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Schleissheim Linden
Ručno oslikana uljana reprodukcija od $181 36 × 28 cm
Isti veličine kao i original $439 111 × 86 cm Naručite u izvornim dimenzijama →
Schleissheim Linden (1908) najpoznatije je djelo umjetnika Robert Raudner, koje se nalazi u muzeju Bavarske državne slikopisne zbirke u gradu München. Od 1 djela umjetnika Robert Raudner u našem katalogu, izdvajamo ovih 1 koja su najtraženija među kolekcionarima i posjetiteljima muzeja, uz godinu nastanka, naziv muzeja i priču o svakom od njih.
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1 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Robert Raudner | Slike iz ovog popisa |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 1 | Schleissheim Linden |
1908 je godina svakog datiranog remek-djela umjetnika Robert Raudner na ovoj stranici: evo ih, poredanih prema popularnosti.
Schleissheim Linden (1908)
54 godina: Schleissheim Linden datira iz 1908, a Robert Raudner je rođen/a 1854.
Naš katalog sadrži 1 djela umjetnika Robert Raudner.
Većina njih se nalazi u Bavarske državne slikopisne zbirke (München). Gornja tablica navodi muzeje jedan po jedan.
Da. Svako djelo na ovoj stranici možete naručiti kao ručno oslikano ulje na platnu muzejske kvalitete ili kao umjetničku tisku, u odabranoj veličini, izravno sa stranice samog djela.
January 1854 brings Robert Hermann Raudner into the world at Nimkau in Silesia. He is the son of a telegraphist. The path toward the canvas begins in earnest in October 1878, when he enters the Royal Academy of Fine Arts in Munich. He joins the antique class, focusing his early efforts on drawing after the antique.
The halls of the Academy place him alongside a specific cohort of emerging talents. His classmates include Gyula Benczúr, Alexander Strähuber, Johann Leonhard Raab, and Ludwig von Löfftz. These shared studies in Munich form the technical foundation for his later work in landscape and genre painting.
After completing his formal education, Raudner settles into the municipality of Schleißheim. His professional life becomes rooted here, centered on the meticulous demands of landscape painting and etching. He moves through the late nineteenth century with a focus on the natural world and the quiet details of genre scenes.
His presence in the Munich art scene is marked by specific appearances at the Munich Glass Palace. In 1897 and 1899, he presents his works to the public, demonstrating his skill as an etcher and painter. The technical breadth of his output includes:
The momentum of his career reaches its conclusion in Munich. On 14 January 1915, Raudner dies at the age of 60. His connection to the region remains etched into the geography of Schleißheim, where a street bears his name. He leaves behind a body of work defined by the Realism movement and the disciplined techniques learned in the Munich Academy.