposobnost da privuče pažnju kroz formu i boju i dalje je bila priznata među kolegama, što je rezultiralo dodjelom prestižne Carnegie Prize 1928. godine.
Kasnije desetljeće njegovog života obilježeno je kontinuiranim težnjama prema novom klasicizmu, što je predstavljalo odmak od divljih impulsa mladosti. Ostao je aktivan u svijetu umjetnosti, čak i dok se politički pejzaž Europe mijenjao oko njega. Napokon je preminuo 8. rujna 1954. godine, ostavivši za sobom bogat opus koji je prošao kroz mnoštvo različitih načina izražavanja.
Valovi fauvističkog pokreta, koji je André Derain pomogao utemeljiti uz Henrija Matissea, protegnuli su se daleko izvan prvotnog šoka koji su izaznale njihove odabire boja. Razbijanjem tradicionalnih veza između boje i fizičkog svijeta, on je pomogao očistiti put za strukturne inovacije kubizma i emocionalni intenzitet koji se nalazi u modernom ekspresionizmu. Njegova nemirna potraga za novim vizualnim jezikom značila je da su lekcije naučene u suncem okupanim pejzažima Collioureure na kraju otputovale na sjever, utječući na razvoj njemačkog ekspresionizma. On nije samo slika; on je pomogao redefinirati samu svrhu poteza četkicom.
Njegov utjecaj ostao je stalno prisutan za izdanje umjetnika koji su nastojali uspostaviti ravnotežu između sirove energije njegovih ranih godina i strukturirane discipline njegovih kasnijih radova. Čak i kada se njegov vlastiti stil pomaknuo prema strožijem i klasičnijem pristupu, radikalni duh njegove mladosti nastavio je odjekivati. Dokazao je da umjetnik može kretati se između divljih, nepomišenih nijansi svoje mladosti i kontroliranog, intelektualnog strogog pristupa, a da pritom ne izgubi svoju kreativnu istinu. Ta prilagodljivost osigurala je da njegova prisutnost u povijesti moderne umjetnosti ostane neosporna, čak i kada su pokreti koje je pomogao roditi evoluirali u potpuno nove oblike.
