1
Roosters on Horses
Ručno oslikana uljana reprodukcija od $206 42 × 24 cm
Isti veličine kao i original $466 146 × 66 cm Naručite u izvornim dimenzijama →
Roosters on Horses (1880) najpoznatije je djelo umjetnika László Pataky, koje se nalazi u muzeju Slovačka nacionalna galerija u gradu Bratislava. Cavalry Battle (1890) i Kuruci (1903) su sljedeća dva djela koja svijet najbolje poznaje. Od 5 djela umjetnika László Pataky u našem katalogu, izdvajamo ovih 3 koja su najtraženija među kolekcionarima i posjetiteljima muzeja, uz godinu nastanka, naziv muzeja i priču o svakom od njih.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026. Svako remek-dielo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejske kvalitete ili kao umjetnička štampa, u dimenzijama koje odaberete.
2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora László Pataky | Slike iz ovog popisa |
|---|---|---|---|
 Slovačka nacionalna galerija |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
Roosters on Horses (1880), Slovačka nacionalna galerija, Bratislava. Sljedeći su Cavalry Battle (1890) i Kuruci (1903).
23 godina: Roosters on Horses datira iz 1880, a László Pataky je rođen/a 1857.
Naš katalog sadrži 5 djela umjetnika László Pataky, datiranih od 1880 do 1903.
Većina njih se nalazi u Slovačka nacionalna galerija (Bratislava) i Ernest Zmeták Art Gallery (Nové Zámky). Gornja tablica navodi muzeje jedan po jedan.
Najstarije djelo na ovoj stranici je iz Roosters on Horses (1880), a najnovije iz Kuruci (1903).
Roosters on Horses i Cavalry Battle su među 2 djela na ovoj stranici koja se nalaze u muzeju Slovačka nacionalna galerija, Bratislava.
Da. Svako djelo na ovoj stranici možete naručiti kao ručno oslikano ulje na platnu muzejske kvalitete ili kao umjetničku tisku, u odabranoj veličini, izravno sa stranice samog djela.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.