John Simpson, 1782 – 1847

Slike autora John Simpson: Najpoznatija 20 djela, rangirana

Najpoznatije djelo umjetnika John Simpson je The Duke of Wellington (1769–1852), koje se nalazi u muzeju The Royal Hospital Chelsea, u gradu London. Uz Clarkson Frederick Stanfield (1829) i D. Maria II, Queen of Portugal (1819-1853) (1837), to su tri djela koja svi prepoznaju. Naš katalog sadrži 22 djela umjetnika John Simpson; ovih 20 ispod su djela koja svijet najčešće posjećuje, a svako od njih navodi godinu nastanka, muzej u kojem se nalazi i razlog njegovog značaja.

Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Studeni 2026. Svako remek-dielo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejske kvalitete ili kao umjetnička štampa, u dimenzijama koje odaberete.

Portret John Simpson
John Simpson · 1782 – 1847
Rođen · umro
1782 – 1847, London
Djela u našem katalogu
22
Najpoznatije djelo
The Duke of Wellington (1769–1852)
Najviše djela u
National Portrait Gallery

10 najpoznatijih djela umjetnika John Simpson

The Duke of Wellington (1769–1852) od John Simpson
1

The Duke of Wellington (1769–1852)

Oil On Canvas · The Royal Hospital Chelsea, London

To gaze upon this depiction of the Duke of Wellington is to encounter not merely a likeness, but an embodiment of British martial spirit and enduring historical gravity. John Simpson has captured a moment steeped in ceremony and authority. The subject stands with an undeniable bearing, clad in formal attire that speaks volumes of his station—a man whose life was inextricably linked to the grand sweep of military history. His…

Ručno oslikana uljana reprodukcija od $181 26 × 38 cm
Clarkson Frederick Stanfield (1829) od John Simpson
2

Clarkson Frederick Stanfield

1829 · Oil · National Portrait Gallery, London

A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his gaze drifts toward the same unseen horizon. The lighting is dramatic, a heavy chiaroscuro that spills from the upper left to catch the ridge of his brow and the bridge of his nose. This directional light carves his features out of a…

Ručno oslikana uljana reprodukcija od $181 29 × 35 cm Isti veličine kao i original $299 64 × 77 cm Naručite u izvornim dimenzijama →
D. Maria II, Queen of Portugal (1819-1853) (1837) od John Simpson
3

D. Maria II, Queen of Portugal (1819-1853)

1837 · Oil On Canvas · Imperial Museum of Brazil, Petrópolis

The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within an ornate, gilded throne that seems to grow from the very shadows of the room. The light catches the shimmering white of her satin gown, turning the fabric into a luminous landscape of folds and soft highlights. A vibrant sash, striped with…

Ručno oslikana uljana reprodukcija od $181 28 × 36 cm
Retrato de D. Pedro, Duque de Bragança (1834) od John Simpson
4

Retrato de D. Pedro, Duque de Bragança

1834 · Oil On Canvas

This formal and dignified 19th-century portrait depicts D. Pedro, Duque de Bragança in a three-quarter length composition. The subject is positioned slightly off-center, creating a sense of dynamic presence within the frame. He is dressed in an ornate military uniform, which is heavily adorned with medals, stars, and gold embroidery. A vibrant red and green ceremonial sash cuts across the dark tones of the attire, complemented by the bright white…

Ručno oslikana uljana reprodukcija od $181 28 × 36 cm Isti veličine kao i original $551 102 × 130 cm Naručite u izvornim dimenzijama →
Portrait of the Duke of Terceira (1832) od John Simpson
5

Portrait of the Duke of Terceira

1832 · Oil · Soares dos Reis National Museum, Porto

John Simpson executed the Portrait of the Duke of Terceira about 1832. The sitter is António José Severim de Noronha, 1st Duke of Terceira, a prominent Portuguese military officer and statesman. His life was defined by significant political and military engagement during the nineteenth century.

Ručno oslikana uljana reprodukcija od $181 29 × 35 cm Isti veličine kao i original $301 64 × 77 cm Naručite u izvornim dimenzijama →
Prince Auguste de Beauharnais, Duke of Leuchtenberg (1834) od John Simpson
6

Prince Auguste de Beauharnais, Duke of Leuchtenberg

1834 · Oil On Canvas

The portrait titled Prince Auguste de Beauharnais, Duke of Leuchtenberg is a work by the artist John Simpson. The canvas captures Auguste Charles Eugène Napoléon de Beauharnais in a moment of formal stillness. He was a man of significant lineage, serving as the first prince consort of Maria II of Portugal. His presence in this work carries the weight of his many titles, including the 2nd Duke of Leuchtenberg and…

Ručno oslikana uljana reprodukcija od $181 28 × 36 cm
Captain Peter Heywood (1773–1831) (1822) od John Simpson
7

Captain Peter Heywood (1773–1831)

1822 · Oil On Canvas · National Maritime Museum, London

The man stares directly through the darkness, his gaze steady and unyielding. He sits enveloped in the heavy, dark atmosphere of the early 19th century, his presence defined by the sharp contrast of his military attire against an indistinct, shadowy background. A dark blue coat clings to his shoulders, weighted by the glint of gold epaulettes that signal his rank and the gravity of his station. His white shirt rises…

Ručno oslikana uljana reprodukcija od $181 29 × 35 cm Isti veličine kao i original $299 64 × 76 cm Naručite u izvornim dimenzijama →
William IV (1765–1837) (1830) od John Simpson
8

William IV (1765–1837)

1830 · Oil On Canvas

In this 1830 portrait, we find ourselves in the presence of William IV, a man whose likeness was captured during a period of significant transition in British history. The subject is positioned centrally, commanding the space with a quiet, regal authority. He is draped in formal attire that speaks to his high station, holding a scepter that serves as a direct symbol of his sovereign power. Behind him, a heavy…

Ručno oslikana uljana reprodukcija od $181 25 × 39 cm
Head of a Man ( Ira Frederick Aldridge) (1827) od John Simpson
9

Head of a Man ( Ira Frederick Aldridge)

1827 · Oil

The gaze of the subject meets the viewer through the layers of history in Head of a Man ( Ira Frederick Aldridge). This portrait, painted by John Simpson, captures a moment of profound stillness. The man stares into the distance, his thoughts seemingly drifting far beyond the edges of the frame. He wears a red robe that catches the light, a striking contrast against his dark skin. Around him, the…

Ručno oslikana uljana reprodukcija od $181 28 × 36 cm
Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes (1826) od John Simpson
10

Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes

1826 · Oil On Canvas

In this large-scale portrait, we encounter Sir John Fleming Leicester, 1st Lord de Tabley, captured in a moment of profound dignity. He is depicted in his peer's robes, a garment that carries the weight of his status and the recent elevation to the peerage in 1826. The subject is positioned with his back partially turned toward us, a choice that creates a sense of looking into a private, ceremonial space.…

Ručno oslikana uljana reprodukcija od $181 24 × 42 cm

John Simpson, slike od 11 do 20

Motivi koje je John Simpson najčešće slikao

Četiri teme koje se najčešće pojavljuju među ovim remek-djelima, uz najbolji primjer svake od njih.

Gdje vidjeti slike umjetnika John Simpson

8 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora John Simpson Slike iz ovog popisa
National Portrait Gallery, LondonNational Portrait Gallery London 3 Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826), Sir Herbert Taylor
National Maritime Museum, LondonNational Maritime Museum London 2 Captain Peter Heywood (1773–1831), Clarkson Stanfield (1793–1867)
The Royal Hospital Chelsea, LondonThe Royal Hospital Chelsea London 1 The Duke of Wellington (1769–1852)
Imperial Museum of Brazil, PetrópolisImperial Museum of Brazil Petrópolis 1 D. Maria II, Queen of Portugal (1819-1853)
Soares dos Reis National Museum, PortoSoares dos Reis National Museum Porto 1 Portrait of the Duke of Terceira
Leeds Civic Hall, LeedsLeeds Civic Hall Leeds 1 George Goodman, Mayor (1836)
Skotska nacionalna galerija portreta, EdinburghSkotska nacionalna galerija portreta Edinburgh 1 Sir Charles Napier (1786–1860), Admiral
English Heritage, LondonEnglish Heritage London 1 Arthur Wellesley (1769–1852), 1st Duke of Wellington, KG

Najpoznatije djelo umjetnika John Simpson iz svakog desetljeća

  1. 1820s
    Clarkson Frederick Stanfield (1829) od John Simpson
    Rang 2 od 20

    Clarkson Frederick Stanfield

    Godine 38 – 47 · National Portrait Gallery

    A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his…

  2. 1830s
    D. Maria II, Queen of Portugal (1819-1853) (1837) od John Simpson
    #3 od 20

    D. Maria II, Queen of Portugal (1819-1853)

    Godine 48 – 57 · Imperial Museum of Brazil

    The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within…

  3. 1840s
    Sir Charles Napier (1786–1860), Admiral (1841) od John Simpson
    15. od 20

    Sir Charles Napier (1786–1860), Admiral

    Godine 58 – 65 · Skotska nacionalna galerija portreta

    The portrait depicts Sir Charles Napier, an admiral who lived from 1786 to 1860. He is positioned in a three-quarter view, wearing a black coat accented with gold…

Pitanja o slikama umjetnika John Simpson

Koje je najpoznatije djelo umjetnika John Simpson?Prikaži odgovor

The Duke of Wellington (1769–1852), The Royal Hospital Chelsea, London. Sljedeći su Clarkson Frederick Stanfield (1829) i D. Maria II, Queen of Portugal (1819-1853) (1837).

Koja su 10 najboljih slika umjetnika John Simpson?Prikaži odgovor

The Duke of Wellington (1769–1852), Clarkson Frederick Stanfield, D. Maria II, Queen of Portugal (1819-1853), Retrato de D. Pedro, Duque de Bragança, Portrait of the Duke of Terceira, Prince Auguste de Beauharnais, Duke of Leuchtenberg, Captain Peter Heywood (1773–1831), William IV (1765–1837), Head of a Man ( Ira Frederick Aldridge) i Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes. Gornji popis prikazuje godinu i muzej za svako od njih.

Koliko je slika stvorio/la John Simpson?Prikaži odgovor

Naš katalog sadrži 22 djela umjetnika John Simpson, datiranih od 1822 do 1841.

Gdje se nalaze najpoznatija djela umjetnika John Simpson?Prikaži odgovor

Većina njih se nalazi u National Portrait Gallery (London), National Maritime Museum (London) i The Royal Hospital Chelsea (London). Gornja tablica navodi muzeje jedan po jedan.

Kada je John Simpson naslikao svoja najpoznatija djela?Prikaži odgovor

U razdoblju 1830s: 9 od ukupno 20 djela na ovoj stranici datira iz tog vremena, među kojima je i D. Maria II, Queen of Portugal (1819-1853).

Koja su najranija i najnovija poznata djela John Simpson?Prikaži odgovor

Najstarije djelo na ovoj stranici je iz Captain Peter Heywood (1773–1831) (1822), a najnovije iz Sir Charles Napier (1786–1860), Admiral (1841).

Što je John Simpson najčešće slikao?Prikaži odgovor

Man (13), Dark background (5) i Portrait (4), od ukupno 20 djela na ovoj stranici.

Koji je medij najčešće koristio/la John Simpson?Prikaži odgovor

Oil On Canvas: 10 od ukupno 20 djela na ovoj stranici.

Koje slike umjetnika John Simpson mogu vidjeti u muzeju National Portrait Gallery?Prikaži odgovor

Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826) i Sir Herbert Taylor su među 3 djela na ovoj stranici koja se nalaze u muzeju National Portrait Gallery, London.

Mogu li kupiti reprodukciju slike autora John Simpson?Prikaži odgovor

Da. Svako djelo na ovoj stranici možete naručiti kao ručno oslikano ulje na platnu muzejske kvalitete ili kao umjetničku tisku, u odabranoj veličini, izravno sa stranice samog djela.

O John Simpson

John Simpson: A Life in Portraiture

Early Life and Training

  • Born in London in 1782, John Simpson embarked on a career as a portrait painter during a vibrant period of British art.
  • He received his foundational training at the prestigious Royal Academy, honing his skills and establishing himself within the artistic community.
  • Crucially, Simpson spent several years as an assistant to Sir Thomas Lawrence, PRA – a leading portraitist of the era. This mentorship profoundly shaped his style and approach to capturing likenesses.

Artistic Development and Style

  • Simpson’s early work reflects the influence of Sir Thomas Lawrence, characterized by a refined technique and attention to detail. He quickly gained recognition for his ability to create flattering and accurate portraits.
  • He exhibited regularly at the Royal Academy from 1807 until his death, demonstrating consistent productivity and engagement with the art world.
  • While primarily a portraitist, Simpson’s work occasionally ventured beyond conventional society portraiture, hinting at a broader artistic sensibility.

Major Achievements and Commissions

  • Royal Patronage: In 1834, Simpson received a significant commission to travel to Portugal and paint portraits in Lisbon.
  • His success led to an appointment as Painter to the Queen of Portugal, solidifying his reputation on the international stage.
  • Notable Sitters: Simpson painted numerous prominent figures, including William IV and many other notable individuals of his time. His portraits provide valuable visual records of British society during the 19th century.

‘The Captive Slave’ and Rediscovery

  • A Turning Point: Simpson's painting, ‘The Captive Slave,’ created a significant shift in his artistic legacy. It remained largely unseen for nearly 180 years.
  • Acquisition and Recognition: The Art Institute of Chicago acquired the work in 2008, bringing it to public attention.
  • Abolitionist Significance: ‘The Captive Slave’ is now recognized as a powerful statement against slavery. It demonstrates Simpson's capacity for venturing beyond conventional portraiture and engaging with important social issues.

Legacy and Historical Significance

  • Despite some contemporary criticism suggesting his work lacked “instinct and penetration,” John Simpson established a successful career as a respected portrait painter.
  • Family of Artists: He had two sons who also pursued artistic careers – Charles, who died young, and Philip, who found success with small domestic subjects.
  • Enduring Impact: The rediscovery of ‘The Captive Slave’ has elevated Simpson's status, highlighting his talent and the painting’s importance as a symbol of the abolitionist movement. He is now recognized not only for his technical skill but also for his contribution to social commentary through art.